Ten Questions with John David Washington

As a fan, I can’t help but be in awe of the extraordinary journey of this multi-talented artist. His life experiences, from playing Boy Willie on Broadway to navigating the film industry as Denzel Washington‘s son and even playing American football, have shaped him into an artist who brings a unique depth and authenticity to every role he takes on.

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Was it an obvious choice for you to portray Boy Willie in the movie adaptation of “The Piano Lesson,” since you had already played him on Broadway?

It wasn’t necessarily obvious, but I was determined to be involved. My father has been dedicated to adapting all of August Wilson’s works for the silver screen, so I was well-acquainted with the project. As I grew more confident in performing the play, discussions ensued and the opportunity eventually presented itself. Fortunately, the movie producers had faith in me to take on the role!

How involved was your father as a producer?

My father valued everyone’s workflow without offering suggestions directly. However, when he was working on set, his presence was palpable. It was inspiring to work alongside one of the legends in our industry! We were fortunate to collaborate with great talents such as Michael Potts, Samuel L. Jackson, and Denzel Washington. When they were present, we listened attentively. If they didn’t have anything to contribute, then it meant we were doing something right.

How have you found navigating the film industry as the son of Denzel Washington?

From an early age, my parents have consistently encouraged me. At nine, my mother was teaching piano, while my father was studying acting at Fordham University. They were both driven by an unyielding passion for mastery in their creative fields, which was the norm in our household. Their impact on my life has been significant as I strive to become the artist they inspired me to be.

Has it been a challenge to step out of that shadow?

As a movie reviewer looking back on my life’s journey, I can’t help but acknowledge the profound impact my upbringing has had on shaping the man I am today. Growing up, I was consistently inspired to forge my own path – a path that would lead me to the thrilling world of American football.

My dad is a GOAT, we felt his presence on set

What did you learn in American football that helped you as an actor?

In sports, outcomes matter significantly. Unlike art where opinions can vary greatly, there is a certain structure and rigor. A belief that has lingered with me comes from my anxiety about being cut from the National Football League – an industry known for its ruthless competition. This mindset makes me disregard my place on the call sheet; I always feel compelled to demonstrate my abilities day after day.

You’ve pointed out that it wasn’t just your father who was a notable figure in “The Piano Lesson” – you also shared the stage and screen with Samuel L. Jackson in both the play and movie productions. I’m curious about your experience working alongside him. How would you describe collaborating with him?

As a passionate cinephile, I can tell you that this character exudes an imposing aura, yet he’s approachable if he sees your respect. It was like I needed to prove myself worthy of his regard. He first donned the role of Boy Willie in 1987 at Yale Repertory Theatre, which gives him a deep bond with the character. Once I managed to gain his confidence, I felt empowered to be my authentic self.

How did you find playing that character on screen versus the stage?

In the role of Malcolm, the director, there was a shift in my acting duties as he aimed to present the play with a cinematic feel. Unlike live theater where the performance continues regardless of mistakes, this film allows for close-ups and directs the audience’s focus, making it a different experience compared to stage performances due to the added element of edited scenes.

When discussing “The Piano Lesson,” which is set during the 1930s, it’s important to remember that the Jim Crow laws were enforced then, leading to racial segregation in the Southern states of the United States. Have you found it challenging or insightful to immerse yourself into a character from that era?

Regrettably, it proved simple, as the lingering effects of old scars from that era still resonate with us now. All I needed was a moment to recall my grandparents and ancestors, which helped me embody the role.

In what ways have your thoughts about acting in the highly anticipated movie “Tenet,” directed by Christopher Nolan and one of the major releases of 2020 amidst the pandemic, evolved since then?

In retrospect, releasing that film during such tumultuous times felt nothing short of audacious. The world seemed to be spinning on an axis of bizarre occurrences, and I found myself yearning for work amidst the uncertainty. I couldn’t fathom a future where I wouldn’t be creating again. This period is etched into my memory forever; 2020 will always hold a special place as the year I witnessed the world transforming before my eyes, and I can still recall precisely where I was during those unprecedented times.

You also turned 40 earlier this year. How have you found hitting that milestone?

At age thirty, I experienced what’s often called a midlife crisis, which left me feeling extremely anxious. However, when I turned forty, instead of going through another crisis, I found myself in the United Kingdom supporting my sister Olivia in her play “Slave Play” at the Noël Coward Theatre. This time around, I felt a sense of comfort and contentment with who I am. I also gained clarity on where I needed to head next in order to keep growing as a person. Unlike the tumultuous event at thirty, this transition was more like a gentle lift-off rather than a crash landing.

2024-11-11 22:34

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