Where Was The Stolen Girl Filmed? Manchester & France Locations Revealed!

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The new Disney+ suspenseful series, titled “The Stolen Girl,” chronicles the global manhunt initiated upon the kidnapping of a young girl named Lucia, during a playdate with her friend.

In this rephrased version, let me say that the central character is played by Denise Gough, who portrays the role of Elisa, the girl’s mother, while Holliday Grainger assumes the part of Nina, the kidnapper. Additionally, it’s essential to note that the story unfolds in two distinct locations: the UK and France.

If you’ve found yourself captivated by the stunning British homes depicted in the show, or the breathtaking landscapes in the France-set scenes, you might be curious about the locations where they were filmed.

Read on for everything you need to know about the locations used for filming on The Stolen Girl.

Where was The Stolen Girl filmed?

The television series titled “The Stolen Girl” was shot not just within Manchester but also nearby areas and France, mirroring the primary backdrops depicted in the program. Additional filming locations encompassed The Glass House situated in Liverpool’s Fulwood Park, Blackpool airport, and the port of Dover.

In their discussions, it’s been shared that during the making of the series, certain locations were explored. Specifically, Holliday Grainger disclosed that she and the team spent a full five weeks in France, whereas her on-screen filming time in Manchester was limited to just three days.

In the heart of an enchanting locale, I found myself residing for much of my critique in a grandiose, picturesque villa – a veritable haven designed to captivate any free-spirited household.

Nina’s planned life seemed perfectly fitting in that house adorned with stunning artwork and children’s rooms painted with murals. Strolling through town to a French bakery for fresh bread and pastries for the kids, you felt immersed in this serene atmosphere. It was truly delightful.

In the process of finding inspiration, Kevin Jackson, the location supervisor for the show, shared insights on filming in Manchester. He mentioned that since many scenes are set in the city center, he and his team did quite a bit of exploring Manchester on foot.

He went on to say, “It was wonderful to finally experience the place,” he added. “For instance, Selma’s apartment is often referred to as being in the Northern Quarter due to her being a vibrant, fashion-forward professional who typically resides there. However, we couldn’t locate an apartment there.

Given their objective, I remarked, ‘The item we’re seeking can be found in Whalley Range, specifically a big house divided into apartments.’ As predicted, we distributed approximately 100 letters in those properties, and the first one that responded was the very place we eventually utilized.

Moving from a downtown high-rise apartment to a suburban home, it’s fascinating to observe how thoughts evolve.

Apart from discussing other matters, Jackson mentioned searching for the house where Lucia was taken, revealing that this residence was situated at the rear of one of the sites he had worked on during a different task in Liverpool.

He said, “The script depicts Elisa approaching a grand, picturesque house through a driveway.” However, our initial idea didn’t evoke that sense of grandeur. Later, we discovered The Glass House in Fulwood Park, which provided the ambiance we were seeking.

The exterior may not be particularly striking, but once you step inside, it reveals itself as a breathtakingly beautiful house, surrounded by walls of floor-to-ceiling windows.

Instead of creating the expected “wow factor” house, we decided to take a unique approach. It’s fascinating to observe how perspectives can shift, and this occurs more frequently than one might anticipate.

As a movie enthusiast, I often encounter directors expressing their creative vision with phrases like, “I’m not exactly sure what I’m searching for, but I’ll recognize it when I stumble upon it.” This sentiment allows me to explore various possibilities, which is both challenging and exhilarating.

I appreciate having a clear outline (a brief) to work within, but what truly excites me is the opportunity to bring my creativity to life. It’s essential to maintain a harmonious collaboration with the director and production designer, and when we all align perfectly in our visions, that’s when the magic really happens!

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2025-04-16 18:04