8 ‘80s Horror Movies That Should Never Be Remade

Generally speaking, when it’s announced that a classic movie is being re-made, many cinema-goers express disappointment about the scarcity of new concepts and claim that re-makes tarnish the original. However, while fresh adaptations can’t diminish the value of previous renditions, there are numerous instances where attempts to transform an old tale into a contemporary one have proven challenging. This is because filmmakers might face resistance from dedicated fans who oppose the remake (which means they need to work harder to prove their worth), and in many situations, the new version fails to impress viewers. That being said, it’s not always true that every re-make is a bad idea. Re-makes can present innovative versions of a story, rekindle interest in the original that some may have overlooked, and occasionally, re-makes can even surpass the original in quality.

2024’s “Speak No Evil,” starring James McAvoy and Mackenzie Davis, was a successful remake that resonated with audiences. However, it didn’t surpass the original 2022 Danish-Dutch film directed by Christian Tafdrup. The original “Speak No Evil” by Tafdrup is a distinctive and darkly comedic critique on people-pleasing and social interplay. This psychological horror delves into the dangerous consequences of being polite, presenting everyday life in an unsettling manner that makes viewers squirm with discomfort. The film’s shocking ending, which leaves audiences feeling furious at the main couple, is another memorable aspect.

As a cinephile, let me share my thoughts on the remake of “Speak No Evil.” Instead of maintaining the original’s structure, this version opted for a chilling horror-thriller approach. Despite its predictable nature and lack of unique elements that made the first film exceptional, McAvoy and Davis delivered powerhouse performances that carried the story effectively. In essence, the new “Speak No Evil” offers an exhilarating cinematic experience, proving that remakes can indeed be done well, serving as a rare exception in today’s movie landscape.

Despite numerous modern movies, especially those in the horror genre, many people believe they shouldn’t be remade or reimagined. The ’80s, for instance, seems to hold a unique and cherished place in pop culture, as demonstrated by the widespread nostalgia for Netflix’s Stranger Things. The following eight 1980s horror classics are emblematic of titles that some feel should stay firmly rooted in the past, serving as reminders of an exceptionally memorable era.

The Shining (1980)

Regarding “The Shining,” a timeless horror classic directed by Stanley Kubrick, it’s hard to imagine a modern remake that fans of the 1980s cinema would welcome. While Kubrick’s version may not have been a faithful adaptation of Stephen King’s novel (King’s long-standing criticism of the film is justified as the characters in both the book and movie are remarkably different, making them feel like distinct entities), it is unquestionably a masterwork in the genres of haunting isolation and gradually building paranoia.

In addition, filmmaker Mike Flanagan had ultimate control over a contemporary interpretation of Stephen King’s tale in his adaptation of the sequel to “The Shining,” titled “Doctor Sleep.” Flanagan skillfully blended King’s novel with Stanley Kubrick’s adaptation within this sequel. His work was so impressive that King himself told Entertainment Weekly that after reviewing the script, “Everything I ever disliked about Kubrick’s version of ‘The Shining’ is made right for me here.” Therefore, no further discussion on “The Shining” (or “Doctor Sleep,” for that matter) is necessary.

The Shining is available to rent or buy on Prime Video.

Basket Case (1982)

1980s horror movies delved into the unusual and grotesque, with a focus on body horror and strange creature designs (with varying success). Filmmaker Frank Henenlotter, who is more comfortable being labeled an exploitation director, excelled at incorporating these elements in his work, never backing down from the eccentric. One of his major attempts was in 1982 with the film “Basket Case“, starring Kevin VanHentenryck as Duane Bradley, a young man seeking vengeance for the wrongs done to him and his twin brother. However, his brother is not an ordinary person – he’s a bloodthirsty monster that Duane carries in a locked wicker basket named Belial.

As a fan who appreciates Henenlotter’s unique blend of dark comedy and horror, I can confidently say that replicating the cult classic masterpiece, Basket Case, seems like an endeavor destined for failure from the outset. Born and raised in New York City, Henenlotter’s films, including Basket Case, were primarily shot and set within the city during a period he once described to The Skinny as “a blast to expose the gritty, unsightly aspect of it – and it was authentic!”

During that same interview, Henenlotter expressed his regret that “the New York I grew up in and cherish no longer exists,” which underscores the immense challenge for any filmmaker to relocate a story like Basket Case outside of 1980s New York. The city’s atmosphere during that era was an integral part of the original’s success, making it difficult to replicate the same magic elsewhere.

The horror-comedy movie held a significant role in the cultural landscape of New York and cult cinema, so much so that in 2017, “Basket Case” was chosen by the Museum of Modern Art (MoMA) for preservation and restoration. Filmmaker Frank Henenlotter expressed feelings of both humility and pride on Facebook, as his debut feature was included in MoMA’s film collection.

Basket Case is available to stream on Tubi and AMC+.

From Beyond (1986)

The horror sci-fi film “From Beyond,” directed by Stuart Gordon, perfectly captures the essence of ’80s horror, and it’s challenging to envision a remake fitting this era any better. It features graphic, disturbing body horror, avant-garde filmmaking techniques, budget-friendly special effects that remain impressive, and stars Barbara Crampton and Jeffrey Combs, who were also in “Re-Animator.” Modern adaptations utilizing these elements would struggle to match the impact that “From Beyond” made when it was released in 1986.

