As a cinephile with a penchant for international cinema, I must admit that my acquaintance with the Death in Paradise universe was not extensive, but after witnessing the widespread appeal of this series Down Under, it quickly found its way onto my radar. The prospect of contributing to this beloved franchise with a unique Australian twist was too enticing to resist.
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In your role as Dr. Glenn Strong, the on-site forensic pathologist who once had a romantic connection with DI Mackenzie Clarke, how well did you know the world of “Death in Paradise” before joining the show?
I may not label myself as a die-hard fan, but I had previously watched the series. It boasts an immense fanbase here in Australia; people can’t seem to get enough of it. For many, it’s a secret indulgence across all age groups. The prospect of our own spin-off, with its unique twist, was electrifying. Everyone around me seemed to be auditioning for the show. As soon as I laid eyes on the character Glenn, I felt an urge – “I have to play this role!” I was utterly astonished when I landed the part.
Before getting down to work, your character spends his mornings surfing — do you live like Glenn?
Working this job has been a dream come true, allowing me to indulge in all the finest aspects of living here. I’m essentially playing a character who resides by the sea, surfing waves, sharing beers with my pals, and cracking cases – it doesn’t get much better than that! Life is truly sweet.
It seems that Australian cuisine is dominating our screens currently, and most recently, Colin from Accounts has managed to capture the attention of British viewers. I’m curious about what it was like for you to be a part of that experience.
I was truly astounded! Pat and Harry, the brilliant co-creators Patrick Brammall and Harriet Dyer, are simply outstanding. Words can’t express how highly I think of them. On screen, their characters perfectly reflect who they are in real life – their banter is genuine, fun, and a little cheeky. It feels authentic and relatable, and culturally, it resonates beautifully.
Apart from some compelling dark dramas like “The Newsreader”, “The Tourist”, and “The Twelve”, has the Australian television industry significantly improved its storytelling?
It seems our industry has consistently been robust and prosperous. It’s not about resentment or competition – perhaps more like an underdog mentality. We’ve always been present, and we’re proud of the talented artists and crews we’ve nurtured. Many Australians have left their footprints in the UK and US markets. The previous generation played a significant role in putting us on the global map. I also believe that with the advent of streaming, the world has become more interconnected.
Were those years on Home and Away difficult to leave behind given its popularity and your attachment to the show?
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2024-11-15 22:34