Comic Book Reviews for This Week: 1/22/2025


Enjoy the fresh wave of comics this week! Our team at ComicBook is diving into a plethora of new releases from various publishers, including Marvel, DC, Image Comics, BOOM! Studios, Dark Horse, Dynamite, Oni Press, IDW, Mad Cave Studios, DSTLRY, and others. While we can’t cover every single comic out there, you can count on us to provide insights into as many of this week’s new releases as possible.

We’ve reserved extra room to delve deeper into two of this week’s most anticipated releases – X-Men: Xavier’s Secret #1 and Detective Comics #1093. If our brief reviews spark your curiosity, be sure to read the full reviews for a thorough examination of these issues. As for our ratings system, we stick to giving whole or half numbers out of five, and you can find some of our past reviews here. Now, let’s dive into this week’s new comic book releases!

DC

5 out of 5 stars

Title Fight of the Century Transforms into an Underdog Tale in “Black Canary: Best of the Best” #3

Issue #3 of “Black Canary: Best of the Best” sets the stage for a remarkable comeback, turning the fight of the century into an epic underdog story. Tom King masterfully captures the essence of a grand fight, but it’s the subtle moments and interactions between blows that make this more than just a fight – it’s a clash of titans. Ryan Sook, Dave Stewart, and Clayton Cowles create gripping moments in the ring, adding tension and importance that transform these battles into extraordinary events. The ongoing battle unfolds in the ring, revealing not only the action but also the human stakes behind it all. And let’s be honest, witnessing Green Arrow getting served is always a bonus! “Black Canary: Best of the Best” continues to deliver on its promise, leaving us eagerly anticipating the comeback that’s yet to come.

Rating: 4 out of 5 stars

In Catwoman #72, the storyline structure occasionally takes away from the engaging action depicted on each page. However, this issue still manages to be a solid read. It combines elements of a heist and an exploration of Selina’s past, providing fans with their desired dose of Catwoman stealing secrets from a safe while also increasing the intrigue surrounding the nature of those secrets and her adversaries. The artwork is superb, but it’s the clever use of color that truly stands out in this issue.

Rating: 4 out of 5 stars

DC Horror Presents #4 Review

DC Horror Presents #4 is an amusing, compact comic book with two captivating stories. The first story, penned by Patton Oswalt and Jordan Blum, features Catwoman in a chilling yet comical tale, while the second one showcases Matter-Eater Lad, crafted by Steve Kostanski. Although neither of these narratives strictly fit the “horror” mold, they skillfully blend spookiness with humor.

In “The Diamond that Steals Back,” Catwoman is haunted by eerie visions of a life she could have had due to a possessed diamond. The story may not be rich in substance, but its exploration of what would cause Catwoman the most distress is intriguing, especially considering her thief persona.

The Matter-Eater Lad tale delves deeper into humor and even touches on the grotesque, yet it provides a unique perspective on the hero’s extraordinary ability. Regrettably, both stories may lack in artistic depth, but DC Horror Presents #4 remains an enjoyable read that does not overstep its boundaries in terms of terror.

– Nicole Drum (3 out of 5 stars)

In the comic book Detective Comics #1093, Taylor and Janin have skillfully constructed a thrilling mystery that follows in Batman’s footsteps. The villains are suitably menacing and deserving of Batman’s focus, while the victims evoke both empathy and resonance on personal and symbolic levels. Moreover, Janin seems perfectly suited to capture Gotham City’s gritty atmosphere, casting a grimy neon light on every dark secret it harbors. This issue offers an excellent example of grounded Batman storytelling at its finest. – Jamie Lovett (Read the full review here)

Rating: 4 out of 5 stars (Read the full review here)

Review of Green Arrow #20

In the current run of Green Arrow, the theme of a superhero battling corporate corruption is skillfully explored, making it stand out from similar stories. The artwork emphasizes mood and character development over spectacle, creating an atmosphere suitable for portraying a vigilante who has been wronged by the wealthy and used as a pawn by corporations. However, unlike other heroes, Ollie is not presented as an unquestionable symbol of righteousness. Instead, he is depicted as self-righteous and privileged, despite his criticisms of those who award him such advantages. This complexity adds depth to the narrative, making it a more engaging read. The issue also delivers a final, well-timed twist before concluding. Overall, Green Arrow continues to be an exceptional superhero tale with a noirish feel.

