Comic Book Reviews for This Week: 8/21/2024

DC #1

BATMAN/SUPERMAN: WORLD’S FINEST #30

Once more, Waid delves into the past to create a compelling “one and done” tale that brings together the Dark Knight, the Man of Steel, and Wonder Woman in their initial adventures with Princess Diana of Themyscira. Stepping up to fill Dan Mora’s large shoes is Glen Melnikov, whose work may not reach the same heights as his predecessor but still does a commendable job in portraying the powerful figures of the DC Universe. World’s Finest #30 continues to showcase why this series stands out among DC titles, as it skillfully combines character depth and creative storytelling in a way that exceeds expectations. For those seeking an excellent standalone superhero tale, World’s Finest #30 is the perfect choice and comes highly recommended for fans of the genre. –– Evan Valentine

Rating: 4.5 out of 5

DARK KNIGHTS OF STEEL: ALLWINTER #2

In these swift-moving chapters of “Allwinter”, Slade crosses paths with an old love interest and his estranged daughter, while also getting tangled up with the enigmatic boy named Alec. This mysterious character introduces a splash of color into a world otherwise shrouded in grey. Interestingly, Alec, a representation of the Green, could hold the key to ending this eternal winter. The unique aspect here is that Slade’s journey veers significantly from his typical story arcs. The secondary tale subtly guides Jonathan and Martha Kent towards baby Arthur. It remains intriguing to see how (or if) these events connect with the main series from the first installment. – Paraphrased by AI Model

Rating: 4 out of 5

GOTHAM CITY SIRENS #3

The clash between the Sirens and Punchline persists, offering DC fans a more intimate glimpse into their ongoing battle. As I noted in my reviews of the initial two issues, Gotham City Sirens delivers an entertaining and laid-back narrative that carries over to this third installment. Beyond the dynamic combat sequences, Williams demonstrates a deep grasp of the characters, both heroines and villainesses, and introduces a zany new interpretation of the White Rabbit that’s sure to bring smiles to readers’ faces. Rather than innovating radically, the series effectively capitalizes on its strengths.

Rating: 3.5 out of 5

GREEN LANTERN: WAR JOURNAL #12

In this week’s finale of “Green Lantern: War Journal,” author Philip Kennedy Johnson skillfully ties up all loose ends without sacrificing the emotional depth of the story’s central characters. The art team, comprising Montos and Adriano Lucas, deserve applause for their dynamic action sequences filled with intricate constructs, vibrant colors, and epic confrontations against formidable foes. Simultaneously, the Earth-bound tension and personal stakes heighten the emotional impact of the ending, offering a satisfying conclusion while hinting at an intriguing future for John Stewart and his allies. Although the battle’s final moments seem somewhat rushed, the implications for what’s to come make it worthwhile, leaving me eagerly anticipating what lies ahead. — Matthew Aguilar

Rating: 4.5 out of 5

JENNY SPARKS #1

[READ THE FULL REVIEW HERE]

Twenty years have passed since Jenny Sparks made her debut at DC Comics, and now she’s back in the first issue of Jenny Sparks, joined by writer Tom King and artist Jeff Spokes. The release of this new comic book is intriguing given that James Gunn’s DC Universe plans to adapt The Authority for a movie. However, this comic doesn’t seem like an attempt to capitalize on the film’s upcoming release or to revive old characters. Instead, it appears as though it marks the beginning of something more substantial than merely the comeback of the Spirit of the 20th Century. Whether these elements truly coalesce is yet to be determined. — Nicole Drum

Rating: 4 out of 5

DC #2

NIGHTWING #117

I can’t think of anything more to add about it, but Taylor and Redondo have an exceptional grasp of Nightwing compared to other writers. The depth that Taylor brings to Grayson in Nightwing #117 is awe-inspiring and deeply emotional with each passing panel. And let’s not forget about Redondo’s impressive action sequences, which flawlessly navigate Dick through the pages without any concern. This comic book has been exceptional since the first issue from this team, and it just keeps getting better with every release. – Adam Barnhardt

