Tom Holland Says ‘Spider-Man 4’ Will Be Filmed ‘Old School’

In a fresh turn of events, Tom Holland has unveiled that the upcoming Spider-Man film featuring him will take a distinctly unique approach compared to “Spider-Man: No Way Home” released in 2021.

During an interview on Flip Your Wig YouTube channel, the actor discussing his latest Christopher Nolan movie “The Odyssey” (releasing July 17), shared that he intends to shoot the next Spider-Man film using traditional methods by capturing real-life locations instead of green-screen sets and sound stages as seen in “No Way Home>”.

In the last movie, we were significantly limited by Covid-19, forcing us to film everything indoors. This time around, we’re eager to embrace traditional filmmaking techniques and shoot on real locations, which is why our production is starting in Glasgow. We plan to utilize Glasgow’s streets for an expansive action sequence that we are meticulously preparing.

During the chat Holland also gushed about playing his “old pal” Peter Parker again, saying:

I’m absolutely thrilled beyond belief, and I can hardly contain my enthusiasm! Playing as Spider-Man feels just like catching up with a longtime friend…

Previously, it was hinted by Holland that “Spider-Man: A Fresh Beginning” would represent a new chapter not just for the character, but also for the fans who have followed him thus far.

As a dedicated movie enthusiast, I can tell you that the previous Spider-Man film, “No Way Home,” ended with quite an intriguing cliffhanger. Peter Parker made a selfless move, relinquishing his identity to protect the people he cherishes most in this world. Now, let me assure you, “Spider-Man: Fresh Start” truly lives up to its name. I can’t reveal any more details because that would mean spoiling it for everyone. Unfortunately, I’ve been sworn to secrecy about what I’ve learned since then, but I’m past the point of worrying about leaking spoilers. This is all I’ve been permitted to share at Cinema-Con back in March.

The upcoming movie titled “Spider-Man: Brand New Day,” which is being directed by the filmmaker behind “Shang-Chi and the Legend of the Ten Rings” (Destin Daniel Cretton), will soon commence filming in Glasgow, Scotland over the coming weeks.

No Way Home”.

Fresh faces joining the franchise are Sadie Sink from “Stranger Things,” whose part is currently undisclosed, and Jon Bernthal, known for his streaming roles, stepping into the MCU as Frank Castle, more commonly recognized as the Punisher.

Spider-Man: Brand New Day is currently scheduled to hit theaters on July 31, 2026.

Every Spider-Man and Spinoff Movie Ranked

15. Morbius (2022)

As a devoted film enthusiast, I must confess that watching “Morbius,” which hit theaters on April 1, 2022, felt more like an elaborate April Fool’s Day joke than a genuine cinematic experience. The final product barely resembled its trailers, with entire sequences and plotlines seemingly excised, leaving one to wonder if the movie underwent a drastic overhaul in post-production to ensure it was unmistakably not part of the Marvel Cinematic Universe.

Regrettably, clarity was scarce in “Morbius,” a vampire film that seemed to have been cobbled together haphazardly by none other than Dr. Frankenstein himself. Pieces of disparate storylines and characters were stitched together like a patchwork quilt, only to be brought to life as an awkward, disjointed creation.

14. Madame Web (2024)

In the world of Marvel, Madame Web hasn’t starred in her own continuous comic series. However, Sony was so eager to establish a cinematic universe around their Spider-Man license that they produced this questionable prequel, with Dakota Johnson portraying the title character. (It’s curious if she can truly be called the title character when no one in the film refers to her by that name.)

After a close brush with death grants Johnson’s EMT character precognitive abilities, she is tasked with safeguarding three young women who are under threat from a villain with spider-like powers. The plot seems to have undergone significant changes during post-production, as evidenced by extensive additional dialogue recording and reshoots, and the visual effects and costume designs leave much to be desired. Despite these flaws, Madame Web is fortunate that Morbius was released a few years prior, allowing it to claim the title of the worst Spider-Man spinoff yet.