Rating: 5 out of 5

Harley Quinn #47 – A Satirical Take on Gentrification and Self-Righteousness

In this issue, the amusing paradox is presented as Harley Quinn, seemingly unaware, exploits her own neighborhood that she’s vowed to protect from gentrification. An outsider with online activism swoops in to supposedly aid a community unwilling or unable to ask for help. This setup cleverly sets the stage for the storyline where Harley oversteps her boundaries due to arrogance, leading to her being manipulated. Her self-righteousness and obliviousness create an insensitive indifference.

However, it’s essential to note that Harley Quinn is a comic book character embroiled in a comical rivalry with her cartoon adversary, who happens to be on the opposite side of the gentrification battle. The narrative is filled with humor, such as a sarcastic villain monologue from the object of Harley’s affections, which stands in stark contrast to Harley herself.

The artwork in this comic book maintains its cartoonish essence, featuring thick, bold lines and exaggerated features throughout (with hints of Becky Cloonan’s style). Overall, it’s a well-packaged blend of animated vigor, satire, and endearing charm.

Rating: 3.5 out of 5

In the realm of Justice League Unlimited, there’s an abundance of quality content that never fails to impress. Mark Waid, Dan Mora, Tamra Bonvillain, and Ariana Maher consistently deliver high-octane action combined with intricate storytelling on a grand scale. Justice League Unlimited #3 skillfully weaves into the broader narrative while also delving into the repercussions of Absolute Power, creating moments that are as haunting as they are indelible. This issue significantly elevates Inferno’s menace, making them a real danger not just to the Justice League but to the very fabric of life itself. The book continues to be visually stunning, shifting seamlessly from epic action scenes to chilling horror sequences. Justice League Unlimited masterfully captures what made the original animated series so exceptional and adds its own unique touch. I can’t think of a higher praise to give it.
– Matthew Aguilar
Rating: 4.5 out of 5

Metamorpho: The Element Man #2 Review

In this review, we’re diving into the humorous critique on generative AI and its enthusiastic advocates that ‘Metamorpho: The Element Man’ delivers so brilliantly. Al Ewing continues to amaze with his writing, crafting a comic that feels as fresh as it does timeless – a truly rare accomplishment. Steve Lieber’s artistic style is the perfect fit for this series, complementing both the character and the tone of the storyline beautifully. This comic is an essential read for fans of the medium, with its enduring potential already shining through just two issues in.

Rating: 5 out of 5 stars

Review of Superman #22

In this review, we’re diving into Superman issue #22 – a must-read if you want to witness Lois Lane’s Superwoman transformation reaching its peak. The story becomes even more engaging when Lois, with her newfound superpowers, teams up with Superman in the field. Author Joshua Williamson skillfully maintains the chemistry between these two iconic characters while introducing fresh dynamics as new challenges arise, such as an onslaught of Doomsday adversaries.

The dialogue exchanged between Clark and Lois is nothing short of charming, and Lois’ insights into Radiant’s true intentions are intriguing. But what truly deserves applause is the breathtaking artwork from the talented trio of Dan Mora, Alejandro Sanchez, and Ariana Maher. The visuals in this book are mesmerizing from start to finish, with certain pages leaving you utterly astounded due to their originality and artistic finesse.

Superman #22 is a marvel that rarely fails to impress on a monthly basis, marking one of the DC legend’s most robust periods yet.

Rating: 5 out of 5 stars

In the seventeenth issue of Wonder Woman, the narrative delves further into the Sovereign’s history and his interactions with Wonder Woman. This time, he recounts how the Wonder Girls destroyed his stronghold, a feat accomplished through teamwork. Simultaneously, Diana shares her father’s tale to their infant daughter, visibly affected by her own sorrow as she delegates the fight against the Sovereign to her allies for now. Unfortunately, this issue doesn’t introduce much new content; we’re essentially treading the same ground as in previous issues, albeit with the Sovereign moving to a location hinted as the ultimate one, although it feels rather American-themed for a character not originally from our world. Overall, it’s an uncomplicated read, but it lacks the depth and excitement that one would expect from a Wonder Woman comic. – Nicole Drum (Rating: 2.5 out of 5)

Marvel

Doctor Doom & Rocket Raccoon #1 – A Humorous, Yet Thought-Provoking Comic

In this comic, the unusual pairing of Doctor Doom and Rocket Raccoon offers a unique blend of humor and intrigue. The wackiness of teaming up these two characters is not lost on readers, and there’s plenty of laughter to be had.

