As a fan who has been captivated by the complex and engaging characters of Cheaters, I can confidently say that the show’s creators have truly outdone themselves. The depth and nuance with which they explore the lives of Fola, Josh, and their friends is nothing short of remarkable.
Among the top shows aired on TV in 2022, “Cheaters” stood out as one of the best, and fortunately, the BBC concurred, approving Oliver Lyttelton’s comedy for an extra eight short installments.
Joshua McGuire, one of the returning cast members for season 2, expressed his admiration by saying that the creator manages to cram a lot into each episode (the longest being 15 minutes), yet it never feels messy or repetitive, but instead, well-structured and engaging. He thinks this individual is truly exceptional at achieving such a balance.
However, on this next encounter, Fola and Josh appear to be moving closer to a romantic involvement, while Zack, seemingly unwilling, finds himself being pressured to finalize the divorce process.
After leaving Josh behind and embarking on a personal journey similar to ‘Eat, Pray, Love’ in Thailand, Esther has now returned to London, accompanied by her recent Scandinavian beau. The exact origin of this man is somewhat unclear to her.
In the second season, set some months after the first, the focus shifts to the characters as they grapple with the complexities of initiating a romantic involvement, given that their bond was initially forged amidst infidelity, as described by Wokoma.
I had been secretly wishing it wouldn’t turn out too cute, as what drew me into season 1 was its ability to take us on unanticipated journeys,” I admitted. “What I really hoped for was a continuation of the unexpected, yet still surprising exploration. Remarkably, Ollie has achieved that.
Wokoma also pitched “a big old foursome”.
My idea for a show is that it takes place in a bedroom, with each episode starting an intense drama filled with conflicts. Characters engage in arguments, leading to their eventual demise. This is the kind of series I’m envisioning.
Lyttelton didn’t go for that – not this time, anyway.
Maguire mentioned that it could be quite straightforward to steer the series towards a fresh start, referring to where the storyline is heading.
However, since Josh has taken the initiative to make his bed, he’ll have to deal with the consequences, and I was eagerly anticipating seeing how this situation unfolds given Fola’s character, Josh’s character, and Cheaters’ tendency to avoid providing simple solutions or neat conclusions, as real life isn’t typically wrapped up in a bow.
I found it fascinating to watch him do that, and it seems like he found a way to both keep the cake and enjoy it at the same time.
In simpler terms, Zack continued to find pleasure in observing others during intimate moments, which led to an emotional distance between him and Fola, eventually leading to the dissolution of their marriage.
Fox remarked, “Ollie’s unique style of writing involves contrasting deep, emotional scenes with sensual sentiments.” He explained, “Frequently, an intimate scene will lead to a revelation about a character’s true feelings on a particular subject.
It’s a challenging role, but one Fox enjoyed.
He found it intriguing that it wasn’t conventional, he remarked. Many individuals tend to explore unconventional phases in their lives before moving past them. Thus, his interest in watching others engage in intimate acts with his spouse doesn’t necessarily align with traditional values.
“I think everyone’s got their weird stuff, and it’s fun to explore that.”
When Fox first read the scripts, that strand of his character was kept off the page.
He mentioned that he hadn’t realized until the day before the rehearsal that he would need to relieve himself, all while listening to Josh play Fola’s music.
I recall Ollie mentioning, “You’ll enter the room where there will be wine glasses; then you’ll ascend the stairs; you’ll overhear someone engaged in an intimate moment; and you’ll capture it all in a single shot.
In season 2, Zack is deceiving others by claiming to reside in a penthouse during his divorce proceedings, when in reality, he’s secretly staying in the attic room of an online acquaintance pair who are known for their explicit activities and broadcast them on their own web channel.
Sometimes he’ll join them for some home-cooked kedgeree too.
However, this unusual setup led Zack to run into a woman named Claire, who shared his same interest. For Zack, it wasn’t primarily about sexual satisfaction, although that aspect shouldn’t be ignored, but rather about finding comfort in himself, which enabled him to build meaningful and long-lasting relationships, as Fox explains.
He expressed that suppression is unfortunate, “You’re curious about what makes someone unique, so you can find common ground, not differences. It’s intriguing that he finds acceptance in those areas. The encounters and intimate experiences he has help him discover more about himself.
Perhaps the process starts by connecting with individuals who share similar perspectives, those who accept you unconditionally. This helps create tranquility for him, and once relationships are established, there’s an immense sense of release and familiarity that follows.
The relationship between Zack and Claire is particularly captivating, and it shines brightest in a standout scene from the series – a scene that ranks among the most impressive I’ve seen on television this year.
After accidentally meeting her at his residence and subsequently partaking in a conventional first date, they later found themselves on an unconventional second date, which included unwittingly witnessing their landlord’s intimate moment together.
It’s a brilliant moment and, despite how it sounds, actually quite sweet.
“Ollie recently mentioned that they wanted to capture us in a scene where we’re holding hands and apparently…masturbating, making it seem quite romantic. And I recall my initial thought being something along the lines of ‘that sounds intriguing.’
Afterward, as expected, he successfully accomplishes it. It struck me deeply – I must confess, I’m incredibly inhibited. In fact, the thought of doing it would send shivers of fear down my spine. So, I’d show up at the set and think to myself, “I guess I’ll have to do it around seven or eight times. The first two will be torture, and then the last two will be the final two, so I’ve got four where I really need to focus.
Then, you’d arrive and find a dolly and a crane there, leaving you to think, “Alright, this scene will be repeated 25 times.” Now, I find myself intertwined with someone I hardly know, as we both have to reach our peaks on camera at the same time.
“But, you know, that’s part of the journey with this.”
