In the relentless struggle for existence in the world depicted in the movie “28 Years Later”, traditional father-son bonding takes on a unique form. This long-awaited sequel to the captivating zombie thrillers “28 Days Later” and “28 Weeks Later” delves into life that has unfolded decades after the accidental spread of the fictional Rage Virus. The narrative, which brings back original director Danny Boyle and writer Alex Garland, follows Jimmy, portrayed by Aaron Taylor-Johnson, as he ventures from his secluded island refuge of survivors to explore the treacherous mainland. There, he encounters secrets, wonders, and horrors that have not only transformed the infected but also other survivors themselves.
In a detailed interview, ComicBook conversed with director Taylor-Johnson, along with actors Jodie Comer and Alfie Williams, regarding the newest addition to the popular horror series. The dialogue primarily centered around the complex father-son bond between Taylor-Johnson’s character Jimmy and Williams’s character Spike, which has been significantly altered in a society ravaged by the Rage Virus. Particular emphasis was given to a specific scene where their characters go on a hunt, but not for game; instead, they pursue the infected. The talk delved into how this scene underscored the disturbingly high level of violence that is considered routine in the world depicted in 28 Years Later. Alfie Williams concurred that the extent of brutality portrayed in the movie has become accepted as the norm.
Taylor-Johnson Says Denial and Protectiveness are Behind the Father-Son Zombie Hunting Scene
In a somewhat surprising manner, Taylor-Johnson, a father of four, found it ironic that Jimmy was leading Spike, who was still young and easily influenced, to hunt for other people – something he himself found somewhat amusing.
As I watched the captivating sight of a herd of deer before me, my thoughts were filled with awe, exclaiming silently to myself, ‘What a breathtaking scene!’ However, this serene moment was not just about the beauty of nature; it was a lesson in survival for Spike. Taylor-Johnson pondered aloud on the unusual target, revealing that the hunting trip served as a grim preparation for Spike, exposing him to the harsh realities of a post-outbreak world.
Taylor-Johnson explained further that in “28 Years Later,” Jimmy’s eagerness to safeguard his son and prepare him for the world’s harsh realities stemmed from a subconscious denial of the unknown outside their island home, and how they had evolved to endure. He disclosed that Jimmy’s decision to take Spike on the hunting trip was an effort to make killing the infected seem like approval, while actually trying to desensitize the infected and disguise his inner conscience telling him that there must be more to it than just this.
Taylor-Johnson went on to say, “This is the way we live, this is how we thrive, and this is why we’ve been successful. Our community is unmatched, there’s no one else quite like it. He seems to be in denial, but he’s also trying to shield his son, while keeping a part of himself hidden.
As a cinephile, I must admit that, despite my best efforts to pass on my unique perspective to my son Spike, he continues to question and challenge me. Now, this might not sit well with me on-screen, but director Taylor-Johnson applauds it, stating that “Spike’s quest for answers and truth is commendable.” This is particularly true in the film where, contrary to what I tell him, Spike refuses to blindly accept my words. Things take a chilling, deadly turn during our hunting trip in the movie, which only reinforces the need for Spike to think critically about the world around us.
28 Years Later is in theaters now.
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2025-06-21 02:41