Rating: 5 out of 5

SUPERMAN #17

In the gaming world of DC comics, I can confidently say that with a few exceptions, they consistently knock it out of the park when it comes to tie-ins for ‘Absolute Power’. Superman #17 is no exception and sets a new standard. Picking up where Absolute Power #2 left off, Joshua Williamson brings Zatanna into the mix for a magical adventure that even Superman seldom experiences. The outcome? Pure enjoyment! Jamal Campbell and Ariana Maher continue to impress with their artistic skills, whether it’s depicting an unanticipated pub brawl, a blaze of fury with high-stakes drama, or a scene involving Lex Luthor that is nothing short of hilarious. Just like the previous tie-in, Williamson masterfully handles the major plot points while ensuring the rest of the Superman family feels like an integral part of the story. And let’s face it, who doesn’t love to see Superman giving the magic community a piece of his mind? In short, Superman #17 is another home run for DC and ‘Absolute Power’, so make sure not to miss out! – Matthew Aguilar

Rating: 5 out of 5

TITANS #14

Sequential storytelling, unlike other media, offers unparalleled creativity, as it isn’t bound by tight budget constraints for visual effects. The creative team behind Titans is leveraging this freedom to craft something extraordinary with this run. However, the last two issues have begun to undermine the solid base of this title. A brief explanatory scene at the beginning helps smooth over any potential storyline wrinkles. It’s becoming a comic that could stand the test of time, there’s no doubt about it. — Adam Barnhardt

Rating: 4.5 out of 5

WONDER WOMAN #12

In essence, issue #12 of Wonder Woman offers an intriguing premise as Diana joins forces with Damian in search of Waller’s prison to free imprisoned heroes. The concept of unconventional partnerships often adds fun elements to comics, and the contrast between Damian’s and Diana’s personalities seems ripe for an engaging read. However, the narrative falls short due to excessive repetition intended to foster emotional character development for both Damian and Diana. Unfortunately, this repetition fails to show any meaningful progress in the characters, making the issue feel like a continuous loop. Instead, it’s Tony Daniel’s art that truly shines, particularly in his portrayal of Boomerang. — Nicole Drum

Rating: 3 out of 5

Marvel #1

DAREDEVIL: WOMAN WITHOUT FEAR #2

The Daredevil series seems to lose momentum in its second episode, as the entire plot unfolds within a single location. Essentially, it’s a repeat of last month’s story with minimal advancement in the main narrative. However, Downling’s Smallwood-inspired visual style keeps things visually engaging. — Adam Barnhardt

Rating: 3.5 out of 5

DEADPOOL #5

In this issue, Deadpool and Death Grip engage in a fierce, gory battle that seems to mark the end of Deadpool… but only until Marvel decides to take him out in the next one. The comic is filled with enjoyable moments, and characters like Deadpool’s daughter Ellie, their symbiote companion Bear, Taskmaster, and Death Grip make it even more exciting. I’m intrigued by Death Grip’s character and his reasons for fighting Deadpool. I can’t wait to see how he manages to kill Deadpool and what happens after that. – Tim Adams

Rating: 4 out of 5

GET FURY #4

In “Get Fury” #4, Frank Castle initiates the initial stage of his plan to rescue Nick Fury from Hanoi. This mission’s early steps hint at it being one of the most intense and violent war strategies ever penned by Garth Ennis under Marvel Comics. Jacen Burrows’ talent for depicting covert action sequences is showcased in a series of suspenseful scenes that often require minimal dialogue to convey death. However, the issue isn’t just about action; it also features various characters from both past and present offering insights on the situation, adding layers to the complex conspiracies and motivations that could send things into chaos at any moment. Ennis skillfully combines intricate plotting with overlapping dialogue, balancing the story’s visceral thrills and intellectual challenges. By the end of “Get Fury” #4, all pieces are in place, setting up the long-awaited encounter from issue #1 and promising a rollercoaster ride of action when “Get Fury” #5 arrives; readers will be on edge until then. – Chase Magnett