13. Kraven the Hunter

Have you ever pondered over the source of Kraven’s leather vest? If so, there’s a film that might intrigue you! However, if your curiosity is mainly focused on Kraven’s wardrobe, you may find little value in ‘Kraven’, an excessively long and meandering Spider-Man spinoff (absent of Spider-Man) featuring a hunter of men, portrayed by Aaron Taylor-Johnson. The film revolves around his most distinct traits – his muscular physique. He clashes with his father, a flamboyantly Russian-accented Russell Crowe, and the Rhino, who in this universe is a bumbling Russian criminal constantly lumbering about with a miniature backpack filled with serum to prevent him from transforming into a large, gray-skinned beast. Sony has produced some outstanding Spider-Man films, both live-action and animated. Yet, these spinoffs are far from their best.

12. The Amazing Spider-Man (2012)

In this movie, Peter Parker visits Dr. Curt Connors for aid in catching a colossal lizard. However, Connors declines to help him because he’s occupied with a fresh project that requires his undivided attention. Consequently, he politely asks Peter to leave, but ironically, it is Connors himself who departs, allowing Peter to remain in his lab. As Peter snoops around, he discovers evidence confirming that Connors is the Lizard.

Dr. Curt Connors refuses to help Peter Parker with his problem because of a new project. He asks Peter to leave, but ends up leaving himself and letting Peter stay behind. While snooping around in Connors’ lab, Peter finds evidence that reveals Connors is the Lizard. Making movies can be more difficult than it seems!

11. Venom: Let There Be Carnage (2021)

In the initial Venom movie, the horror genre was blended with a humorous, yet occasionally over-the-top portrayal by its lead actor. However, Let There Be Carnage feels more like a romantic comedy, focusing on the complex relationship between Tom Hardy’s Eddie Brock and Venom. They bicker over their conflicting living arrangements and even consider parting ways to explore other options (or possibly consume each other’s brains).

In contrast, Venom was weighed down by subplots, villains, and convoluted storylines about malicious Life Foundations. This new film has been stripped down to the bare essentials, leaving many fundamental story questions unanswered and delaying the appearance of key supporting characters until well into the movie. The plot is riddled with gaps, and the confusing action sequences don’t help; it seems there might have been some editorial chaos in the Sony editing room.

10. The Amazing Spider-Man 2 (2014)

In the sequel, the second Spiderman film shows a slight enhancement over its predecessor. The action featuring Spidey is robust, with Andrew Garfield displaying more ease as a wisecracking hero than Tobey Maguire ever did. There’s undeniable chemistry between him and Emma Stone on screen. Unfortunately, the villains are less convincing, being generally underwhelming.

On one hand, you have Jamie Foxx portraying Electro, who transforms from a whiny outcast to a power-hungry madman in just about 15 seconds. On the other, you have Dane DeHaan as Harry Osborn, who resembles the offspring of a Mad Max antagonist and a Troll doll. The movie contains some strong scenes; however, these are often overshadowed by some rather poor ones that must be endured to appreciate them.

9. Venom (2018)

In the movie “Venom,” it’s a bit chaotic, but let me assure you, once Tom Hardy’s character bonds with the alien symbiote, things take an unexpected turn. The gooey creature starts talking to him in a gravelly voice within his mind (also voiced by Hardy). From then on, “Venom” turns into a riot of laughter. There’s a constant banter between Hardy and the malevolent symbiote. They engage in slapstick fights with villains, where Venom seemingly controls Tom Hardy’s body like a marionette. They also have an unusual appetite for tater tots. It’s as if Stan Laurel and Oliver Hardy had merged into one person — and one of them had a fondness for eating people’s heads.

8. Spider-Man 3 (2007)

The last film directed by Sam Raimi in the Spider-Man series has been undeservedly criticized, even by Raimi himself who once stated that it “didn’t work very well.” Although there are parts that don’t quite hit the mark, there are also many strong points, such as some of the most exciting action sequences from the Maguire trilogy, like the dramatic mid-air rescue of Gwen Stacy from a construction accident. The main point of contention for many viewers is the portrayal of Venom and particularly Raimi’s treatment of the black suit as a running joke; in one particularly memorable scene, an “evil” Peter under the influence of his alien costume dances through the streets of New York.

These scenes may have seemed out of sync with the trend towards darker and grittier superheroes in many movies at that time. However, if you view Spider-Man 3 as Raimi intentionally using Venom to satirize the concept of a “dark” comic book movie, the overall experience becomes much more enjoyable.