In season 2, Esther embarks on a significant voyage, yet before receiving the scripts, Cooke felt a touch of apprehension regarding Lyttelton’s plans for her character.
The first season concluded, and the way it wrapped up by ending things with Josh, left me puzzled as to how it affects Esther,” she clarified.
Initially, I found myself wondering if her story would solely revolve around a heartbroken, solitary girl. Yet, Olive surprised me by skillfully navigating this narrative thread in an engaging manner. She re-enters the scene with a new companion, serving as a metaphor for other aspects, and embarks on a tumultuous voyage to self-discovery.
I’m not certain that she follows this path, but it seems intriguing since it might have shaped a distinct perspective towards her. In reality, she remains authentic Esther, a blend of simplicity and unpredictability, yet in an engaging and enjoyable manner.
After going through the end of my relationship with Josh, I’ve found myself facing a concerning truth: I haven’t established anything distinctly mine outside our shared past. This revelation might resonate deeply with many others who are watching.
In simpler terms, Cooke observed that she returned home and was struck by the realization that she’s 29, financially struggling, uncertain about her life direction, lacking a career, single, unsure of dating, and feeling as though she doesn’t have many friends.
It’s quite common. Many individuals, upon reaching the age of thirty, experience a significant life crisis. She is remarkably easy to identify with.
That “milennial angst”, as Cooke puts it, shoots out of her in the finale. Esther and Josh are covered in foam courtesy of Fola’s sister spraying them with a fire extinguisher after the former lovers start drunkenly snogging. Dragged back to reality, Esther then starts pelting Josh with eggs while confessing how she’s really been feeling: utterly lost.
Cooke expressed that it’s delightful to portray a character who is perpetually joyful, yet beneath the surface, she likely holds little substance. He was particularly dedicated to ensuring that specific scene was accurately depicted.
People continuously commented, “It’s an excellent performance piece, it’s an excellent performance piece.” The mounting pressure to deliver perfection made me feel as though I was carrying the burden of Esther upon my own shoulders.
However, I believe we managed it quite well, and the situation seemed resolved when she returned the next day, saying, “You’re feeling better now.” It seems she’s recovered swiftly. If there’s another season, let’s see where her journey takes her. Frankly, I think she has a lot more to explore yet.
Like Esther and Zack, Fola reluctantly confronts some painful truths of her own in season 2.
At first glance, it might seem like encountering Josh was just a matter of the right individual at the wrong moment. However, as the season comes to an end, a heartfelt discussion between them reveals that her reluctance to dive headfirst into a new relationship isn’t solely due to her upcoming divorce, but rather stems from something much more profound and emotionally charged.
According to Wokoma, Fola appears hard on the surface but has a gentle heart within. He finds this trait of hers easy to comprehend, yet he acknowledges that the work that Ollie does is far from being straightforward.
The latest episode presented some challenging nuances for Josh and myself to decipher our lines and the unsaid parts, as it wasn’t like the straightforward “I love you” scene in Four Weddings and a Funeral, but rather intricately complex. As an actor, this complexity made it tough, but I would have felt awkward if it became overly simplistic.
She finds it difficult to feel desired or seen by others, which is distinct from her tough exterior. Due to her overwhelming fear, she often tries to conceal it throughout the series, and this recurring attempt at disguise can become rather frustrating.
I’m open to portraying complex female characters, but I’ve moved past seeking approval. Honestly, it doesn’t matter to me anymore, especially when it comes to female roles. However, I hope you enjoy my performance.
Does the continued prevalence of misogynoir in society have an impact on it?
Wokoma replied, “Indeed, it has been discussed, and considering the circumstances, it was almost unavoidable. During a lengthy conversation with me, Ollie, and our executive Petra Fried, we delved into this topic. In particular, bringing her sister into the picture is significant because she is another Black woman. While they may not explicitly discuss their racial identity, I believe it provides a unique perspective on how Fola presents herself in society.
In my opinion, during interracial relationships, certain aspects of you might be more easily understood, and occasionally, there may be an unspoken expectation of resilience, though this can vary greatly depending on your partner.
However, in essence, it boils down to Fola feeling the need to be recognized by someone. It’s not a feeling shared universally among all Black women, but for Fola, there seems to be a deep-seated belief that being truly seen into her very essence is not safe.
By the finale, she comes to understand that no relationships, not even with her sister or Josh, are possible for her.
At the moment, there’s no news about Season 3, but Wokoma is eagerly awaiting a quick response, whether it’s good or bad news.
She expressed her concern, saying, “I’m afraid we shouldn’t wait another four years [since the show began in 2020], as I’m not certain if there will be enough collagen left in my body by that time.
Do the cast think Cheaters could do a Fleabag and bow out after two seasons?
Wokoma suggested that we might want to consider wrapping things up. It seems to him that such an approach is characteristic of actors, as they often feel it’s fitting to bid farewell when concluding a task, so as not to be left hanging around for extended periods, like he has been with this particular situation for four years.
However, Ollie is exceptionally intelligent. If I were to venture into his mind, it’s been approximately six months since seasons 1 and 2 ended. Should there be a third season, the progression could prove quite intriguing, as we’d get to explore where the storyline has advanced.
As a devoted fan, I can’t help but agree that leaving the storyline open-ended, just like how season 2 concluded, is a brilliant move. It leaves room for speculation and anticipation of what might happen next.
As a film enthusiast, I found that concluding shot, which slowly ascends to the heavens, carries an undeniable sense of finality. Yet, I can’t help but feel it leaves room for ambiguity as well. Both interpretations seem plausible to me.
But Wokoma is still “pushing the foursome”.
“Maybe that’s a Christmas special,” she added.
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2024-11-21 21:05