*Warning: This article contains spoilers for The White Lotus season 3 episode 1.*
I can’t get enough of anthology series; with each installment, I encounter fresh characters, intriguing tales, and captivating drama – so please, keep me on board for every single one!
Exploring the captivating universe of The White Lotus for its third installment is an exciting prospect, as we eagerly anticipate the bizarre and enchanting surprises that lie ahead.
In my opinion, it’s quite simple to overlook the fact that amidst its hilarious moments, insightful societal observations, and uncomfortable encounters with unforgettable hotel guests, this show is fundamentally built around the enigma of a demise.
In my opinion, the unexpected passing of Tanya in season 2 was a shock that left many viewers, including myself, in a state of disbelief and sadness. Jennifer Coolidge’s portrayal of this vibrant character was truly captivating.
You might be curious about who could potentially meet an untimely end in Season 3. However, the show is known for keeping such secrets until its climactic final scenes, thereby fueling weeks of audience anticipation and suspense.
However, the initial approach taken by the series this time might cause a stir due to a significant change in its tone that is quite evident.
In the past installments of The White Lotus, the narrative commenced with a corpse-filled suitcase being offloaded from an aircraft, followed by another one surfacing in the ocean, spotted by a hotel visitor during their swim.
In contrast to previous seasons, Season 3 kicks off with a noticeably distinct tone. While the opening scene featuring a corpse remains, it’s the ominous way events transpire that could make viewers feel more uneasy than they might be accustomed to.

Nestled amidst the tranquil beauty of The White Lotus Thailand, I found myself engaging in a heartfelt conversation with Zion (Nicholas Duvernay) within one of the resort’s secluded meditation huts. My counterpart was none other than Amrita (Shalini Peiris).
In simpler terms, Zion discusses the pressures of finishing his exams and other matters with Amrita, leading him into a meditation. However, as they immerse themselves in deep breaths and enjoy the tranquility, the distant sound of gunshots disrupts Zion’s calm state.
Similar to Zion, the observer ponders if it’s genuine, but as the noise resurfaces – now apparently nearer – Zion becomes tense, confiding in Amrita that the sound is likely gunfire.
In just a moment, they spot two visitors rushing frantically, and all at once, it seems like the gunfire is getting much louder, causing panic among nearby monkeys and amplifying the distressing mix of noises.
I find myself attempting to soothe Zion, who’s filled with concern for his dear mother, Belinda (Natasha Rothwell). His heart aches due to the fear that grips him, as she’s currently away from our immediate reach.
However, when a bullet is fired towards their own dwelling, chaos erupts instantly. Guests and employees scatter in panic, shrieks fill the air, and Amrita swiftly departs, leaving Zion alone. In response, he leaps into the nearby water to find some protection, but more gunshots ring out, accompanied by additional screams.
The sound of gunshots persists, shortly followed by the wailing of emergency vehicles. Not much time passes before the scene resumes its earlier pace, and Zion spins around in the water, spotting a corpse drifting nearby.
Five minutes in, stress levels at an all-time high, and welcome back to The White Lotus, people.
Even though series creator Mike White openly admits that the third season is “darker” than previous ones, initiating events with an event that appears to be a mass shooting raises questions about whether such a dramatic plot choice is a risk worth taking in the eyes of many viewers.
Before I potentially draw criticism from sensitivity advocates, let’s pause for a moment and consider that incorporating something as traumatic as a mass shooting – with its deeply rooted connections to real-life events – might feel starkly out of place when attempting to blend it harmoniously within the overall tone of The White Lotus.
Several individuals criticized the Keeley Hawes drama, similar to BBC’s Crossfire, due to its main theme being a hotel shooting, which is not too dissimilar from real-life events.
Notably, an attack in Port El Kantaoui, Tunisia, in 2015 – specifically the Sousse incident – resulted in the tragic deaths of 38 individuals. This occurred when a shooter targeted tourists who were vacationing at a well-known resort, resulting in fatalities.
As a passionate moviegoer, I can’t forget the chilling incident that unfolded in Las Vegas back in 2017. It wasn’t just another scene in a film; it was a horrifying reality played out by Stephen Paddock, who unleashed over a thousand bullets from his hotel room at Mandalay Bay. This grim spectacle would go down in history as the bloodiest solo gun attack on American soil, taking the lives of 60 innocent souls.

It’s surprising that a filmmaker and actor from the U.S., where gun violence is a real concern due to frequent mass shootings, would incorporate such a distressing topic like guns into the storyline of his show merely for dramatic purposes.
As I sat down to watch the premiere of this new series, I found myself questioning if the intriguing suggestion of a looming hotel massacre was a clever ploy to generate buzz or if it truly held some weight. Is stirring up such dark speculations among viewers really an effective tactic for keeping us hooked?
Trying to surpass past seasons, it seems that some of the early “water cooler talk” moments might be impacting the show’s authenticity a tad. Even White, the showrunner, expressed his astonishment over the premiere episode’s heavy focus on a dead body.
In a casual and clear manner: “When that initial series became such a hot topic for office conversations, I thought to myself, if I had known adding a dead body at the start of ‘Enlightened’ might have attracted more viewers, perhaps they would have watched it,” he shared with NPR. “It seems these attention-grabbing elements do indeed draw in viewers.
In about seven weeks, I might just find myself eating humble pie if it turns out that the tragic event at The White Lotus Thailand, which initially seemed like a mass shooting, was actually staged.
However, this theory doesn’t entirely account for the gunfire directed at Zion’s cabin, the palpable fear among the attendees and employees, as well as the profound emotional tone that the series initially sets.
One engaging aspect of this series is watching the guests, speculating if someone among them has the capability or will become a victim of a crime. In this season, such contemplation takes on a darker hue as curiosity shifts towards identifying the culprit behind the brutal murders of several individuals.
I hope The White Lotus hasn’t strayed too far from what’s made it so captivating in previous seasons – its insights into real-life society, the element of surprise, its quirky nature, and the dark humor that leaves us laughing uneasily.
Frankly, following episode 1, I find myself questioning whether the eagerness to provoke and generate memorable scenes akin to The White Lotus has been taken a step too far in this case?
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2025-02-17 12:39