How Wolf Man created the look of film’s werewolf using practical effects

He mentioned, “I was keenly aware that I wanted to experience it hands-on,” he shared. In simpler terms, he initially valued the tangible, realistic aspects, like props and makeup, because capturing something authentic on camera is an immense pleasure for him.

He commented: “I find it significantly more engaging to capture an actor who has spent six hours in the makeup room, rather than one adorned with facial markers for tracking purposes – nothing about this is inherently flawed.

As a devoted admirer, I couldn’t help but feel that the prop needed to be in plain sight on the film set. To me, this character seems steeped in the art of makeup application. When one envisions the Wolf Man, the first thought that comes to mind is always the distinctive makeup associated with the character.

I aspired to join the tradition, from Lon Chaney through to Rick Baker’s creations. I desired to contribute to that legacy.

Following the decision, Whannell teamed up with makeup artist Arjen Tuiten to refine the specific appearance. His selection of a collaborator proved to be someone he was immediately satisfied with.

He exclaimed, “The initial miniature model he presented left me utterly amazed!” He went on to say, “I’d love to have it here to demonstrate it for you now. It was the very first piece he crafted. It depicted the Wolf Man reclining against a wall, with his foot in a chain. And when I first saw it, I had goosebumps.

In essence, we established the visual style simply by stating our intention, ‘Let’s make it feel real, as if it’s a disease.’ That was the foundation upon which we built.