Junji Ito’s Anime Should Have Stayed as Manga

It’s disheartening, as a fan, to witness the underwhelming translations of Junji Ito’s masterful works into anime. The anticipation and excitement surrounding these adaptations often lead to disappointment, a sensation all too familiar in the realm of media. The recent flop of Adult Swim’s Uzumaki has left a bitter taste for many anime enthusiasts, but it’s not the first time Ito’s followers have been left with shattered expectations. Over the years, several attempts have been made to faithfully bring Ito’s exquisite and chilling manga to life. The Junji Ito Collection, released in 2018, and Junji Ito Maniac: Japanese Tales of the Macabre, which premiered in 2023, were two such attempts, but none have managed to truly honor the mangaka’s legacy.

The main issue with the ongoing shortcomings of Junji Ito’s anime adaptations is that, in numerous aspects, his work faces the same predicament as Kentaro Miura’s Berserk – it appears to be a challenge for animation studios to accurately represent them. However, this doesn’t mean that they don’t make efforts to satisfy fans. For instance, the adaptation of Uzumaki from Adult Swim began with a spectacular first episode but later struggled in subsequent episodes, yet it was evident that the team had a genuine affection for the original content.

Attempts at Animating Ito’s Work Misunderstand What Makes His Manga So Horrifying

As a diehard fan of Junji Ito’s eerie masterpieces, I can’t help but feel disappointed with the animation adaptations, starting with the 2018 “Junji Ito Collection.” Adapting some of his most iconic works like “The Long Dream,” “Slug Girl,” and “Greased” should have been a dream come true. However, it seems that we were given more than just poor animation quality; the issue runs much deeper.

Unfortunately, the “Junji Ito Collection” missed the mark when it came to capturing what truly makes Ito’s works chilling. The animation might have been flat, but the real letdown was the lack of exploration into the nuances found in Ito’s intricate paneling that build up to those suspenseful, page-turning moments he’s renowned for. It’s a shame because these subtle details are what make his stories so captivating and terrifying.

In “The Long Dream” episode, the manga skillfully constructs an ominous, nearly revolting ambiance as the protagonist struggles within his nightmarish dream sequence. The graphic depiction of the victim’s body transformations is rich in intricate details and shading that can make one’s flesh creep. When compared to Studio Deen’s anime adaptation, it’s almost chilling how dissimilar they are. Unlike the anime, which fails to capitalize on the texture found in the original or gradually escalate the tension leading up to the climax, it attempts a faithful, panel-by-panel reenactment of the manga without incorporating any of the eerie, unsettling dread that made the source material so captivating for manga fans.

2023’s Netflix lineup shares similar shortcomings, with uninspired visual direction and a misguided attempt to mimic Ito’s art style by employing dull, subdued greens and browns instead of his distinctive black-and-white color scheme. Despite the collection’s intention to create a more authentic anime adaptation rather than simply replicating popular comic panels, the excessive use of CGI in “Junji Ito Maniac” stands out starkly against the intended atmosphere, disrupting any suspenseful tension that was being cultivated.

To further elaborate, the music score in Junji Ito Maniac doesn’t enhance the narratives, and the opening and closing sequences seem disconnected from the grim atmosphere of Junji Ito’s work, making the anthology feel unremarkable overall. One issue that weakens the series is its initial episode, which takes a comedic approach with “The Strange Hikizuri Siblings: The Seance”, a choice that doesn’t establish the appropriate tone for the darker stories that follow.

Uzumaki Fumbled the Last Hopes Fans Had For a Proper Junji Ito Anime

2019 saw the long-awaited announcement of an anime adaptation for the renowned manga “Uzumaki” by Junji Ito, offering fans a glimpse into what could become one of the finest animated series rooted in one of his most memorable works. The absence of the need to adapt multiple interconnected stories allows the production team to focus on the elements that make “Uzumaki” a classic, and to deliver justice to Ito’s dedicated followers.

Fans anticipated that by having fewer episodes, the production budget could be used to create visually striking adaptations of whatever was being adapted. However, when it was initially set to release in 2020, the team started sharing sneak peeks of storyboards and casting news, but the series faced delays. In 2021, they announced that they would need to completely rework the project, which wasn’t a promising sign for the anime’s future.

By October 2024, Ito enthusiasts worldwide could finally relax upon watching the premiere of the anime adaptation. The initial episode was nothing short of breathtaking – it accurately recreated the monochrome color schemes that define Ito’s work and skillfully translated his art style and rough line work during its more terrifying scenes, truly bringing Uzumaki to life on screen. Unfortunately, as more episodes were released, the quality of the anime noticeably deteriorated, falling victim to the same fate as its predecessors. Additionally, the limited number of episodes restricted the story’s pacing, and the effort to tie together a narrative spanning 19 chapters ended up undermining all the tension that the first episode had effectively established.

Despite repeated attempts, Ito’s work has yet to be successfully translated into an animated format. However, credit is due to the team behind Uzumaki, who demonstrated their dedication by attempting to create something worthy of Ito’s fanbase. Whether other studios will endeavor to adapt one of his works remains unclear, but here’s hoping they learn from past mistakes and eventually deliver a project that honors Junji Ito’s distinguished legacy.

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2025-03-09 04:10