Moonflower Murders star Lesley Manville explains key change from book

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As a dedicated admirer of Lesley Manville and her exceptional acting prowess, I find myself utterly captivated by her latest role as Susan Ryeland in Moonflower Murders. Her insight into the adaptation process of Anthony Horowitz’s novels is nothing short of enlightening. The way she describes the unique bond between her character and Atticus Pünd, the fictional creation brought to life by Timothy McMullan, is a testament to the brilliance of Horowitz’s writing and Manville’s acting skills.

In response to how author Anthony Horowitz has transformed his books for the screen adaptation of “Moonflower Murders,” Lesley Manville’s character Susan Ryeland shares her thoughts on the matter following last year’s successful series, “Magpie Murders.

Readers of these novels might observe that the adaptations vary significantly due to the unique structure of the books, which divide into two distinct sections – one representing reality and another depicting fiction, always maintained as discrete entities.

In an interview prior to Moonflower Murders’ premiere on BBC One, actress Olivia Colman was queried about a scene in the upcoming season where her character Susan encounters Atticus Pünd, a fictional figure portrayed by Timothy McMullan, for the very first time.

Manville mused: “I’m curious about her thoughts on that matter, and it’s uncertain if she pondered upon it at all. Upon revisiting the book once more, I can’t help but wonder if she experienced these ‘reoccurrences’ of Pünd.

Anthony Horowitz skillfully tackled everything, and his work turned out to be a significant triumph and shock for countless fans of Anthony Horowitz who were very familiar with the book.

Reading these books divides them into two distinct sections: first, you encounter the 1950s narrative found within the Alan Conway novel; second, you delve into the world of Susan Ryeland.

Indeed, a television series wouldn’t allow for such an event. It wouldn’t be fulfilling, but Anthony has skillfully combined these realms. Initially, his devoted followers were astonished by the blending of the two worlds, as Pünd and Susan share a quite charming relationship.

Manville added: “He’s a product of her creativity, yet they share a strong connection. It seems she wondered ‘will I see him again?’, and indeed, he reappears.

She struggles with her inner conflicts, and he serves as her other self. Their relationship is full of charm, humor, mischief, and sharpness, with an underlying affection.

In creating Magpie Murders, we aimed to establish a unique approach within the genre. We wanted to carve out our niche while still being part of it. The concept originated from the scripts, as Anthony ingeniously combined two distinct realms, blending and merging them.

The scenes were delightful as I watched my red car speed through the Suffolk countryside, while a vintage 1950s Morris Minor driven by Pünd and his partner (portrayed by Matthew Beard) sped in the opposite direction. The narrative then follows their adventures.

The execution was exceptionally elegant, and I believe Peter Cattaneo, the director of Magpie, established an excellent atmosphere. Additionally, I find Murray Gold’s music to be incredibly effective in enhancing the overall quality.

The first time I saw the opening sequence, I felt it was spot on in terms of the tone. It had a vintage vibe and aesthetic.

Manville hinted at the upcoming season’s storyline, stating that it will be “definitely surprising, undoubtedly for Susan.

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2024-11-16 11:33