Cillian Murphy on “genius” of ambiguous Small Things Like These ending

As a moviegoer who has had the privilege of witnessing the evolution of Cillian Murphy’s acting career, I must say that Small Things Like These is a poignant and powerful addition to his repertoire. This film, set against the backdrop of Ireland in the 1980s, masterfully explores the complexities of moral dilemmas, the grip of societal norms, and the human spirit’s resilience.


*WARNING: Contains spoilers for Small Things Like These**

Following his Oscar victory for a major film production the previous year, Cillian Murphy is back on the silver screen this time for the more personal and heartfelt drama titled Small Things Like These.

The movie is based on Claire Keegan’s highly-praised novel with the same title and focuses on Bill Furlong, portrayed by Murphy, as he stumbles upon a shocking truth when the Magdalene Laundries in Ireland were still active, specifically during the 1980s.

On a particular day, during his coal delivery rounds at the neighborhood convent, he unexpectedly discovers a fragile young lady named Sarah (Zara Devlin), confined within a small storage structure, exhibiting obvious signs of turmoil.

Bill finds himself grappling with the decision of whether or not to interfere, a course of action that could potentially place him in opposition to the powerful church at the time – triggering an emotional odyssey that leads him to reminisce about his own childhood.

In the closing moments of the movie, Bill decisively steps up and guides her away from the convent towards his own residence, mirroring the events in the book. However, just as we anticipate learning the outcome of this selfless deed, the film mysteriously ends on a black screen, leaving us uncertain about the repercussions of Bill’s benevolent action.

He clarified, “It appears that situation has occurred among those who’ve seen it. The brilliance of the book, its adaption, and the movie lies in the fact that the true crisis unfolds following the climax.

He commented: “It’s fascinating to consider the diverse perspectives people hold. They seem to unfold endlessly, and one can only wonder at their potential depths.

The situation might be hopeful or it may hold a positive perspective, or conversely, a negative one. Are you following me? It’s quite intriguing, and I believe it signifies, to some extent, the relaxation of the church’s influence during that period.

Both Emily Watson and Eileen Walsh, who starred alongside Murphy, found the film’s conclusion equally captivating. Watson elaborated on its impact, stating that it elicits “multiple, varied reactions.

She mentioned that the movie abruptly ends at a point where one eagerly expects it to continue. Additionally, upon watching the completed film in Berlin, she experienced intense anger and frustration. It truly enraged her.

Walsh stated: “During our discussions, we found ourselves caught between various viewpoints regarding what should occur, which is fantastic. If audiences depart with diverse opinions, that’s wonderful, that’s a testament to a mature film that encourages thoughtful debate.

In a different phrasing, Enda Walsh, the writer who adapted the screenplay from Keegan’s novel, noted: “By withholding that next step from the audience, you actually provide them an opportunity to contemplate more deeply about what has happened and what might follow. The suspense created by holding back serves to magnify the significance of these events within the story.

Small Things Like These is now showing in UK cinemas.

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2024-11-01 11:33