A star rating of 5 out of 5.
Once more, Steve Pemberton and Reece Shearsmith have outdone themselves! The latest installment of “Inside No.9,” titled “Stage/Fright,” made its debut on the West End stage earlier this month, and it’s a guaranteed experience that will leave you in awe.
Although comedy-horror often works well on TV, there’s usually some hesitation when something gets transferred to the stage. But rest assured, the experience you’ll have will surpass your expectations.
Steve Pemberton and Reece Shearsmith, who have worked together for quite some time, recently performed at Wyndham’s Theatre, where they shared eerie stories that are bound to have audiences questioning even after the show ends.
For enthusiasts of the TV show, numerous references to skits from the initial content can be found, such as Bernie Clifton’s Dressing Room, which will undoubtedly make viewers laugh heartily at times and bring tears to their eyes later on.
Without revealing the specifics of what transpires within number 9, let me assure you that the hilarious act by the comedy duo is not to be missed. Given that they’ll only be performing for 12 more weeks in the West End, it’s an opportunity you won’t want to miss!
The duo excels at what they’re known for: terrifying spectators with ample humor. In the initial act, every scene is meticulously crafted to send shivers up your back. A particularly striking sequence in the play involves a kidnapping scenario where a famous guest character gets abducted and must think on their feet to break free, giving you a brief respite from the potential hauntings of theatre spirits.
In the second part, we begin with a run-through of the play titled “Terror in the Asylum,” a production hinted at earlier by the hosts, exploring the spectral entity that is said to linger within Wyndham’s theater.
I can’t reveal many details about Act 2 without ruining the play for audiences, but it provides an opportunity to witness more of the cast, particularly standout performances from Miranda Hennessy. She portrays a former influencer transitioning into a West End lead who becomes increasingly frightened by the rumored ghost that haunts her.
Anna Francolini, meanwhile, is a standout, especially when her eyeball hangs out of her face.
Classic Inside No. 9, right?
Viewers are likely to find themselves hanging on every word, filled with anticipation about what unfolds next, as Pemberton and Shearsmith navigate an extraordinary screenplay.
The show is outstanding all around, and I can’t find a single thing to criticize about it.
What I will say, though, is if you’re not one for the peculiar and horror – brace yourself!
Experiencing numerous sudden jolts and intermittent shadowy illuminations might cause you to shield your eyes, yet isn’t it characteristic of great horror films to leave viewers with a similar reaction?
Don’t miss out on the exciting journey of this play as it ends on 5th April 2025. Secure your tickets now before they run out!
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2025-01-30 14:36