Queer – REVIEW

As a film enthusiast who has spent countless hours immersed in the celluloid world, I must say that Luca Guadagnino’s “Queer” is a cinematic journey that leaves one both bewildered and intrigued. The film, a visual feast, is as distant from James Bond’s tuxedo-clad escapades as the moon is from Mars. Daniel Craig, in a remarkable departure from his suave 007 persona, delivers a raw, gripping performance that’s as intoxicating as the tequila swirling in this post-war Mexico City tale.

In another release this year following “Challengers,” Luca Guadagnino’s film titled “Queer” is a haunting love story revolving around Daniel Craig portraying a tormented gay character residing in Mexico City post-war. The narrative delves into tequila-fueled escapades, experimental drug use, and clandestine encounters, positioning it at the polar opposite of James Bond’s world. Craig’s decision to star in this film might have been driven by the opportunity to showcase his acting abilities, which he does with commendable skill.

The story, modeled on William S Burroughs’ semi-autobiographical novel, presents Craig’s character as Bill Lee, who is often found admiring the male talent with an intention to pursue them romantically. There seems to be a hint of predatory behavior in his actions, although it appears that other gay men are also actively seeking casual relationships. Interestingly, Eugene (played by Drew Starkey) captures Bill’s attention, and the feeling is mutual. Eugene is often seen with a red-haired woman who could be his girlfriend, but her presence intrigues Bill, as there are moments when she lingers longer than necessary, possibly indicating attraction. Eventually, they engage in an extended and explicit love scene, which is a daring move for a star like Craig and a mainstream film such as this one.

The movie divides into sections where they embark on a journey deep within the jungle to encounter a menacing ‘chemist’ armed with guns, known for verbal and physical intimidation. This chemist specializes in hallucinogens that allow users to tap into telepathic abilities. It’s unlikely you’d find such a character dispensing prescriptions at a local pharmacy like Boots. The story culminates in a mind-bending, psychedelic fusion of minds, reminiscent of the transformative climax in ‘Society’, as they become so intertwined they almost cease to exist individually.

In the movie, Craig delivers an outstanding performance, making it typical of Guadagnino’s filmmaking style with its inventive touches that are frequently stunning, especially his integration of contemporary music like Nirvana in a slow-motion sequence as Bill chases Eugene down the street. Jason Schwartzman provides strong support as Craig’s friend Joe, who is also searching for casual love and often becomes a victim after his new fling departs. Lesley Manville, similar to Schwartzman, transforms herself completely in every scene she appears in, portraying a convincing chemist character.

150 minutes of “Queer” may seem too lengthy, yet it’s just as visually innovative as Guadagnino is known to be. Adapting the works of William Burroughs for the screen has always been a complex task, even for seasoned directors like Cronenberg with his own interpretation of “The Naked Lunch.” Here, we encounter a story that can sometimes feel aimless.

Here’s the Queer trailer …….

2024-12-12 03:23

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