The Shocking Truth Behind The Girl In The Platform Ending – What It REALLY Means!

he saw one child as a beacon of hope for the future. This hope was so powerful that it outweighed his own survival. The story takes place in a towering structure where people serving prison sentences are confined, with each level housing different prisoners and being supplied food by a moving platform. Unfortunately, this system is cruel and inhumane as the prisoners are forced to switch levels every month and the food on the platform decreases over time.

By the time the platform descends to lower levels, food is often scarce, leading those at the bottom to possibly resort to survival methods like cannibalism or accept their harsh living conditions. However, when two prisoners hear rumors of a child in the tower, they investigate and find hope for a better future. In other words, the prisoners have had to adapt to extreme circumstances in the past, but now see a glimmer of hope.

How The Platform Ends

The Dying Goreng Saves A Child

As a dedicated film enthusiast, I’d describe my experience with “The Platform” as follows: In this intriguing tale, I find myself as Goreng, a man who unexpectedly wakes up in a cell on level 48 of a towering prison. My fellow inmate, Trimagasi, enlightens me about the unique food distribution system and the mysterious circumstances of our confinement. We cross paths with Miharu, a woman frantically searching for her child, a figure many doubt exists within this tower. Later, Miharu saves me from the clutches of cannibalistic Trimagasi, whom I ultimately defend myself against. Throughout my journey, I encounter Imoguiri, a former administrator who shares the disheartening truth that there are no children in the tower.

As I, a devoted cinephile, follow the storyline, it unfolds that Goreng acquires another cellmate named Baharat. Together, they navigate the food platform’s levels, doling out rations to preserve resources while eliminating prisoners who resist cooperation. In their descent, they stumble upon Miharu once more, but unfortunately, she perishes, and both men sustain injuries. Their objective is to leave a solitary panna cotta untouched as a covert message. However, when we reach Level 333, instead of leaving the child without food, Goreng selflessly offers her the panna cotta, ensuring her survival and allowing her to board the platform before Goreng meets his tragic end.

What “The Girl Is The Message” Means

The Girl Proves There Is Hope For The Prisoners

As Goreng and Baharat stepped off the platform, they aimed to convey a message to the rest of the tower. This message was threefold: first, to ration food more equitably, second, to improve the prison conditions, and third, to subvert the system by leaving the panna cotta untouched. Baharat kept repeating, “the panna cotta is the message“, indicating that if those preparing the food on the upper floor saw that the prisoners had intentionally left such a delectable treat uneaten, it could be seen as a form of protest.

Before Goreng ultimately perishes from his injuries, he discovers a profound meaning upon reaching the bottom level – Level 333.

This young lady had managed to survive in the lower levels with minimal food resources. Realizing that his time was running out, Goreng selflessly offers the panna cotta for her to eat and sends her back on the platform alone to ascend.

The act of leaving food for the hungry girl below serves as a powerful reminder that everyone, regardless of position, is human. Leaving the food for her not only demonstrates compassion but also fosters goodwill among those who could have taken it instead. When this girl eventually ascends to the upper floors, her presence may amplify the message even more profoundly. Furthermore, offering her nourishment might instill in her a lasting memory of kindness and inspire future generations towards a brighter tomorrow. So, one could say, “The girl embodies the message” of empathy and unity.

What The Platform Director Said The Ending

Galder Gaztelu-Urrutia Believes Goreng Died Before “Finding” The Child

The second film subtly suggests that the importance of the “message” could be questionable. It further, regrettably, implies that there may not have been a little girl in reality at all. Following the premiere of the first movie, director Galder Gaztelu-Urrutia hinted at this possibility in an interview with Digital Spy.

In my view, that lowest level doesn’t materialize… Goreng perishes before he arrives, and this is merely his understanding of what he believed was necessary… As soon as Goreng and Baharat experiment with socialism to persuade other prisoners to voluntarily share their food, they inadvertently cause harm to more than half of the people they intended to assist.

Discussing this film sparks intriguing conversations about its themes, the depiction of socialism in these scenarios, and the grim events unfolding in the prison tower. If the child from The Platform only lived in Goreng’s imagination, then no children exist within the prequel either, and this system and society are causing mental deterioration for all those trapped within its boundaries.

The Real Meaning Of The Platform Ending

It Is Impossible To Change The Future, But We Should Still Try

At its core, The Platform represents a criticism of capitalism, highlighting the destructive impacts it has on society at large. If we consider the tower in the story as symbolizing the capitalistic world in general, those residing on the upper floors enjoy an abundance of food and luxurious living, while those on the lowest rungs struggle with hunger and poverty. Efforts to instigate fair distribution are often perceived as socialist experiments and met with suppression, frequently resulting in violence and loss of life.

In essence, The Platform’s conclusion suggests that a person with noble intentions, like Goreng, can find hope for the future, even in death. If he manages to reach the little girl, share the remaining dessert, and send her as a message, his mission would be accomplished – he would have strived for a brighter future. Yet, if Goreng dies without achieving this, it could mean that his actions held no power over the situation, leaving the misery of the poor and desolate unchanged. Consequently, The Platform unfolds as a profoundly somber tragedy.

The Alternate Ending To The Platform, Explained

The Child Reached The Top In An Alternate Ending

It turns out that the original ending for “The Platform” was supposed to be quite distinct. As Galder Gaztelu-Urrutia disclosed, “In the end, I desired it to remain open to interpretation – whether the plan succeeded and those in power genuinely cared about the pit’s inhabitants. Initially, we did shoot a different ending featuring the girl reaching the first level, but we chose not to include it in the film. Let your imagination decide what happens next.” This alternate ending would have significantly altered the storyline.

According to Gaztelu-Urrutia, he suggests that Goreng may have been already dead by the time he arrived at the bottom, implying that the girl could have been a product of his dying delusions. However, if the story had ended differently with her reaching the first level, it would indicate she was real and perhaps Goreng’s selflessness had succeeded. The filmmaker invites us to ponder on the concept of compassion, highlighting that being kind is easy when you’re in a comfortable position but challenging when you’re struggling, as symbolized by levels 10 versus level 182.

How The Platform 2 Followed Up On The Story

The Platform 2 Was A Stealth Prequel

In “The Platform 2”, it wasn’t straightforward as it appeared to be a follow-up to the initial film, but instead, it was a prequel, unfolding a year prior to the events in the original movie. The protagonist, named Perempuan, strives to break free from a towering prison, and she orchestrates her own demise to trick the maintenance crew into believing she’s dead. However, before she manages an escape, she witnesses a young boy being confined on Level 333. Reminiscent of the final scene in the first movie, she rescues the child and sends him to safety, ultimately sacrificing herself.

Other inmates escort Perempuan off and assure the boy he’ll receive “another opportunity” as they ascend the platform, much like the girl from the initial film. This situation leaves a significant query: Are these children genuine, placed at the lowest prison tier by officials to gauge the morality of prisoners aspiring for redemption? An alternative theory proposes that there are no children and that Perempuan, similar to Goreng in “The Platform“, hallucinated the child upon her death, convinced he had accomplished something honorable but ultimately making no difference.

2025-04-29 00:10