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Boss man

As I delve deeper into the intriguing world of Morrissey, I am struck by the profound impact his experiences have had on shaping him into the artist and individual he is today. His unwavering passion for literature, particularly the works of Rachel Cusk and Julie Myerson, reflects a deeply thoughtful and introspective mind. The way he speaks about London, Liverpool, and theatre seems almost poetic, as if each word carries the weight of a lifetime spent in these places.

Add Sherwood to your watchlist.

David Morrissey and I kick off our chat with some lighthearted cemetery banter. I reveal my epitaph to him: ‘Too much is not enough.’ So, what would his be? “Stay off the dance floor,” he quips. Not a fan of dancing yourself? “Meaning, keep away from my grave and don’t Dance on it,” (At least one of us has our senses intact.)

Has he given it any thought previously? “No, I only just came up with the idea now.” It’s intriguing; he seems like a perfect fit for Have I Got News for You! He adores the show (alongside his love for Gogglebox and several others), has never been on it, and… yes, BBC, if asked, he’d certainly consider it.

As a seasoned observer of people and their stories, I find David Morrissey to be quite intriguing. He comes across as a man who has learned to embrace the simple joys of life, such as baking and finding humor in everyday conversations. His ability to grow into himself and let go of the need for validation at dinner parties is a testament to his personal evolution.

As a film enthusiast, I’m thrilled to discuss the upcoming return of “Sherwood,” the gripping crime drama series penned by James Graham. This riveting show is based on the chilling events that unfolded in Nottinghamshire in 2004 and has found its way onto our screens once more. In many ways, it mirrors the backdrop of the village where Graham himself grew up, an ex-mining community still grappling with the lingering shadows cast by the contentious 1984 miners’ strike. The residents continue to harbor resentment towards their former colleagues who crossed picket lines, with some still spitting the term “Scab” over their drinks.

I can dance. I can do Northern soul. Not well, but I can throw some shapes

2022 saw one of the most viewed British dramas of the year reaching its climax, revealing the undercover officer who tied the knot, raised a family, and still resides within the very village whose events under his cover resulted in a heartbreaking loss of lives.

In the second season, Morrissey’s DCS Ian St Clair – who was among the few knowing the spy’s true identity – has parted ways with his wife, left the police force, and now heads the Violence Prevention Unit. His main goal is to encourage different social service departments to work seamlessly together.

Viewers who paid close attention during season one might have noticed the noticeable change in the posture of St Clair, growing notably softer when with Julie Jackson (a delicate and intricate portrayal by Lesley Manville). This affectionate sentiment starts to blossom at the onset of season two, showing signs of potential growth.

Morrissey discusses a shift in his character’s demeanor when he enters Julie’s house, stating that for the first time, he feels at ease and even finds comfort. He mentions this sensation as being similar to the early stages of developing feelings for someone else. He explains that despite not wanting alcohol, he has a drink because he feels comfortable around her, secure in her presence. Later, when they’re on the couch preparing to watch Pointless, his expression shows clear relief. Morrissey adds, “There seems to be something about that kind of chemical attraction or whatever it is…”

In the second season, St. Clair’s face shows distress at the idea of parting ways with Julie. Morrissey expresses that the emotion he experiences in that moment is akin to losing a link to his past. He adds, “It could potentially be risky because he seems to have some kind of affection for the era and an ideal.”

Isn’t love often like that, David? When we fall in love, isn’t the person more than just themselves to us? It can be complex because sometimes we want to analyze and understand the reasons behind our feelings, but there’s also a part of us that enjoys the simple pleasure of it and doesn’t want to overthink it.

He explains that as an actor, his role is about exploring reasons (whys) and circumstances (wherefores).

After suffering the loss of his marriage and home, St Clair is desperately clinging to Julie as if she’s a lifeline. For him right now, it’s about finding love and stability. However, whether or not Ian St Clair will eventually find lasting happiness is uncertain. He responds with, “That’s quite a question. I think he reaches a point of tranquility and optimism. Definitely. But he’s a cautious individual.”

Oh, go on, jump, Ian! Just jump!

Morrissey was in a long-term relationship with author Esther Freud. They split their time between residences in Hampstead, London and Walberswick, Suffolk. Together they raised three children: Albie (born in 1992, who co-hosts a music radio show with him), Anna (born in 1994) and Gene (born in 1990). They began dating in 1993, got married in 2006 and parted ways in 2020. A friend explained that despite being together for three decades, they ultimately found it difficult to continue their relationship.

