Kratos’ Next Move: Shocking God of War Update Revealed

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Fans of the 2018 God of War reboot and its sequel, God of War Ragnarok, are excited about a new update for the series. The future of God of War and Kratos is uncertain, but it’s likely that we’ll see another change in location. Some speculate that this change will take us back to ancient Greece, while others think it might introduce us to ancient Egypt. However, the exact setting has yet to be revealed. Recent whispers hint towards a return to Greece and possibly a younger Kratos.

As a die-hard fan, I’m thrilled to share that Bear McCreary has confirmed he’s ready to contribute to what’s coming next in the series. For those who might not be familiar with this talented musician, let me fill you in: He was the mastermind behind the enchanting scores of 2018’s God of War and 2022’s God of War Ragnarök. Interestingly enough, he hadn’t worked on the series before these groundbreaking games, but many fans would concur that his compositions have significantly enhanced their experience. These two titles, with their unforgettable game music, were widely recognized as some of the best in their respective years of release.

This isn’t just great news; McCreary being involved is significant since he’s one of the most gifted composers in the field. Consistency in audio is crucial for the series, especially as new games may belong to different storylines and environments. To maintain continuity, it’s essential that he contributes.

The latest installments in the God of War series are impressive, just like their earlier versions, yet there seems to be a gap between them. This discrepancy can be attributed to several factors, and the inconsistency in the musical score is definitely one of them.

Regardless of whether the backdrop for the next God of War installment shifts to a completely new environment, such as ancient Egypt, it’s crucial to maintain harmonious elements within the soundtrack to tie it back to its Norse-themed predecessors.

While McCreary mentioned his willingness to come back and contribute to the next God of War game, it’s important to note that this isn’t a certainty. Santa Monica Studio hasn’t shown any indication yet that they would want him or that he’s actually working on the new game, given that they might already be deeply engrossed in its development.

McCreary expressed, as he talked with VGC, ‘If more music is needed in the future, I’m ready and waiting.’ Everyone has my contact information; I’m available. I take great pride in the work I’ve accomplished,” said McCreary.

It’s uncertain if Santa Monica Studio will enlist McCreary for the next God of War game, but his openness to continue working on the franchise is certainly encouraging. Given that he’s been involved since 2016, one might assume he could be tired of the PlayStation series, but the possibility remains.

Following the release of God of War Ragnarok in 2022, the only other game that composer Bear McCreary has been involved with is Forspoken, a notable disappointment in 2023’s gaming landscape. However, it’s important to note that its lackluster performance wasn’t due to its musical score. Although the music for Forspoken may not have been exceptional or particularly memorable, it did not play a significant role in the game’s poor sales.

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2025-04-17 15:14