Rating: 4 out of 5

GHOST RIDER: FINAL VENGEANCE #6

In this last installment, Percy and Kim’s journey with Parker Robbins as the Hood concludes. The finale does a commendable job wrapping up each character, but I can’t help but wish that the concept had more room to develop. This final issue offers some fantastic references for dedicated Ghost Rider enthusiasts, particularly the conversation between Zarathos and Blaze. However, I yearned for an expansion of Robbins’ time as the Spirit of Vengeance. There are many appealing aspects in this storyline, and the resolution of Parker’s deal with Mephisto provides a satisfying conclusion to his Hood story. Yet, the series seemed unable to delve deeper into the intriguing details that Marvel fans might have appreciated more.

Rating: 3.5 out of 5

GIANT-SIZE THOR #1

In the swift-moving narrative of “Giant-Size” titled comics, specifically issue #1 of Giant-Size Thor, events unfold at a breakneck pace, surpassing the speed of any previous issues of Immortal Thor. This could be deliberate, as it aligns with the recurring meta-fictional themes about storytelling that have been a signature of Immortal Thor, such as the idea that every tale is embedded within other stories, a concept fitting for the expansive, interconnected universe of Marvel Comics. Interestingly, author Al Ewing takes the title literally, featuring a battle between Thor and Hercules against a “Giant-Size Thor.” The artwork, while heavy and slightly murky, effectively emphasizes key moments. At present, this installment seems like an optional addition to Ewing’s ongoing Thor storyline, but its impact on the larger saga remains to be seen. — Jamie Lovett

Rating: 3.5 out of 5

MILES MORALES: SPIDER-MAN ANNUAL #1

In this yearly publication, several distinct narratives unfold, two of which focus on Miles Morales traveling to Puerto Rico to spend time with his grandmother. The initial narrative stands out as it predominantly portrays Miles without his Spider-Man suit, delving deeper into his family background. Characters such as Storm and Bloodline make guest appearances, with the latter referencing recent events from Blood Hunt. The final story leaves a hint at an upcoming collaboration with a particular wise-cracking mercenary. — Paraphrased by AI Model

Rating: 3 out of 5

NAMOR #2

Aaron’s character in “Namor” remains remarkably insightful. The dual timelines are skillfully harmonized, and their distinct visual styles contribute to creating different atmospheres. What stands out most about this narrative style is how seamlessly the two timelines intertwine. One consistently foreshadows or complements the other, resulting in a smooth reading experience. Frankly, I’m eagerly anticipating what will unfold next, which is high praise indeed for any series. — Charlie Ridgely

Rating: 5 out of 5

PHOENIX #2

As a dedicated fan, I can’t help but be amazed by the ongoing Phoenix series. Instead of merely exploiting the limitless potential it offers, writer Stephanie Phillips skillfully explores Jean’s use of her abilities for noble purposes in intriguing and innovative ways. The series weaves in Marvel connections that feel authentic rather than contrived, avoiding the pitfall of being mere stepping stones to The Next Big Thing. Alessandro Miracolo (collaborating with color artist David Curiel) truly seizes the opportunity to portray Jean Grey’s powers as Phoenix, imbuing each panel with grace and making every inch of space count. To top it off, there are some genuinely amusing visual jokes that add a delightful touch.

Rating: 5 out of 5

Marvel #2

PREDATOR VS. BLACK PANTHER #1

The “Predator vs. Black Panther” isn’t your everyday licensed production; instead, it offers an action-rich premiere that significantly enriches the narrative core. It’s no simple feat to merge two diverse franchise worlds, but Percy skillfully achieves this balance, writing a script that allows ample room for the story to develop in depth on all fronts. — Paraphrased by AI

Rating: 4 out of 5

SCARLET WITCH #3

In a remarkable peak for Scarlet Witch’s latest phase, this issue reaches unprecedented heights. Steve Orlando’s writing makes complex explanations and direct narration effortless to follow. As the storyline splits into two heart-wrenching episodes, Jacopo Camagni and series cover artist Russell Dauterman collaborate flawlessly to present visually stunning sequences that surpass expectations and panel arrangements. Scarlet Witch serves as a testament to the medium’s potential for grandeur and innovation, leaving me eagerly anticipating future instalments. — Jenna Anderson