The story also incorporates some fourth-wall breaks through editor “notes,” adding a touch of lightheartedness to the otherwise heavy themes surrounding Doctor Doom’s quest to return to before time began in search of the “why” behind everything. However, the narrative itself could use some refinement as it gets bogged down in details and complex concepts.

Despite these minor shortcomings, this comic provides an engaging glimpse into Doctor Doom’s mind and offers a fun adventure overall.

Rating: 3.5 out of 5 stars (Nicole Drum)

In “Fantastic Four #28”, Ryan North leads Reed and Sue into the event titled “One World Under Doom”, which offers an opportunity for Victor and Richards to clash again. This confrontation is instrumental in their pursuit of the new Sorcerer Supreme, prompting them to visit Dane Whitman, also known as the Black Knight. Their goal? To counter magic with more magic. Although there are intriguing plot twists, the narrative can occasionally be perplexing due to Mr. Fantastic and the Invisible Woman’s time-travel escapades through a portal. Despite some self-contained aspects that seem more like a standalone issue rather than contributing significantly to the overall Fantastic Four storyline, it still delivers an engaging read in the end.

Rating: 3.5 out of 5

Benjamin Percy’s Hellverine showcases his exceptional writing skills as he elevates a seemingly immature concept into something profound and impactful. The artwork by Raffaele Ienco, colored by Bryan Valenza, skillfully portrays the unique atmosphere of Daken’s investigation and effectively conveys each character’s essence. However, there is a minor issue: some pages in Ienco’s work appear static, with poses that lack dynamism. This results in certain characters feeling frozen, without any sense of movement or momentum between some of the panels. Despite this, the overall rating for Hellverine is 4 out of 5.

In Iron Man #4, Tony Stark is still recovering from the aftermath of the Roxxon Stark War and receiving assistance from a mystical ally to delve into the enigma surrounding Mysterium. The part I enjoyed most in this issue was Scarlet Witch’s exploration of the magical realm, which may be silent but offers captivating and visually stunning art to portray Wanda’s passage to aid her fellow Avenger. This issue leans heavily on the “Iron” aspect rather than the “Man,” yet it effectively progresses the narrative. As usual, the past rears its head in the final pages, and it will be intriguing to observe how this new development unfolds.

Rating: 3.5 out of 5

Stephanie Phillips consistently delivers exceptional quality with a Marvel comic that’s quietly among their best publications. The characters are portrayed as intelligent and realistic, while the storyline is driven by the true essence and abilities of the main character. Phillips has a deep understanding of Jean, which shines through in this series. Marco Renna also produces impressive splash pages and action sequences (this being his second issue), and David Curiel’s color art adds depth and richness to an already excellent work.

Rating: 5 out of 5

In my perspective as a movie reviewer, Scarlet Witch #8 is a captivating read that’s brimming with enchantment, courtesy of the exceptionally skilled creative team consisting of artist Lorenzo Tammetta, colorist Ruth Redmond, and letterer Ariana Maher. Writer Steve Orlando masterfully maintains an air of mystery around the creatures’ origins while delivering pulse-pounding action that exudes style, complete with moments reminiscent of a blockbuster film.

Orlando doesn’t shy away from showcasing Wanda as a formidable force to be reckoned with, and the storyline keeps you on the edge of your seat. Although things don’t wrap up perfectly for Wanda and her apprentice, it leaves readers eagerly anticipating what unfolds next – mission accomplished indeed! I rate this issue a solid 4 out of 5 stars.

