It’s said that James Gunn might create standalone series focusing on a minimum of two characters from his upcoming Superman movie.
According to The Wall Street Journal, the show’s director is considering creating television spin-offs featuring superhero Mister Terrific (Edi Gathegi) and the resourceful Daily Planet photographer Jimmy Olsen (Skyler Gisondo).
Warner Bros. seems to be planning to use Superman as the starting point for a brand-new cinematic universe following the DCEU, which is anticipated to feature a TV series titled “Lanterns” about Green Lantern, a standalone movie spinoff of Supergirl, and numerous Batman films.
Lanterns and Supergirl are scheduled to release sometime in 2026.
Coming projects also feature the second season of “Peacemaker” and a television series titled “Paradise Lost,” which is a Wonder Woman prequel.
In 2022, James Gunn, one of DC Studios’ co-CEOs who helmed the Marvel Cinematic Universe’s Guardians of the Galaxy trilogy for Disney, revealed that he was developing a movie centered around a young Superman/Clark Kent.
The director has been involved in creating various movie and TV productions for DC, which includes the 2021 releases such as “The Suicide Squad”, “Peacemaker”, and the animated show “Creature Commandos” on HBO Max.
Gunn, together with co-CEO of DC Studios Peter Safran, have laid out plans for a significant transformation of the DC Universe. This overhaul includes the production of at least two live-action movies each year, as well as one animated movie annually. Additionally, there will be two live-action TV series and two animated TV series produced on a yearly basis.
In this adaptation, David Corenswet portrays Superman, while Rachel Brosnahan takes on the role of tenacious journalist Lois Lane, and Nicholas Hoult steps into the shoes of the villainous billionaire Lex Luthor.
As a passionate cinephile, I’ve just learned that the latest blockbuster I watched was produced with a whopping budget of $225 million. On its opening day, July 11, it managed to rake in an impressive $40.3 million at the box office. And
Every ‘Superman’ Movie, Ranked From Worst to Best
11. Justice League (2017)
Oh dear. The Justice League film was supposed to be the climactic finale for a connected series of tales. Regrettably, it turned out to be the point where a promising cinematic saga plummeted to its lowest ebb. Originally helmed by Zack Snyder, he departed mid-production due to personal issues, and Joss Whedon stepped in. The end product feels unlike anything either director would have created.
The editing is disjointed, the mood is inconsistent, and the main antagonist is an uninspired CGI creature with no depth or drive. (It’s almost comical that he intends to dominate the world – yes, really!) Though Snyder’s original cut has been released on streaming platforms, the initial version of Justice League remains the most underwhelming Superman movie ever produced.
10. Superman IV: The Quest For Peace (1987)
Christopher Reeve’s last portrayal of Superman in “The Quest For Peace” (1987) surpasses its common perception, but only slightly. By this time, the rights to the Superman franchise had been acquired by Cannon Films, known for their low-budget exploitation films. As a result, the production budget was remarkably small – reportedly $17 million compared to the $55 million spent on the original film almost a decade prior, and it certainly reflects this in its quality.
However, Gene Hackman delivers an impressive performance as Lex Luthor, there are some enjoyable action sequences, and Christopher Reeve pours all his energy into Superman’s struggle against his most significant adversary yet: the impending danger of nuclear war.
9. Superman Returns (2006)
In this movie scene, Superman (Brandon Routh) saving an airplane from crashing is one of the standout moments in any superhero flick. However, the rest of the movie, “Superman Returns,” seems overly fixated on recapturing the atmosphere of the initial two Superman films directed by Richard Donner, despite being made much later without the original cast. This effort to revive a 20-year-old franchise gives it a wax museum feel; it’s faithful but somewhat lacking in life. Moreover, a compelling plot element is abandoned as a surprising twist towards the end of the third act, which appears to be a strategy for setting up a sequel that Warner Bros. never produced. If the entire film had focused on this intriguing aspect, it could have been more impactful.
8. Batman v Superman: Dawn of Justice (2016)
In the DC Extended Universe, two old friends who have always been associated with each other, Batman (played by Ben Affleck) and Superman (Henry Cavill), clash violently for the first time. Batman accuses Superman of causing the destruction of Metropolis during the events of Man of Steel, a claim that might hold some truth. The acting is excellent all around, with strong performances from Henry Cavill, Ben Affleck’s less recognized portrayal of Batman, and Gal Gadot’s impressive debut as Wonder Woman. However, the intense rivalry between these two iconic characters in Batman v Superman often veers into excessive machismo, making some scenes seem more like a mockery of themselves. The character named Martha will never be taken seriously again due to this film.
