As a dedicated fan who has been following Blue Lock since its inception, I must admit that I was initially taken aback by the noticeable shift in animation quality between season one and two. However, upon reading Ryoya Arisawa’s response, I found myself reassured and even a tad excited about the future of this captivating series.
The debut of Blue Lock‘s first season was met with widespread acclaim by both anime and soccer enthusiasts, thanks to its thrilling action sequences, top-notch voice acting, and visually stunning animation. However, since the premiere of season two, there has been significant criticism from a segment of the fanbase – dating back to the initial trailer release. The fans have particularly voiced their concerns about Bandai Namco allegedly lowering the show’s previously high-quality animation standards, which they believe is detrimental to the series as a whole.
Blue Lock follows Japan’s unique strategy for cultivating top-tier soccer talent capable of challenging the global elite. The Blue Lock program initially selects only strikers to vie for the premier position, believing their skills will propel them all to greatness, eventually revealing the world’s finest striker. Our protagonist, Yoichi Isagi, rises from the program’s depths, competing against prodigies and geniuses while forming friendships and rivalries. The first season of Blue Lock brilliantly portrayed the fervor and excitement of the world’s favorite sport, but viewers have expressed disappointment due to inconsistencies in the show’s second season.
Blue Lock’s Producer on Season 2 Animation Quality
In a Q&A session on the official Instagram account for ‘Blue Lock’, its producer Ryoya Arisawa addressed fans’ queries, including some regarding the animation of season two. During this exchange, when inquired about the ‘Blue Lock’ anime adaptation, Arisawa provided the following reply:
Arisawa stated, “I’m still very much striving for more. The story of Blue Lock revolves around pushing one’s ‘ego’ to gain even greater power, and in a sense, feeling content signifies the halt of progress. Characters such as Isagi and others are constantly driving themselves towards increased strength, regardless of whether they win or lose. I share this mindset with everyone involved in the Blue Lock anime, and I believe we will never let ourselves reach complete satisfaction in our pursuit moving forward.
Arisawa additionally addressed queries concerning the distinctions between Blue Lock seasons 1 and 2. He explained, “Up until now, the characters have only fought inside a confined space, but for the first time, they’ll be competing on a massive stage that grabs everyone in Japan’s attention.” Arisawa justified this change by stating, “To truly convey this transformation, we’ve expanded the portrayal of the outside world and the spectators, aspects that were scarcely shown before.
In response to comments received during the first season, Arisawa aimed to improve various aspects of “Blue Lock”, such as the quality of the monitor work, visual sequences, and aura effects. He emphasized that this production process is still in progress, with further adjustments being made as they approach the end of the season.
Essentially, it appears that fans’ notices of a difference between season 1 and 2 animations were accurate, as the studio has indeed adjusted its methods for the new storyline. Whether these alterations will lead to enhancements in the long run remains to be seen, particularly in future releases, as Arisawa’s team continues refining their skills with the aim of achieving even greater quality.
In its second season, Blue Lock delves into one of its most thrilling and pressure-filled episodes. The top players from Jinpachi Ego’s groundbreaking program to identify Japan’s premier striker engage in a fierce contest against the nation’s U-20 team. This clash pits contrasting ideologies head-to-head, with the stakes being incredibly high. To keep viewers hooked and eager for more, the series must maintain an engaging quality throughout its remaining chapters.
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2024-12-04 18:40