It’s clear that “Thunderbolts*” is a more impressive title within the Marvel Cinematic Universe compared to many movies during Phases 4 and 5. However, it doesn’t quite reach the exceptional quality of timeless MCU productions such as The Avengers, Black Panther, or even Guardians of the Galaxy Vol. 3. Yet, “Thunderbolts*” remains a well-crafted piece that stands out, particularly in its emotional depth and lead performances. Florence Pugh delivers an exceptional performance in both these aspects, demonstrating her immense talent.
In its own right, there’s much to commend in the film titled “Thunderbolts“. Compared to some lackluster Marvel Cinematic Universe (MCU) productions such as “Ant-Man and the Wasp: Quantumania” and “Captain America: New World Order“, this movie has certain aspects that truly shine. Gather your equipment, and let’s delve into three key areas where “Thunderbolts” outshines recent Phase Four and Five MCU films.
A More Distinctive Score
In the third phase, it appeared that Marvel Studios had successfully addressed their issue with generic musical scores, offering some exceptional orchestral pieces from composers such as Michael Giacchino, Mark Mothersbaugh, and Ludwig Göransson. However, in phases 4 and 5 (with a few exceptions like Joel P. West’s impressive work on Shang-Chi), the musical scores have been less impressive. For example, Christophe Beck’s compositions for Quantumania seemed to lack either a touch of surrealist flair or the expected cosmic exhilaration. On the other hand, Rob Simonsen’s tracks for Deadpool & Wolverine were rather ordinary, surprising for their lack of humor, fun, or anarchic spirit.
Instead of following the common trend, Thunderbolts* breaks free with its unique choice of music. Delightfully, this production’s score is the creation of Son Lux, an innovative three-piece band new to the Marvel Cinematic Universe (MCU). This group skillfully incorporates distinctive sounds into their tracks. The main Thunderbolts* theme carries a scratchy, somewhat ominous tone that mirrors the anti-hero roots of these characters. On the other hand, “The Climb,” a track accompanying an early scene where Thunderbolts members grapple with collaboration, is rich in creative musical elements like tense flute playing, abrasive string arrangements, and a repetitive sound akin to a ticking clock. These innovative touches are scattered throughout Son Lux’s captivating Thunderbolts* score. Ultimately, the orchestral tracks in this modern MCU movie shine with character-rich personality.
A Smaller Cast of Characters
To give the Marvel Cinematic Universe (MCU) films a sense of “epic-ness” following Avengers: Endgame, Phases 4 and 5 have packed each solo movie with numerous characters. Even a strong film like Black Panther: Wakanda Forever had unnecessary American CIA characters taking up screen time. Meanwhile, films like Brave New World* and Quantumania were overwhelmed by their expansive storylines. However, the upcoming ensemble film Thunderbolts*, in contrast to its recent MCU counterparts, addresses this issue by adopting a more focused approach in terms of its scope.
*Note: Thunderbolts is a fictional team in Marvel Comics, but it hasn’t been confirmed if it will be part of the upcoming film titled “Thunderbolts” in the MCU.
From a passionate cinephile’s perspective, this project uniquely unfolds solely from the perspective of Yelena Belova, with almost all the principal Thunderbolts* characters converging in a single scene. This tightly knit narrative leaves ample room for engaging character interplay. Moreover, the supporting cast is minimal, serving the story rather than setting up potential sequels or streaming series. Unlike previous outings such as Deadpool & Wolverine, there’s no influx of cameos from past superhero films. In contrast to other Phase Four and Five movies, Thunderbolts* manages to juggle far fewer elements, which undeniably works to its advantage.
An Intimate Finale
In 2016, Marvel Studios released “Captain America: Civil War” and “Doctor Strange.” These films featured more subdued and personal conclusions, indicating that the creators understood not every Marvel Cinematic Universe (MCU) movie needed a climax with a massive battle like the ending of the first “Avengers.” Regrettably, many movies from Phases 4 and 5 have chosen to focus on fighting a weightless CGI villain or an excessive amount of digitally rendered cosmic chaos. Thankfully, “Thunderbolts”* is staying true to its darker tendencies throughout the finale, opting for something quite different instead of traditional combat.
In this rendition, Bob’s (Lewis Pullman) internal struggles and life-altering experiences take center stage. This is a daring approach that steers clear of the straightforward morality often found in recent Marvel Cinematic Universe (MCU) productions. Instead, it delivers an intensely moving climax and visual spectacle that’s hard to forget. Remarkably, this unconventional Thunderbolts ending pays homage to a time when the Marvel Cinematic Universe surprised audiences instead of catering to their expectations.
Thunderbolts* is now playing in theaters.
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2025-05-10 15:31