Avengers: Doomsday’s Secret to Success – Embrace the Silliness!

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It’s become clear that Avengers: Doomsday may draw from the critically praised 2015 Secret Wars comic, but it could be more effective if they drew inspiration instead from the original, more comical Marvel Super Heroes Secret Wars.

In the year 1984, I became part of an unprecedented venture where a comic company combined their premier superheroes within a single epic narrative. The objective behind this creative endeavor was none other than capitalizing on the demand for action figures.

Marvel struck a deal with Mattel to manufacture a line of toys based on their characters, and both parties believed a new series would be an effective marketing strategy. Market analysts polled adolescent boys about what they considered the most thrilling phrases worldwide, and after filtering out some inappropriate responses, the top two choices were “Secret” and “Battle”, so that became the title.

The tale shared the same central theme, as every one of the twelve episodes showcased multiple intense battles, making it possible for you to recreate them only if you had an ample collection of action figures to engage in combat. Additionally, there was a scene where all characters lined up and presented themselves, so that novice readers would recognize them when asking for gifts during the holiday season.

Such a scenario would greatly enhance the current Marvel Cinematic Universe experience. With 35 films over 17 years, it wouldn’t hurt to have moments where characters introduce themselves more clearly, like: “Greetings all, I am Namor, the Sub-Mariner, and this is my companion M’Baku from Black Panther.

Marvel’s Secret Wars: The Super Heroes Edition boasted numerous captivating elements, such as thrilling hero collaborations, futuristic wrecking machines, fresh costume designs (accompanied by action figures), and in issue four, villains crushing heroes under a colossal mountain range weighing a billion tons. It’s hard not to imagine the spectacle unfolding on the big screen!

Such silliness plays a significant role in the narrative of superheroes, as it enables us to embrace extravagant notions and celestial themes more easily. This is possible due to our prior acceptance of individuals wearing form-fitting outfits, who hurl vehicles at one another.

Unfortunately, this adaptation often leaves mature directors feeling embarrassed about their original content, as they fear sophisticated filmgoers might mock them for it. Creating films geared towards dull audiences can result in dull movies, with Zack Snyder’s angst-filled epics serving as a prime example. Beneath the surface, these stories revolve around a cosmic Jesus figure and an armed Elon Musk-like character.

The trailer for James Gunn’s Superman highlights this, embracing the delightful absurdity of Krypto the Superdog and his canine cape, whereas his Guardians of the Galaxy films generate intense thrills and deep feelings from a chatty raccoon and his companion, a talking tree.

The initial phase of the Marvel Cinematic Universe also showcased this trend, featuring the absurdity of billionaires constructing colossal robot suits and a superweapon that stood out conspicuously in its uniform. In Avengers: Endgame, there was a climactic fight scene where characters frequently paused to identify themselves, such as Gwyneth Paltrow from the Iron Man series saying: “It’s me.

With great anticipation, it’s been announced that the latest roster shares an intriguing parallel with the initial Secret Wars. In this new setup, four distinct groups of superheroes are featured: the Avengers, the X-Men (with the return of Professor X and Magneto from the original X-Men film series), the Fantastic Four, and a team of villains, represented by the Thunderbolts’ cast.

As a die-hard comics fan, I can’t help but reminisce about those iconic teams who, more often than not, found themselves embroiled in disagreements and squabbles before fate, orchestrated by none other than the cunning Doctor Doom, ultimately brought them together. In 2015’s Secret Wars, Doom shone as a beacon of hope, even though only the ’80s version of him got a remarkable upgrade – growing into a colossal 30-foot figure and acquiring a sleek, futuristic costume that graced the shelves of every well-stocked toy shop.

Significantly, the initial series portrayed Doom shedding his facial scars and removing his mask, which would undoubtedly be an enticing prospect for Disney’s financial team, as they likely wouldn’t want to spend millions concealing Robert Downey Jr.’s attractive features beneath a piece of metal.

As a devoted cinephile, I must admit that this is undeniably the crux of the matter. Contrary to what some ardent comic book enthusiasts might believe, Disney isn’t merely creating these films with the intention of aggravating us – they’re also doing it for profit, much like the original series.

At a retailer conference in 1985, when Marvel revealed the sequel to the original Secret Wars, it received widespread jeers due to accusations of running short on fresh concepts. Carol Kalish, the sales manager, waited for the room to quiet down and then candidly stated: “Let’s face it. Wasn’t Secret Wars a flop, isn’t that right? But did it sell?

In simpler terms, if Marvel Cinematic Universe (MCU) studies an instance where a film became very popular due to its zany elements, they could potentially achieve the same success by reintroducing some humor or light-heartedness in their productions, without intentionally lowering the quality of the movie.

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2025-03-28 18:05