Rating: 5 out of 5

SPIDER-WOMAN #10

Issue #10 of Spider-Woman marks an unexpected finale for the series, but what a grand send-off it is! The storyline in San Francisco has been quite eventful, and now we have the long-awaited showdown between Spider-Woman, her makeshift team The Assembly, and Gremlin. Writer Steve Foxe does an excellent job capturing Jessica Drew’s dialogue and humor, even as her current anger momentarily silences her usual wisecracks. This fury is brilliantly portrayed in the artwork and colors of Ig Guara and Arif Prianto, who deliver a pulse-pounding, close-quarters fight sequence that doesn’t disappoint. The Assembly members truly shine during these action scenes, each bringing their unique talents to the table, and the final interactions among them are a fitting reflection of Jessica Drew’s character and why fans adore her. Although there are still many unanswered questions about Jessica’s mission, let’s hope we get some resolution soon. In the meantime, this adventure has introduced some new characters and demonstrated that Spider-Woman can shine brightly anywhere. – Matthew Aguilar

Rating: 4 out of 5

STAR WARS #49

In the latest installment of “Star Wars” comic series, Zahra, who appeared deceased earlier, resurfaces as a formidable pirate, causing trouble for Leia and Luke. While they must defend themselves, they’re hesitant to embrace darker responses. Interestingly, Zahra aims to regain Palpatine’s favor. The story leaves readers with complex emotions, suggesting no significant changes in the plot despite dire circumstances. In “Star Wars” #49, the return of an engaging villain is captivating, but it feels inconsequential since the climax is near. Despite this, the comic offers an intriguing narrative, particularly focusing on Leia’s struggle to come to terms with the lives lost on Alderaan and how one’s past shapes their future. – Patrick Cavanaugh

Rating: 3 out of 5

ULTIMATE SPIDER-MAN #8

Spencer Perry expresses his strong belief that “Ultimate Spider-Man” is not just worth your time, but a groundbreaking reinvention that will sustain mainstream superhero comics for years. He suggests you might have been waiting for eight issues to ensure it didn’t drop in quality, although even if it had, the previous seven issues all received perfect scores.

Rating: 5 out of 5

VENOM WAR: CARNAGE #1

Among all characters from the Venom series, Carnage gives me the greatest unease. This stems from my discomfort with graphic depictions of body horror, which Carnage’s comic books are known for due to their intense violence. The narrative pace is leisurely, as Carnage and Cletus Kasady collect information about a top-secret weapon that could neutralize them. Despite the slow progression, it becomes evident why Carnage is one of the most terrifying figures in the Marvel universe.

Rating: 2 out of 5

VENOM WAR: VENOMOUS #1

In this miniseries titled “Venom War: Venomous“, Black Widow, sporting her new symbiote Silver, joins forces with Eddie Brock and Anti-Venom. This story may not be crucial for the current event, but it will surely delight fans of either hero as it lays the groundwork for a significant issue that capitalizes on their unique abilities as a super-spy and soldier. The first issue effectively introduces the villain, escalates a growing problem in terms of both economics and size, and fills in backstory while offering exciting action scenes. Visually, the comic maintains a consistent style similar to many recent Marvel tie-in miniseries, but as a standalone adventure, it’s well executed. Compared to most recent Marvel Comics’ tie-ins, Venomous is a step above. — Chase Magnett

Rating: 2.5 out of 5

WOLVERINE: REVENGE #1

[READ THE FULL REVIEW HERE]

Despite the grandeur and bravado that Wolverine: Revenge #1 might exude with its depiction of mass extinction events and a roster of X-villains, it’s also a testament to the ‘less is more’ principle. Just like its titular character, the issue is streamlined, efficient in delivering superhero action. It succinctly establishes the narrative, stakes, and motivations, creating ample space for Capullo’s expressive action scenes to shine. This results in a highly enjoyable take on Wolverine that emphasizes its undeniable 80s action movie charm. — Chase Magnett

