The Oscars Totally Snubbed These 7 Great 2024 Movies

2025 Academy Awards nominations have been announced, and some notable oversights are evident straight away. Admittedly, it’s impossible for every film from 2024 to receive an Oscar nod, but a few standout titles seem worthy of consideration in any category. For instance, action movies like Furiosa and Transformers, as well as independent films like Challengers and Babygirl, appear to have been snubbed. Unsurprisingly, online movie enthusiasts are expressing their discontent and questioning the integrity of the Academy’s voting process.

In contrast to past years, the 2025 Oscars seem to have fewer “omissions” or “overlooks.” The Academy of Motion Picture Arts and Sciences appears to be striving for balance, recognizing both popular blockbusters and lesser-known films, and it seems they are getting closer to that balance. This year’s nominations even include some unexpected choices – “Emilia Pérez,” a Netflix original film about a transgender drug lord featuring musical sequences, leads with 13 nominations.

Nevertheless, for enthusiasts of the following films, there’s no compensation that can correct this situation. Dive in as we unveil the seven most significant oversights at this year’s Oscars.

Furiosa: A Mad Max Saga

Following its debut, numerous viewers felt that Furiosa: A Mad Max Saga fell short compared to the thrill of watching Mad Max: Fury Road. Nevertheless, when viewed independently, the film is highly acclaimed, as demonstrated by its 90% fresh rating on Rotten Tomatoes. Critics and fans alike commended the acting of Anya Taylor-Joy and Chris Hemsworth, although some noted that the writing, while praised, was compared to that of Fury Road.

Challengers

As a movie enthusiast, I find it quite astonishing that Challengers wasn’t even nominated for an Oscar, considering its electrifying impact on audiences when it first graced our screens. This romantic sports drama served as an intricate exploration of three vividly portrayed characters, and the professional tennis backdrop provided a rich canvas for both the actors and cinematographers to showcase their craft. To top it off, Trent Reznor and Atticus Ross’s score was a delightful surprise that truly stood out among the musical releases at the time. It seemed like an opportune moment for the Academy to acknowledge Zendaya’s exceptional performance without overloading the list with another Dune: Part Two nomination.

Transformers One

Transformers may not redefine cinema, but is Wallace & Gromit: Vengeance Most Fowl similarly lacking in originality? Had Transformers been eligible for the best animated feature film award, it would have certainly been contended – especially considering its potential to showcase the franchise’s capabilities beyond Michael Bay’s live-action style. A nomination might have eased the pain of its disappointing box office returns and encouraged more viewers to give it a chance.

I Saw the TV Glow

In a different phrasing: The unconventional drama “I Saw the TV Glow” was initially shown in select cinemas this past spring. If you didn’t catch it then, I highly recommend finding it on Max. Director Jane Schoenbrun skillfully poses questions and maintains the viewers’ emotional alignment with the main character, Owen (Justice Smith), throughout the story as it unfolds over an extended period without sacrificing any suspense.

Civil War

The film Civil War, with its star-studded cast and intriguing concept, seemed like a strong contender for an Academy Award. However, some critics found it too straightforward or predictable, which may have contributed to it not being nominated. This is unfortunate because the movie offered a unique perspective that deviated from its promotional materials, and those who dismissed it might have found it appealing. It was also a chance for Kirsten Dunst to earn her second Oscar nomination, possibly even winning – a missed opportunity.

Babygirl

It’s possible that the film “Babygirl” premiered too soon to be considered for Oscar contention, or perhaps viewers found it challenging to embrace an erotic thriller of this nature at this time. Regardless, it appears that the movie was strategically released to catch the attention of Academy voters on the brink, yet it fell short. The audience’s acclaim primarily focused on the film’s writing and narrative, making “Babygirl” a potential first nomination for its writer-director Halina Reijn.

Juror #2

It’s rather unexpected that Juror #2 was excluded from the Oscars given its star-studded cast, including Nicholas Hoult, Toni Collette, J. K. Simmons, Chris Messina, Zoey Deutch, Cedric Yarbrough, and Kiefer Sutherland. The film received favorable reviews for its strong performances and overall quality. However, there seems to be a lack of agreement among critics and fans regarding the political message in the movie, potentially causing some hesitation among viewers.

2025-01-24 00:39