Title Review: “The Amazing Spider-Man #66” – “The Eight Deaths of Spider-Man”

Review Summary: This issue, penned by Justina Ireland and illustrated by Andrea Broccardo, presents a somber look into the life of Peter Parker following his latest challenge against one of Cyttorak’s scions. However, the narrative seems to lack consistency and clarity as it delves into themes of nihilism and criticism of capitalism, rather than reinforcing the previously established sense of futility due to the passage of time. Despite the quieter tone compared to more action-packed issues, this installment doesn’t provide any significant new insights into Peter’s psychological state, which was already evident from the previous story arc.

Artwork: The artwork in this issue is somewhat inconsistent, with characters’ features changing noticeably between panels, making it difficult for readers to follow the narrative smoothly.

Rating: 2 out of 5 stars

In a surprising shift from the previous issue, Marvel’s TVA #2 leans heavily into its comic book roots, with writer Katharyn Blair skillfully interweaving characters from Loki’s world at critical points. Ghost-Spider and Gambit exhibit exceptional chemistry in this issue, standing out as the series’ standout duo so far. However, the introduction of a favorite character from Loki’s series adds even more intrigue to the team, promising an engaging dynamic, especially if Hellstrom continues to be developed as he is here.

Pere Perez and Guru-eFX have done an exceptional job fleshing out Hellstrom, a dimension that was lacking in some of his previous appearances. Their artwork on Gambit and Ghost-Spider also deserves recognition for enhancing the lively banter between these characters, making it leap off the page.

The final pages elevate the tension significantly, suggesting that if this balance continues, the series could be on its way to something truly exceptional.

— Matthew Aguilar

Rating: 3.5 out of 5

Title Review: Uncanny X-Men #9

The Graymalkin Raid storyline didn’t quite live up to the earlier issues in Gail Simone’s run with Marvel’s mutant team, but issue nine is back on track. Although Andrei Bressan’s fill-in artwork has some flaws, particularly with character facial features, it’s a minor setback. The introduction of new young mutants in an X-Men story is a well-worn trope, yet the “outliers” feel like the most unique new additions in a while. It’s satisfying to see characters like Rogue, Gambit, Wolverine, Nightcrawler, and Jubilee stepping into roles as mentors and teachers for this new class of mutants. Uncanny X-Men continues to lead the pack among X-Men titles post-Krakoa, and this issue underscores why.

Rating: 4 out of 5 stars

In “Wolverine: Revenge #4”, the storyline bears a resemblance to “Old Man Logan” but is set twenty years ahead from Wolverine’s fight against Colossus, Sabretooth, Deadpool, and others who were his targets of wrath. This alternate universe presents a glimmer of optimism and hope for a world reset to its origins, exploring how vengeance can still play a role in such circumstances. The series “Wolverine: Revenge” seems to embody the X-Men’s interpretation of Quentin Tarantino’s Kill Bill, excelling at portraying Logan’s character and his persistent struggle to let go of his revenge. It will be intriguing to see if the fifth and concluding issue can deliver a satisfying conclusion, but based on this penultimate installment by Jonathan Hickman and Greg Capullo, it appears promising. – Evan Valentine (Rating: 4.5 out of 5)

Issue #4 of “Wolverine: Revenge” is like a futuristic version of “Old Man Logan”, focusing on Wolverine’s vengeance and how it fits into a hopeful world. It’s reminiscent of Kill Bill, and the character development of Wolverine is well done. The final issue will be exciting to see if it wraps up well, but so far, it’s looking good. – Evan Valentine (Rating: 4.5 out of 5)

As a dedicated comic book aficionado, I found myself delving into the pages of X-Men: Xavier’s Secret #1, strategically placed amidst the impending “Raid on Graymalkin” crossover and Jean’s thrilling escapades in the Phoenix series. The timing couldn’t be more perfect, serving as a refresher for seasoned readers about the pivotal events that led us to this juncture, while also acting as a succinct introduction for those who have been casually following the X-Men since the Krakoa era’s inception.