Rating: 4 out of 5

Image #1

BLACK CLOAK #7

In the seventh installment of “Black Cloak”, we find ourselves several years after the fire that marked the end of its initial storyline. To my surprise, this new issue moves at a rapid pace, wrapping up almost as soon as it begins, but rest assured, it’s not lacking in substance. The writers, Thompson and McClaren, excel at conveying character depth through concise dialogue and expressive body language, even with a new character whose face remains concealed, yet is remarkably expressive given the potential challenges of such a design choice.

Rating: 4 out of 5

BLOOD SQUAD SEVEN #4

In Blood Squad Seven #4, the team confronts and defeats Ripcord on Long Island, fulfilling the expectations set by the previous issue. However, the fight feels similar to many other superhero battles, lacking unexpected twists or unique elements. The storyline involves the team engaging one member at a time in brief skirmishes before a sudden resolution, which some might find reminiscent of a deus ex machina. Despite the well-executed depiction, it fails to offer anything new, considering the format has been around for several decades.

Rating: 2.5 out of 5

DESTRO #3

In Destro’s intense battle against Chameleon, this miniseries has delivered its most captivating spectacle yet and a formidable adversary for our protagonist, contrasted by the cartoonish twins. The initial action scene spans just a few moments, but the meticulous panel arrangement ensures every move carries significance, illuminating both combatants’ tactics. Post-battle, readers uncover insights about Clan Destro in an exposition segment that leads up to the issue’s shocking climax. This instalment serves as a skillfully crafted turning point for a miniseries that began with arms dealers glorified, eventually integrating them into a more relatable world by its conclusion. Destro, a long-standing G.I. Joe villain due to his impressive design and unique Cobra role, becomes even more fascinating in Destro #3, standing out as one of the most intriguing characters across the entire new Energon universe. — Paraphrased by AI

Rating: 4 out of 5

G.I. JOE: A REAL AMERICAN HERO #309

In an unusual yet compelling blend, Larry Hama consistently manages to intertwine bizarre scenarios with deep emotional depth. For instance, imagine a suburban neighborhood transformed into both a battleground and a covert base for a worldwide terror group, where hordes of zombies, ninjas, and robots collide. Yet, this comic issue doesn’t veer towards the ridiculous or pretentious. Instead, it handles the gravity of the situation with care and treats its characters with respect. The character development is particularly noteworthy for Dawn Moreno, as she grapples with a crucial moral decision that could shape her destiny. Despite the large cast, many of whom aren’t easily distinguished, the artwork remains crisp and maintains an engaging speed. — Jamie Lovett

Rating: 4 out of 5

LOCAL MAN #13

In an unexpectedly poignant turn, the latest chapter for this neighborhood character reaches a climax that’s both hilarious and profound – almost as if it were wrapping up the entire series! Luckily, we haven’t reached the end just yet. Tony Fleecs and Tim Seeley have skillfully crafted stories in Local Man that challenge and refresh the conventional superhero narrative landscape, making it a truly exceptional read amidst our contemporary era of superheroes. This series continues to shine as an undeniable treasure in our postmodern superhero scene. – Jenna Anderson’s take

Rating: 5 out of 5

Image #2

PLASTIC: DEATH AND DOLLS #3

In issue #3 of “Plastic: Death and Dolls,” the powerful, dramatic splash pages by artists Daniel Hillyard and Michelle Madsen stand out as the most impactful parts. These scenes seem to represent vivid snapshots of a troubled mind, yet the broader storyline doesn’t quite deliver as expected. The writing in “Plastic: Death and Dolls” can be a bit harsh due to its direct approach, which at times becomes repetitive and grating. It appears that the story relies heavily on assumptions about aesthetics, with characters and plot points that seem to exist solely because they are considered necessary archetypes. This approach is becoming increasingly tiresome. – Spencer Perry

Rating: 2.5 out of 5

REDCOAT #5

In simpler terms, Evan Valentine suggests that “Ghost Machine” issue five, despite some strong character interactions, is perhaps the weakest installment due to excessive explanation and dialogue. Artist Bryan Hitch delivers impressive landscapes but falls short on facial expressions. The ending reveals a straightforward plot point that might leave readers feeling they should have spotted it earlier. Despite its flaws, Ghost Machine still offers much to appreciate, and this criticism doesn’t diminish the overall positive impression created by the series so far.

