As a follower of the vibrant and captivating world of television, I find myself deeply entrenched in the mesmerizing tales that unfold on my big pink (yes, Gaviscon pink) smart TV. From the comfort of my cozy sofa, adorned with my Bafta award, I’ve had the pleasure of witnessing a myriad of stories that reflect the rich tapestry of our society.
Add Alma’s Not Normal to your watchlist
What’s the view from your sofa?
My telly – I’ve got a big flatscreen smart TV plus one in my bedroom for when I’m ill or hungover. And my Bafta is on the fireplace. I know some people put them in the toilet, but I think that’s a bit arrogant. Although someone did tell me they put theirs in the toilet by the mirror so that when people are having a private moment, they can hold it up and do their own speech. I like that.
What have you been watching recently?
Just caught “Big Boys” on Channel 4 – a hilariously heartfelt queer comedy-drama by Jack Rooke all about camaraderie and sharp-tongued humor that’s as endearing as it is biting. And then there was “Such Brave Girls” on BBC3, where the wit is so acidic, you could bottle it! It’s a raw portrayal of some seriously messy female friendships. As a cinephile, I highly recommend these gems for those seeking a good laugh and genuine emotion.
Any TV you turn off?
Despite the fact that “Have I Got News for You” is airing, I won’t be tuning in due to the vicious way they treated Paula Yates. The same individuals and the same toxic environment persist, making it unappealing to me. It simply doesn’t align with my values.
Who controls the remote in your house?
Since I reside by myself, I’ve developed a strong affection for the independence that comes with it. Each rule within my household is tailored to suit me, and I have the freedom to decorate my space as I please – so much so that my home might give the impression of being inside a bubblegum-pink medicine bottle!
In a somewhat autobiographical fashion, your show, “Alma’s Not Normal,” embarks on its second season this week, with the character Alma making an attempt to revive her acting career. Could you share how you first got involved in acting?
Initially, I attended a small drama club located in Bolton, and my passion for writing and performing ignited from there. At the age of 19, I became part of Contact Theatre [in Manchester], where I learned the skills necessary to become a producer. Subsequently, I established a theater company, secured funding from the Arts Council, ventured out on my own, crafted shows, arranged tours, and transitioned into stand-up comedy. However, the challenge arose when I had to relinquish control to a manager.
How much of your life is in the depiction of Alma?
It’s interesting that people frequently ask Phoebe Waller-Bridge about the amount of herself in Fleabag. Despite the changing times, headlines about my series, even the favorable ones, often focus on its harshness and brutality. However, I should clarify that I am a former care leaver and sex worker, but my show, Alma, is a humorous, BAFTA-winning production with talented actresses. It’s enjoyable to work on because it’s warm and lighthearted.
You have helped change the way care leavers are represented, however…
It appears that the care experience is increasingly being influenced by political discussions. I’ve noticed young individuals who have experienced care using the hashtag #careleaver, which is quite impressive. Lemn Sissay played a significant role in starting this conversation – he served as my mentor – and I’ve been able to do the same since then.
What was it like winning two Baftas?
It’s great winning a Bafta. It is a really wonderful moment. What it actually does, if I’m honest, is it makes you equal to the white middle-class men in the industry and you get a respect you didn’t have before. But I think the best thing that’s come out of Alma for me is that I’ve been able to buy a house and paint it Gaviscon pink. I worked all my life for that.
Have you taken part in Taskmaster and captained a team for Never Mind the Buzzcocks in its upcoming season? Can you describe what it’s like participating in these programs?
On the show “Taskmaster,” I had an absolutely fantastic time. Greg Davies and Alex Horne create such a vibrant environment that encourages childlike behavior, making everyone feel comfortable enough to act silly. This shared experience is filled with intense joy, making it feel like we’re all in the same class. As a matter of fact, we even have a WhatsApp group now consisting of Steve Pemberton, Joanne McNally, John Robins, Nick Mohammed, and myself. “Buzzcocks,” on the other hand, is a completely different ballgame. Working with pop stars can be quite strange. They usually arrive with an entourage, and I had Nelly Furtado on my team. I found myself constantly telling her to keep quiet, and I even developed a habit of shushing people, becoming quite bossy in the process.
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2024-10-01 20:33