7. Man of Steel (2013)
Young Clark Kent exclaims, ‘The world is too vast, Ma!’ In response, she suggests, ‘Then make it smaller.’ It appears that Zack Snyder should have heeded the advice of Ma Kent. With numerous World Engines, crumbling structures, and hostile Kryptonians, the film Man of Steel struggles to effectively portray the man whose name graces its title. Perhaps this was Snyder’s intention; presenting this character not as a beacon of hope or inspiration but rather as an alien outsider who could potentially pose more danger than salvation to humanity. At the very least, it offers a fresh perspective on the character.
6. Superman III (1983)
In an era dominated by blockbuster superhero films with cosmic battles and jaw-dropping visuals, it’s refreshing to appreciate a film as modest and intentionally comical as ‘Superman III’. This movie occasionally dips into a Tati-style comedy, resembling the adaptation of a peculiar Metropolis comic book issue. Meanwhile, there are segments that subtly critique unchecked capitalism – a system Superman has often confronted since his initial escapades. And let’s not forget about the scene where Superman becomes villainous and his inaugural act is straightening the Leaning Tower of Pisa, seemingly to annoy a humble souvenir vendor. What an inconsiderate superhero!
5. Superman and the Mole Men (1951)
As a dedicated fan, I can’t help but reminisce about the groundbreaking DC Comics film that served as a precursor to the 1950s “Adventures of Superman” TV series, starring George Reeves as the iconic Man of Steel. While the special effects may seem laughable today – the intimidating “Mole Men” were essentially little people in black turtlenecks and bald caps – the narrative struck a chord with Superman’s moral compass. It portrayed him standing up for an innocent, literal-minded character against mob violence, truly encapsulating the essence of Superman’s values. Moreover, George Reeves embodied Clark Kent’s core of empathetic decency more effectively than anyone else in history.
4. Superman II (1980)
Fans adore Terence Stamp’s Zod character and the iconic “Kneel before Zod!” line so much that they tend to overlook the chaotic nature of the rest of the film, which is disorganized at best. Elements that were successful in the initial Superman movie, such as Christopher Reeve and Margot Kidder’s humorous dynamic, seem out of place this time around. Superman becomes so preoccupied with showing Lois his Fortress of Solitude that he fails to notice three powerful Kryptonians taking over Earth! One would think with his super-hearing, he would have detected something. However, in this movie, he’s got magic amnesia kisses, teleportation, and projectile chest emblems; it seems odd that he would lack his super-hearing in such a critical situation. (Please note that neither version of the film is particularly impressive.)
3. Zack Snyder’s Justice League (2021)
2. Superman (2025)
Many people find it blasphemous to compare the two Superman films. While I lean towards Richard Donner’s 1978 film, the difference isn’t substantial. The newer Superman movie stands out with an exceptional Lex Luthor (Nicholas Hoult, portraying a self-centered and sensitive character) and a stellar supporting cast, including Edi Gathegi as Mr. Terrific and Krypto, the mischievous superpup.
The film also offers a Superman who is endearingly vulnerable, making him easier to empathize with and believe in. It’s entertaining, thrilling, romantic, and even manages to slip in some social commentary. It establishes a new benchmark for DC movies, which is exciting since it’s intended to be the first of many in this universe.
The original text maintains its flow and readability while being simplified slightly for better understanding.
1. Superman (1978)
In my opinion, no actor on screen has come close to emulating the ideal Superman (or Clark Kent) like Christopher Reeve. The impact of the original “Superman” film is immeasurable, and this includes the legendary score by John Williams. While Richard Donner’s “Superman” isn’t flawless, it could have been even stronger if it had skipped the first 45 minutes and started with Clark Kent’s arrival in Metropolis. Apologies to Marlon Brando, Glenn Ford, and those who mispronounce ‘Krypton’, but these initial scenes are not essential to the film’s overall strength. In 1978, most viewers were already familiar with Superman’s origin story, so the first part could have been omitted for a smoother viewing experience. However, once Reeve appears on screen, his portrayal of both the noble Superman and awkward Clark Kent elevates the entire production to new heights.
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2025-07-12 00:55