Rating: 3 out of 5

SELF HELP #3

The storyline initially veers off course, momentarily disrupting the flow, yet it eventually regains its momentum by addressing multiple aspects effectively. Introducing the family dynamic significantly enhances the narrative’s richness, providing a unique perspective that distinguishes it from similar stories. Ultimately, the resolution of Self Help will largely determine its success, but so far, the journey has been engaging.

Rating: 3 out of 5

STANDSTILL #1

[READ THE FULL REVIEW HERE]

Standstill chronicles the journey of Ryker Ruel, a man utilizing his innovative time-stopping gadget for noble purposes. Yet, a single individual cannot shoulder the responsibilities of an entire community, as it appears that Denmark harbors secrets, causing alarm among governments worldwide. The suspicious deaths of oligarchs, baffling bank robberies, and nonsensical antics seem interconnected, with one scientist uncovering the connection. Brilliant mind Colin Shaw is compelled to give up significant aspects of his life in order to crack this enigma and potentially halt it. The debut issue of Standstill sets all these pieces into motion and much more. –– Evan Valentine (Paraphrased)

Rating: 4 out of 5

WITCHBLADE #2

In the second installment of “Witchblade,” writer Marguerite Bennett swiftly establishes her unique perspective for the character, making it clear what this new version of the heroine stands for – smart, effective, and relevant. Artist Giuseppe Cafaro echoes these feminist themes in his illustrations, subtly incorporating symbols and details that reinforce the broader narrative throughout each panel. Although the first issue was required to set up the origin story, it’s the second issue where things truly take off – and it’s fantastic! – Spencer Perry

Rating: 4.5 out of 5

Other Publishers #1

BLOW AWAY #5

In the final installment of “Blow Away“, the series comes to a satisfying and well-rounded end, addressing not only the enigma surrounding the events on the ice but also Brynne’s personal journey. This conclusion offers her redemption and purpose, wrapping up all loose ends neatly. Although some might argue that resolution occurs too swiftly and tidily, this can be partly attributed to the format – when read as a cohesive narrative spanning all five issues, the pace becomes less of an issue. All in all, “Blow Away” #5 delivers on most of the mysteries introduced in the first issue, which is quite impressive. It serves as a powerful conclusion to a powerful story. — Nicole Drum

Rating: 4.5 out of 5

BRIAR #8

Briar’s gloomy situation appears to be alleviated somewhat as she mends things with Spider, with the assistance of some chattering cranes and planning an escape from prison. This was a much-needed change for Briar and her companions, considering the recent issues have been stacking up misery upon misery for them. Although I think the actual escape seemed overly dependent on chance rather than character development or skill, it seems like the series has regained some traction… or at least found a firmer base to continue its progression. — Christian Hoffer

Rating: 3.5 out of 5

CONAN THE BARBARIAN #14

As a long-time fan of Conan the Barbarian, I must say that this latest arc has truly captured my attention like no other before it. With my years spent following the series, I can honestly say that this snowbound adventure delivers on the intensity and grittiness that fans have come to expect from the character. Previous arcs, in my opinion, didn’t quite hit the mark, but this one has certainly changed my perspective. I can’t wait to see where the story goes next! – Charlie Ridgely (long-time Conan fan)