In the story “From Beyond” penned by H.P. Lovecraft, we find ourselves immersed in a tale centered around a typical mad scientist named Dr. Pretorius. His ambition is to explore a parallel dimension, and he does so by constructing a device known as a Resonator. Successfully activating the Resonator, Dr. Pretorius manages to cross over but tragically transforms into a hideous creature from his journey beyond.

The story takes a darker turn when a group of scientists are subjected to attacks by the mutated Dr. Pretorius and otherworldly entities. The plot thickens as these researchers must grapple with not only their survival but also the allure of temptations that emerge from this alternate dimension, which bears a striking resemblance to the intricate web of pleasure and pain depicted in “Hellraiser.

From Beyond is available to stream on MGM+ and Pluto TV.

Monkey Shines (1988)

George A. Romero’s film adaptation of Michael Stewart’s novel may not be as iconic as other 1980s movies, but the 1988 movie “Monkey Shines” is the only screen portrayal worthy of existence for this story. Following a devastating accident, Allan Mann (played by Jason Beghe) finds himself wheelchair-bound and receives a highly skilled monkey named Ella as assistance from his friend Geoffrey. However, what Allan doesn’t realize is that Geoffrey has been conducting experiments on monkeys like Ella, making her more than just an ordinary pet. Swiftly developing feelings for Allan, Ella poses a threat to both his adversaries and loved ones, while also stirring the anger within Allan.

The unusual plot of “Monkey Shines” is intriguing, even if it’s unconventional in an appealing way. The film showcases strong acting and direction by Romero, and it doesn’t hesitate to blend the extraordinary with the story’s eeriness. However, a movie about a telepathic murderous monkey developing feelings for a human man might be more fitting for the era when such a narrative wasn’t as unexpected.

Monkey Shines is available to stream on MGM+ and Pluto TV.

The Lost Boys (1987)

Director Joel Schumacher struck it rich with “The Lost Boys”, incorporating a key aspect of the 1980s: music. This was largely due to MTV’s emergence at the start of the decade, making music more accessible and deeply intertwined with visual narratives. Music played a significant role in shaping the atmosphere of ’80s horror; synthesizers and rock tunes were integral components of “The Lost Boys”.

With its engaging plot, alluring vampire characters, an outstanding cast featuring Jason Patric, Kiefer Sutherland, the late Corey Haim, Corey Feldman, Dianne Wiest, and Alex Winter, “The Lost Boys” is a timeless cult classic that continues to captivate audiences. This unique blend of horror and comedy, centered around family dynamics, could never be replicated at another moment or by any other creative team, making it a must-watch.

The Lost Boys is streaming on The Roku Channel and available to rent or buy on Prime Video.

Gremlins (1984)

It’s common knowledge that certain guidelines should be followed: Avoid subjecting them to intense light sources, keep them dry, refrain from feeding them after sundown, and under no circumstances should you attempt to reimagine the classic film “Gremlins” as another live-action production. The original “Gremlins,” a product of 1980s cinema, is a unique capsule filled with fantastical elements, practical effects, a dash of family friendliness, and lovable creatures that easily capture your heart. What makes this film so enjoyable, however, is its innovative blend of non-gruesome body horror elements and dark humor with a twist. Yes, Gizmo is endearing, while Stripe and his Mogwai companions are amusing, but they are still intimidating bullies who viciously harm others. The balance between lightheartedness and darkness in this film is almost perfect, thanks to the creative partnership between director Joe Dante and writer Chris Columbus.

Max’s animated “Gremlins” prequel series is a fitting extension of the franchise as it maintains the story within the realm of animation. Given that Gizmo and the other Mogwai characters have distinct appearances in the original movies, reimagining them for a contemporary film would likely lead to unsatisfactory outcomes.

Gremlins is available to rent or buy on Prime Video.

Society (1989)

The film from the 1980s titled “Society” is notably one of the most extreme examples in the comedy-horror genre, thanks to its uncensored, visually disturbing body horror (oscillating between the gruesomely grotesque and the absurdly funny). It also features a wild plotline brimming with pitch-black humor, while effectively satirizing the wealthy exploiting the less fortunate and committing murder with impunity.

In the movie, Bill Whitney, who’s a teenager, learns the shocking truth about his family and community when he stumbles upon their secretive cult that involves grisly orgies, exclusive only to the social elite. Given the boldness with which Society tackled its themes, it seems unlikely that any remake would dare venture into the necessary directions for a re-creation of the original’s unsettling visual impact and immersive viewing experience.

A 2-disc special edition Blu-ray of Society is available to purchase from Arrow Films.

Maximum Overdrive (1986)

Maximum Overdrive is a captivating film in various aspects, though it may have taken a bit more time than some to gain cult-classic recognition. Once you accept its over-the-top nature, the film provides an ample amount of enjoyment. Stephen King penned the screenplay based on his short story “Trucks,” and it was the only movie he ever directed as the horror master himself confessed that the horror-comedy was conceived during a particularly creative period where he was under the influence of cocaine (as reported by /Film).

The audience reaction to the movie has often been split, but its slapstick humor and diverse acting decisions make for an enjoyable viewing experience if you approach it without any preconceived notions. Regarding a remake, King seems content to let this one fade away, and unless there’s a director eager to re-explore the tale of murderous machines controlled by a Green Goblin truck, we concur with his sentiment.

Maximum Overdrive is streaming on Tubi, Freevee, and Pluto TV.

2025-01-11 17:14