Disney has traditionally catered to children, yet their films are designed to appeal to everyone in the family. However, the true depth of this doesn’t become apparent until one matures. Rewatching old animated movies as an adult reveals hidden layers and subtleties that were intended for more mature themes. These can range from somber and thought-provoking topics to explorations of relationships, duties, social commentary, and occasionally humor that might be considered inappropriate for younger viewers. Although these nuances are often subtle and may go unnoticed by children, they serve a broad spectrum of content.
It’s clear that Disney productions can be revisited and reinvented throughout various stages of life, consistently presenting fresh perspectives to the audience. In a way, it’s amusing to consider, but this is part of what makes Disney so enchanting – their stories remain memorable and entertaining for individuals across age groups. Here’s a list of Disney projects that subtly inserted jokes intended for adults, which left us in awe that they managed to incorporate them seamlessly.
Lilo & Stitch
Often, the humor in this film isn’t instantly apparent, but it cleverly aligns with the narrative. This year, we’re seeing a live-action version of Lilo & Stitch, yet its initial animation managed to convey a deeper meaning. In a particular scene, Lilo adopts Stitch and is preparing for bed. Eager to explore her room, Stitch accidentally damages most items, but he becomes captivated by the girl’s paintings. Among these paintings, Lilo laments over the torn paper, commenting that her now-damaged artwork was part of her “blue period.” This subtle reference to the famous painter Picasso is a witty nod for adults who catch it in the animation.
In a quiet tribute, the film suggests that Lilo could’ve experienced a challenging period like Pablo Picasso did when he exclusively used shades of blue and blue-green in his art during a deep depression. This resonates with Lilo’s story, as she appears lonely and mourning her parents’ loss, which seems fitting for someone going through hardship.
Frozen
The first movie of Frozen features a double entendre scene between Anna and Kristoff shortly after they meet. Later in the story, Anna becomes engaged to Prince Hans, but their wedding plans are halted when she goes on a quest to find her sister Elsa. While on this adventure, Kristoff begins questioning Anna about various topics, eventually leading to a discussion about Hans. It is during this conversation that Kristoff asks Anna about the size of Prince Hans’ foot, to which she replies that it doesn’t matter. To children, this comment may seem innocent, but adults might recognize it as a humorous reference to the belief that a man’s shoe size can indicate the size of other parts of his body.
The Little Mermaid
Ariel, a captivated mermaid with a keen interest in humans and their earthly possessions, is the main character in “The Little Mermaid”. Upon discovering various items, she shares them with her friend Scuttle, who boasts extensive knowledge about the human realm. Yet, his claims are often misleading, such as when he labels a fork as a hair comb.
When a seagull encounters a pipe, he informs Ariel that he hasn’t spotted one in years, adding that it was once used as a kind of musical instrument. As he recalls, during social gatherings when people grew weary, they would play this instrument and produce sounds. Interestingly, when Scuttle blows into it, a plant emerges, alluding to the practice of smoking marijuana.
Inside Out
Inside Out” is highly popular among Disney’s audience, with its sequel breaking records recently. In a particular scene from the original movie, Anger provides the humorous line. When Riley’s emotions get mixed up after they witness the new house of the girl during their move to San Francisco, Fear inquires if there are any bears in the city. Disgust replies that there aren’t. But Anger swiftly asserts that he’s seen one – or at least a big, hairy man resembling one. Although the dialogue appears harmless on the surface, it subtly hints at stronger and more masculine men, alluding to the “bear” subculture within the LGBTQ+ community.
Aladdin
As a fan, in “Aladdin and the King of Thieves,” you’ll find the Genie, known for his humor, dishing out quick, witty, and often unexpected jokes. During Aladdin and Jasmine’s wedding, when the Forty Thieves disrupt the festivities and the ground shakes, the Genie quips that he thought the earth wouldn’t move until the honeymoon. This line might fly over a child audience’s heads, but for adults, it’s amusing because it subtly suggests what the newlyweds might experience on their honeymoon.
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2025-01-11 20:09