Rating: 4 out of 5

CROCODILE BLACK #4

Following the third installment of “Crocodile Black,” I thought I had a good idea about where Danny’s journey was headed for some time. However, it appears my assumptions were off base, which is one reason why this series remains so intriguing. In issue #4, things take an unexpected turn and the established order is disrupted swiftly, while still providing room for intense and poignant moments. The team of SOM, Patricio Delpeche, and Becca Carey continue to deliver exceptional and chilling work, with a standout flashback scene that adds depth without overshadowing the emotion and sorrow portrayed in the sequence. Author Phillip Kennedy Johnson keeps readers guessing while also expanding on other aspects of the story, making the upcoming confrontation between these contrasting forces all the more anticipated. In essence, “Crocodile Black” stands out as a unique read unlike any other comic you’ll find this week, and I don’t expect that to change soon. – Matthew Aguilar

Rating: 4 out of 5

EPITAPHS FROM THE ABYSS #2

In the second issue of “Epitaphs From the Abyss“, the set of three tales penned by Matt Kindt, Tyler Crook, and Jason Aaron show progression from the initial release. Yet, they fall short of fully delivering on the “thrilling edge-of-your-seat” promise that the series is known for.

Rating: 3 out of 5

HUGE DETECTIVE #1

[READ THE FULL REVIEW HERE]

Starting with the initial monochrome spreads setting up the plot for “Huge Detective,” there’s an undeniable thrill as artists Magenta King and writer Adam Rose introduce their innovative speculative fiction series at Titan Comics. The first issue of “Huge Detective” introduces us to Tamaki and Gyant, a human-giant duo (referred to as Huge in the comic) who work together in a world where giants reappeared 40 years ago, resettling Australia following a costly confrontation with humans. From cosmic to intimate dimensions, this concept is intriguing and boasts complex characters and struggles that make it effortless to overlook minor storytelling shortcomings in this action-packed debut. — Chase Magnett

Rating: 3.5 out of 5

Other Publishers #2

JOY OPERATIONS 2 #3

Joy and Hampton are back together again, and they’ve got a few friends from EN.VOIS joining them for a small revolution. There’s plenty of political drama happening, all intertwined with vibrant artwork. The concept of two individuals merging into one body isn’t novel, but Joy Operations handles it in an intriguing way. Joy and Hampton make a powerful duo. Let’s see if they can complete the mission in Jonando — Tim Adams

Rating: 3 out of 5

LAWFUL #3

In the third issue of “Lawful,” the repetitive initial episodes are effectively surpassed as Sung is forced to confront the harsh truth of his circumstances. There’s a palpable blend of excitement and fear as the action escalates, presenting Sung with tougher decisions. However, Sung, one of the main characters, appears less captivating compared to Eris and readers due to his tardy understanding of the story’s key elements. The new design for Sung in “Lawful” #3 is currently the most intriguing aspect about him – a significant upgrade from the red splotches on his chest earlier. At least, this issue hints that the narrative will become even more engrossing and will introduce more compelling aspects of “Lawful.”

Rating: 3 out of 5

NIGHT CLUB 2 #1

The graphic novel “Night Club 2” seems like it was penned by a more juvenile Steve Buscemi. It’s aimed at a younger audience, yet fails to deliver a solid narrative. The storyline is reminiscent of over-amplifying Deadpool and casting them as the lead in a comic strip. Even Juanan Ramirez’s dynamic artwork can’t rescue this first attempt from being less than impressive. –– Adam Barnhardt

Rating: 1 out of 5

PARANOID GARDENS #2

In just two installments of “Paranoid Gardens,” the intricate web of conspiracies is unraveling in an unexpected manner. The script by Gerard Way and Shaun Simon maintains the eerie atmosphere while primarily focusing on establishing enigmas for later. Chris Weston’s artwork draws us deeper into the uncanny valley, creating a captivating effect as the story becomes increasingly unsettling. It’s clear that “Paranoid Gardens” is shaping up to be something extraordinary. –– Jenna Anderson (paraphrased version)

Rating: 4.5 out of 5

PATRA #1

As a curious gamer diving into the first issue of ‘Patra’, I can’t reveal much, but let me tell you, it hooks you right from the start! A chilling crime has taken place, and it seems to be linked to a young girl who’s lost her bearings after a family tragedy, as well as some otherworldly presence. The mystery deepens as we’re left with more questions than answers. Yet, this initial chapter tantalizes us enough, leaving us eager for the thrilling folk-horror adventure that lies ahead.

