Conclave review: Ralph Fiennes is imperious in this finely-scripted papal thriller

★★★★☆

As a cinephile who has spent countless hours delving into the intricacies of religious and political dramas, I must say that Conclave is an exceptional addition to my watchlist. This papal thriller, with its impressive pedigree, manages to deliver on all fronts thanks to Edward Berger’s deft hand behind the camera.

Conclave is in cinemas from Friday. Add it to your watchlist.

In simpler terms, “Conclave,” a gripping papal thriller, boasts an impressive lineage. It’s a novel penned by renowned author Robert Harris, a best-seller. It stars Ralph Fiennes in a commanding role, with Stanley Tucci and John Lithgow providing strong support. Peter Straughan, who did a fantastic job adapting Tinker Tailor Soldier Spy for the big screen, wrote the script. And Edward Berger, the acclaimed German director behind the 2022 Oscar-winning adaptation of “All Quiet on the Western Front,” is at the helm.

In a different words, Berger’s “Conclave” is an exceptionally well-crafted piece that showcases its many strengths effectively. Similar to Nanni Moretti’s 2011 film “We Have a Pope,” “Conclave” delves into the elaborate traditions and complexities surrounding the selection of a new divine representative. Given that Robert Harris, author of “Munich,” is the creator, you can anticipate a significant amount of mystery as doubts arise among the potential candidates.

The movie unfolds within the secluded Domus Sanctae Marthae and the College of Cardinals. Following the sudden heart attack death of the existing pope, Cardinal Lawrence, portrayed by Fiennes, hesitantly guides the tumultuous procedure of choosing a worthy successor for the Catholic Church. He strongly advocates for liberal Cardinal Bellini (Tucci), but refuses to consider him as an ideal candidate himself. Other contenders make Bellini’s path to the Vatican precarious.

Conclave review: Ralph Fiennes is imperious in this finely-scripted papal thriller

As a film enthusiast, I can’t help but admire Suzie Davies’ impeccable work as a production designer, particularly her meticulous recreation of the Sistine Chapel. Berger seems to develop an almost obsessive appreciation for the clandestine nature of the voting process she orchestrates – a secretive ritual shrouded in intricate rules and traditions reminiscent of wax seals and the burning of ballot papers after votes have been cast.

For individuals not part of the Catholic Church, the movie “Conclave” serves as an entry point, offering a perspective on an age-old organization that seems to hold onto its past. The film explores how the Catholic Church finds itself in a predicament, torn between preserving its historical roots and adapting to modern times. Unlike films such as the critically acclaimed “Spotlight,” which delved deeply into decades-long cover-ups of sexual abuse within the Church, “Conclave” does not aim to criticize or condemn, but rather to present a balanced portrayal of this institution in its struggle for relevance in today’s world.

Similar to Harris, Berger’s work leans heavily on the themes of power, deceit, and corruption, as well as the veil of secrecy that surrounds these topics. Additionally, there is a strong emphasis on women within the Catholic Church and the limited access to powerful roles they are afforded. This theme is particularly evident through the character of Sister Agnes, portrayed by Isabella Rossellini, who seems omniscient in her understanding of the church’s intricacies.

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If Conclave doesn’t share the same warm camaraderie as The Two Popes, the 2019 drama featuring Anthony Hopkins and Jonathan Pryce in their papal regalia, it remains a solidly written production, with Harris’s novel serving as a strong foundation.

fundamentally, Fiennes delivers his usual thoughtful portrayal as Lawrence, a troubled character grappling with questions about his role within the Church. Tucci, conversely, provides an ideal contrast, while Lithgow adds charm as Cardinal Tremblay, a traditional conservative vying for the position of Pope. Furthermore, the script maintains a gripping pace, culminating in a surprising twist near the finale.

For those who are devoted to Catholicism, the event known as Conclave is sure to captivate, yet there’s enough intrigue for all viewers alike. Filmed with an affection for the Church’s distinctive visual style, adorned with reds, whites, and golds symbolizing the traditional color palette, Berger crafts a movie that maintains reverence towards the Catholic institution, while simultaneously challenging it.

2024-11-26 16:06

★★★★☆

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