7. Spider-Man: No Way Home (2021)

In Jon Watts’ third “Spider-Man” movie, we find a level of quality similar to Sam Raimi’s third “Spider-Man” film. Both share a common theme of being overcrowded with numerous villains. However, this film effectively portrays the charm of Peter Parker as a character, who despite frequent failures, remains determined to correct his mistakes in the future. Moreover, it significantly introduces the concept of the multiverse into Marvel Cinematic Universe (MCU) films, making a significant historical mark for the company.

6. Spider-Man: Far From Home (2019)

The second Spidey movie in the Marvel series, starring Tom Holland as the incredible web-slinger, is only slightly less impressive than the first. It’s filled with romance, action, humor, and emotion. Although no one explicitly says “with great power comes great responsibility,” the film effectively conveys this concept – Peter Parker, portrayed by Holland, struggles between his romantic feelings for MJ (Zendaya’s charmingly witty portrayal) and his obligations from Nick Fury (Samuel L. Jackson’s humorously irritated performance) to thwart a group of destructive elemental beings.

5. Spider-Man: Homecoming (2017)

Without a doubt, “Homecoming” stands among the most enjoyable re-watches in the expansive Marvel Cinematic Universe. It boasts captivating characters, thrilling Spider-Man sequences, and an amusing street vendor requesting a flip from Spider-Man (which he graciously performs). Aren’t you enthralled?!? Tom Holland has truly been a blessing to Spider-Man admirers; he masterfully portrays both the witty, acrobatic Spider-Man and the heartbroken Peter Parker. Out of all his Marvel films, “Homecoming” showcases his finest acting performance.

4. Spider-Man (2002)

Today, with numerous Spider-Man films released annually, it’s effortless to overlook just how extraordinary Sam Raimi’s initial Spider-Man movie was in 2002. Despite the film appearing somewhat dated today, it was revolutionary for its time, pushing the boundaries of what was possible. The costume, action sequences, special effects, Uncle Ben’s poignant demise, and Peter Parker’s intricate relationships with Norman and Harry Osborn were all executed flawlessly. It revolutionized mainstream audiences’ perspective on superhero films and paved the way for the current era of cinematic universes. And remarkably, many subsequent superhero movies have adopted its iconic final scene, where Spider-Man swings through New York City in a long take.

3. Spider-Man: Across the Spider-Verse (2023)

In the expansive continuation of “Into the Spider-Verse”, this daring sequel introduces Miles Morales to Spider-Man 2099 and his “Spider Society”, a group dedicated to preserving the multiverse from threats such as Spot, a formidable new villain who can spontaneously create portals across dimensions.

As visually stunning as “Into the Spider-Verse” was, “Across the Spider-Verse” promises an even more captivating and audacious experience. (The realm of Spider-Gwen resembles a vibrant watercolor painting come to life; Spider-Man India calls Mumbattan home, a bustling metropolis characterized by a blend of yellows and greens.) However, the one drawback of “Across the Spider-Verse” lies in its being the first part of a two-part story, which can at times feel like it.

2. Spider-Man 2 (2004)

In Spider-Man 2, director Sam Raimi successfully avoided compressing both the origin story and a standalone adventure into one movie. Instead, he crafted a deeply layered tale focusing on Peter Parker’s complex relationship with the brilliant scientist, played by Alfred Molina in a standout performance across the entire Spider-Man series. This character, driven by unbridled ambition and equipped with menacing robotic arms, added a unique twist to the story.

Twenty years later, the movie continues to impress, particularly the elevated train sequence that stands out among Marvel productions. The relentless manner in which it heaps challenges upon Peter Parker adds depth to the film’s ultimately joyful (though also somewhat bitter) conclusion.

1. Spider-Man: Into the Spider-Verse (2018)

In many cases, quantity doesn’t match quality, but “Spider-Man: Into the Spider-Verse” stands out as an exception. It is not only one of the largest Spidey films ever made, but also the finest. With a vast ensemble of web-slinging superheroes such as Miles Morales, Gwen Stacy, and Peter B. Parker, it showcases their unique characters brilliantly. Moreover, it presents Stan Lee and Steve Ditko’s moral philosophy on selflessness in a powerful and unmissable way, transforming the concept that anyone can be a hero into a stunning visual tribute to their noble ideals.

2025-07-15 01:57