Rating: 4 out of 5

POWER RANGERS INFINITY #1

From the outset of “Power Rangers Infinity,” I wasn’t expecting the emotional journey it took me on, but by the end, I was smitten with both the idea and this delightfully quirky team. Writer Sam Humphries skillfully introduces the concept in a succinct and impactful manner, propelling readers into the heart of the story swiftly. The main character is Lola, who charms from the get-go.

Rating: 5 out of 5

Other Publishers #3

POWERPUFF GIRLS #2

The Powerpuff Girls series retains its distinctive style and pace that cartoon enthusiasts are accustomed to. Writer Kelly Thompson skillfully adapts to the rhythm of a Powerpuff Girls episode, understanding that an atypical villain plot with limited combat is quite common in this series. Artists Carlo Lauro and Giulia Lafranceschina handle most of the pages, preserving the beloved visual aesthetic while adding their own creative flair to the fresh concept Thompson has presented. — Spencer Perry’s Paraphrase

Rating: 4 out of 5

RICK AND MORTY: YOUTH IN RICKVOLT #1

As a hardcore Rick and Morty fan, I recently dived into their latest comic book spinoff, and it’s got a smart twist that, while not revolutionary, certainly keeps things interesting. Michael Moreci’s script is fast-paced, yet leaves plenty of narrative threads for us to unravel in upcoming issues. Tony Gregori’s art gets the job done, but compared to some of the visual spectacles this franchise is famous for, it feels a bit basic. Only time will tell if this becomes an essential read in the Rick and Morty universe. – Jenna Anderson

Rating: 3 out of 5

STAR TREK #23

The Star Trek franchise has told stories that are epic in scale, but a pissed-off android breaking into the clubhouse of the gods and threatening to erase all existence out of apparent spite has to be up there with the grandest. Admittedly, the stakes are so high and the action so metaphysical that it runs the risk of becoming hard to follow: Lore is going to eliminate everything, the Theseus crew is doing some mad and possibly divine science to counter his plan, and Sisko’s mom keeps cryptically telling him that he’s already failed. In the middle of this, T’Lir and Lily have a moment of reconciliation and grace that grounds all this godly business in something meaningful and emotional. — Jamie Lovett

Rating: 4 out of 5

STAR WARS: THE HIGH REPUBLIC ADVENTURES #9

Many individuals might find this topic uninteresting once they’ve finished with it, but disregard those opinions. The ninth installment of High Republic Adventures draws inspiration from George Lucas’ prequels and delves deep into the intricate galactic politics. While it may lack the action that some are accustomed to, the shift in pace is refreshing, and the political banter proves quite engaging. — Charlie Ridgely

Rating: 3.5 out of 5

THUNDERCATS #7

As a dedicated Thundercats fan, let me share my thoughts on issue #7. So far, the series has primarily focused on Lion-O’s transformation into the Thundercats leader, and rightfully so. However, this time around, Declan Shalvey skillfully shines the spotlight on Wilykit and Wilykat, the cubs of the pack, offering a refreshing change of pace.

Rating: 4 out of 5

USAGI YOJIMBO: THE CROW #5

In many instances, the top Usagi Yojimbo tales carry a mix of sweet and bitter emotions. This holds true for “The Crow“, as Kunichi acquires a sword once wielded by a man who was previously his adversary, a profession that Kunichi looks down upon. To make matters worse, he discovers that honor isn’t always straightforward, as he had once assumed. Although the ending leaves some questions unanswered—for example, Jimmu’s true purpose never seems to be fully explained, and it remains vague why Stray Dog continues to maintain an aloof stance regarding his moral compass with fellow peers—overall, it presents another intriguing escapade for Usagi Yojimbo. –– Jamie Lovett

Rating: 4 out of 5