The Brutalist review: An epic in length, weight and ambition

5.0 out of 5 star rating

At the beginning, with the Statue of Liberty appearing upside-down, it’s evident that The Brutalist is not planning to present a conventional or patriotic interpretation of the American Dream.

Film artist Brady Corbet left an impact with his initial works The Childhood of a Leader and Vox Lux, but his latest production – jointly penned with his partner, the acclaimed Norwegian director Mona Fastvold from The World to Come – elevates his cinematic craft to new heights.

In simpler terms, this Golden Globe-winning film narrates the fictional account of László Tóth (Adrien Brody), a renowned Hungarian architect who is a Jew, having survived a concentration camp during World War II. He subsequently moves to America, while his wife Erzsébet (Felicity Jones) and their niece Zsófia (Raffey Cassidy) remain back in their homeland.

At first, he works for his cousin Attila, who operates a furniture business, but loses his job after Attila’s kind spouse, Audrey, makes an accusation against him. (Emma Laird plays Audrey in this scenario.)

László has been tasked to renovate the library owned by industrialist Harrison Lee Van Buren Sr, which is the son of Guy Pearce, Harry (played by Joe Alwyn), intends as a delightful surprise.

Instead, Harrison initially reacts with fierce anger towards what appears to be an intolerable invasion, yet he eventually develops a deep appreciation for László’s work, spurred on by newly acquired understanding of his prestigious standing.

In the buzz surrounding the Van Buren library, Harrison engages László to design a grand cultural center as a tribute to his deceased mother. However, the project encounters numerous challenges during construction, straining both parties. Eventually, László reconnects with Erzsébet and Zsófia.

In VistaVision’s vintage aspect ratio, the movie “The Brutalist” carries an authentic, aged charm. It includes a 15-minute pause, and through its narrative, it powerfully expresses America’s complex and strained bond with immigrants – those who have contributed to and molded the nation, yet will never fully be regarded as truly American.

Via László’s persona, the story underscores the hardships and insecurity that immigrants face – their need for kindness from others and the unease they inspire.

The Brutalist delves into the core challenges of philanthropy, depicting the complex dynamics between artists and patrons, including envy, reliance, concessions. It strips away layers of false praise and kindness to uncover resentment and contempt. László is scorned for appearing arrogant or unappreciative; there’s an underlying urge to subdue him.

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In a heartfelt portrayal, Brody beautifully explores the intricate mindset of a man who acknowledges his own value, yet is unable to shield himself from the malice of others, and the torment of someone who, despite his self-respect, abilities, and dedication, struggles to maintain stability on his own.

Pearce exhibits an extraordinary level of intensity, his face taut with stress, much like another individual entangled in this damaging relationship, who revealed his true self through his initial outburst of anger. Van Buren presents the contaminated cup of his favor to enhance his own reputation, but struggles to cope with his proximity to such brilliance, particularly in a man he believes unworthy of possessing such talent.

In many ways, this movie serves as a profound exploration of art and architecture, particularly delving into the duality of creativity’s gift and burden. It masterfully illustrates how our personal identities and societal values are mirrored in the structures we create, offering a glimpse at who we are during specific periods.

The structure under discussion serves as a homage to a cherished family member, caters to the various requirements of the local populace, and reflects the preferences of its funding source. However, over time, it ultimately reveals more about the personality and style of the designer.

Developed over a span of seven years, “The Brutalist” stands out for its grandeur in scale, density, and aspirations, much like an Orson Welles film of today. It also invites comparisons with modern-day classics such as “There Will Be Blood.

At a time when American politics is particularly turbulent, revealing deep fissures in the tenuous alliance between the left and the right, it’s especially relevant to delve into the origins of contemporary America and the simmering animosities hidden just below the surface.

2025-01-13 14:34

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