However, what I encountered within the pages of X-Men: Xavier’s Secret #1 was more of a stepping stone leading to these grander narratives rather than a standalone tale that could hold its own. There were minor missteps in the stories being woven, leaving me with an impression that this series may not have been destined for a return trip. Overall, while it’s beneficial and informative, I can’t help but feel that X-Men: Xavier’s Secret #1 could have offered more to satisfy my comic book cravings. – Nicole Drum (Rating: 2.5 out of 5)

IMAGE COMICS

G.I. Joe: A Real American Hero #313 – Review

In this issue, Destro makes a deliberate approach towards Cobra Commander’s hideout, and Chris Mooneyham manages to transform an indoor journey into an engaging spectacle. The humorous element of the G.I. Joe ninjas and the Drednoks waiting outside adds a pleasant twist. It’s typical of Larry Hama to craft such character-defining moments for the G.I. Joe series.

Cobra Commander narrating Destro’s approach somewhat diminishes its impact; I envision a more subdued version where Destro moves stealthily, an unstoppable force. However, even with this minor flaw, the comic still meets the exceptional standards set by Hama and his team throughout their work on the G.I. Joe saga.

– Rating: 4 out of 5 stars (Good)

As a devoted fan, I can’t help but feel that Hyde Street #3 would have added a unique touch during the festive season. However, this issue manages to introduce some fresh aspects into the horror genre. Pranky, our usual troublemaker, seems more menacing than ever, but we’re also introduced to Oscar, or Matinee Monster, who intriguingly interferes in the process of stealing a soul. This new character introduces an unexpected threat, preventing Pranky from claiming another soul yet introducing a fresh concern for Mr. X-Ray. All in all, it provides an engaging twist on a heartwarming tale of Christmas redemption, albeit of a peculiar kind.

Rating: 3 out of 5 stars

WorldTree #12 delves into an issue that uncovers the roots of Fear, formerly identified as Gabriel Winter’s younger sister, Sammi. The narrative unfolds a relatable tale of a secretive LGBTQ+ individual grappling with her identity and seeking acceptance in the late 90s. It’s no wonder she turned to online communities, yet found them inadequate. The Undernet serves as a metaphor for the sinister aspects of the internet, potential pitfalls for an unprotected youth, and the impact such experiences can have on one’s understanding of reality. Tynion, Blanco, and Bellaire skillfully narrate this tale through subtle means, employing an unusual grid with omitted panels to reflect Sammi’s detachment, isolation, struggle to conform, the clash between her true self and societal expectations, obsession, crossing boundaries, and ultimately, confinement. This visual device effectively weaves a thread of meaning throughout this quiet yet poignant narrative. WorldTree #12 is back with renewed vigor, showing no mercy to even the most compassionate readers. – Jamie Lovett

Rating: 4.5 out of 5

BOOM! STUDIOS

Title Review: House of Slaughter #29

The concept of James Tynion IV and Sam Johns’ comic series Azure, presented in its fourth chapter within House of Slaughter #29, holds immense potential that I find myself eagerly anticipating. However, it’s disheartening to express that the storytelling hasn’t quite hit the mark as expected. This is a fascinating scenario with three distinct masks joining forces against an intriguing adversary, one of the most captivating foes in the series so far (without revealing spoilers).

Unfortunately, the narrative transition between character thoughts and current events hinders the smooth progression of the storyline and the ongoing battle, making it more complicated when we consider three characters. Although there are some brilliant moments, particularly involving Edwin, and the character portrayals by Letizia Cadonici, Francesco Segala, and Justin Birch are visually stunning, the current disorganized nature of the narrative obscures these positive aspects more frequently than not.

Matthew Aguilar’s Rating: 2.5 out of 5 stars.

Power Rangers Prime Issue 3 Review”

Power Rangers Prime Issue 3 could potentially surpass the impressive launch, offering an even more engaging read. In mere issues, writer Melissa Flores has skillfully introduced and developed each of the five main characters, each with their distinct motivations and unique personalities, complete with rough edges. This has laid a robust base for the growth of relationships and dynamics within the team.

However, what truly sets this issue apart is the portrayal of Rita Repulsa – arguably my favorite rendition yet. The combination of exceptional writing and captivating artwork by Michael YG, Fabi Marques, and Ed Dukeshire makes this a must-read. Their unique style, while maintaining the essence of Power Rangers, adds a modern twist to every page.

Prime is already a standout series, but Issue 3 has raised the bar significantly, promising an exciting future for the storyline.

Rating: 5 out of 5 stars

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2025-01-23 04:11