In my perspective as a cinema devotee, I’d say:

Morrissey delves extensively into research before assuming a role. For instance, he read Gitta Sereny’s book about Albert Speer and the history of the Hitler Youth to prepare for “Captain Corelli’s Mandolin.” Additionally, he followed Peter Mandelson to gain insights about Westminster for the thriller “State of Play,” which proved beneficial when he was chosen to portray Gordon Brown in “The Deal,” alongside Michael Sheen as Tony Blair.

Is this man implying that his intense desire to learn about the field his character works in, and the people he represents, is akin to his regret over not attending university? He explains, “It’s more of an intellectual curiosity for me.” “I delve into as much information as I can about my profession,” he continues, “and the individuals I portray. I might only apply about ten percent of that research because you need to let go of it. But it’s essential to have that knowledge deeply embedded within me.”

At the age of 60, he admits it’s improbable for him to attend university now, as he lamented earlier about not experiencing the feeling of being part of a large academic institution, with the freedom to immerse oneself in learning. Unfortunately, he did not have that opportunity or any further education, having left school at 16.

Here are two aspects at play: one is gaining knowledge for the sake of learning or engaging in conversations, like discussing topics at dinner parties; the other is discovering insights that resonate personally, helping you understand yourself, others, and the world better. Initially, I was driven by the former, but now it’s more about exploring subjects that offer self-realization, challenge my perspective, and deepen my understanding of humanity.

In his upbringing, he admits, “I had a strong affinity for acquiring knowledge, yet I found disdain in being instructed. The moment someone suggested, ‘Alright, take your seat. This is the way you’ll do it…’, I would feel restless. I perceived condescension; I heard arrogance; I sensed a great deal of criticism that might not have been intended but stemmed from my own insecurities. However, some of that criticism could have been warranted as well.”

I loved to learn things but I hated being taught. I’d hear them patronising me

Morrissey has previously discussed how his former spouse significantly impacted both his work habits and literary preferences, exposing him to authors like Rachel Cusk and Julie Myerson. He’s always got a mix of fiction and non-fiction books in progress: he recently completed Richard Flanagan’s Booker Prize-winning novel Question 7, and is currently reading Janet Malcolm’s 1990 work, The Journalist and the Murderer. This book, famous for its opening line, “Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible,” is currently being read by Morrissey. He also appreciates Malcolm’s In the Freud Archives, a book that likely held some personal interest for him, given his family connection.

He frequently visits London for theater performances, particularly enjoying the musical “Standing on the Sky’s Edge” by Richard Hawley, set in Sheffield, so much that he watched it twice within a week. He also frequents art galleries and concerts, recently expressing excitement over a concert with the Irish singer CMAT. When asked if he sings, he chuckles and says, “No, I sing in key,” mimicking Richard Harris’ style.

He frequently goes back to Liverpool because it’s where his family resides, where he was raised, and provided him with everything. Every word, the pauses between phrases, and the rhythm of his speech make this heartfelt letter about Liverpool feel like a poem. “It molded me; for better or worse, I am part of it.”

Reflecting on my experiences as an actor in a 2013 Bafta interview, I discussed the delicate balance required to embody a character authentically while maintaining resilience against the harsh criticisms that come with the territory. I shared personal struggles, not just from professional critics, but also the unfiltered opinions of the general public. Today, even male actors are as vulnerable as their female counterparts when it comes to self-consciousness about our physical appearances.

Instead of appearing preoccupied with shallow matters, it’s his attire that catches my eye. He’s dressed impeccably in a Prince of Wales check suit, standing tall at 6ft 3in with long legs that make him a fitting mannequin for clothing. Indeed, he admits, “I appreciate clothes. This is actually a Paul Smith suit, from an older collection.” Does he enjoy spending on fashion? “Absolutely,” he replies. He prefers vintage pieces over new ones these days. As we strain to see, he indicates his navy shirt, but the designer label eludes us both.

Translated: What’s the least serious or trivial aspect about him? He appears puzzled. And then, with the contemplative air of Hamlet, he questions himself. “What is my triviality? Yes, I do enjoy working a great deal – but it’s because I’m fascinated by the human condition. And in what causes people to laugh as well as cry. To be honest, I don’t always maintain a serious demeanor. I like spending time with friends and family, and having a good chuckle. I enjoy watching everyone on Gogglebox, I’m a fan of Lee Mack, and I adore Have I Got News for You.”

1. Is he fond of dancing? “He’s quite the dancer, even if his moves aren’t perfect. He can bust some Northern soul moves.” And, it’s evident that he takes pride in his baking skills. He was thrilled when he won Star Baker on Celebrity Bake Off. His recent creations include a stunning quiche, some delectable Bourbon biscuits, and a classic red and white marble sponge. Although it might not have looked like much, he boasts that it tasted amazing. He even received a handshake from Paul! But he clarified, “No hugs were given, only handshakes… off-camera.”

2024-08-19 20:06

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