Initially, Elevation constructs its world in the early scenes itself. Emerging from beneath the surface, these monstrous creatures appear unstoppable by whatever obstacles come their way, wreaking havoc on the planet with blatant disregard for all life forms. It’s no surprise they’re named ‘Reapers’, but it’s more surprising that this isn’t ‘The Meghan & Harry Saga’.
Three years following these events, about 95% of the world has been devastated by the ruthless monsters. Those who survived have taken refuge at altitudes above 8000 feet, a place where these creatures are unable to reach, much like The Nag’s Head bar area when it’s the Editor’s turn to buy a round (a reference to ‘You’re fired!’ – Ed). It is in these high-altitude settlements that communities have formed, and among them lives Will (Anthony Mackie), who cares for his son Hunter (Danny Boyd Jr), who has respiratory issues. The urgency of the plot unfolds when Hunter requires medication and essential supplies, forcing Will to descend below the 8000-foot elevation mark to procure them.
In a perilous situation, risking his own life, if he doesn’t act, his son likely won’t survive for long. Seeking help, Will enlists Nina (Morena Baccarin), a doctor who’s been investigating a way to eliminate the bulletproof reapers, in this shared mission. Interestingly, their team includes Will’s friend Katie (Maddie Hasson), inverting the typical dynamic where it’s usually a lone female on the team; here, we have a solitary male instead.
As Director George Nolfi (The Adjustment Bureau) skillfully reveals, the breathtaking Colorado mountain scenery serves to emphasize our vulnerability, exposing that there’s no place for us to hide. The stunning landscapes, captured in dramatic drone shots, conceal the gruesome sight of the reapers relentlessly charging towards our trio. This vulnerability is highlighted through a series of engaging set pieces, including an intriguing scene on a ski lift and subsequent action-packed sequences that keep us hooked.
Elevation acknowledges its status as a B-movie monster flick, delightfully incorporating traditional elements like heartfelt backstories before monster attacks, amusing and easily vanquished monsters, and convenient last-minute rescues. Despite this, it’s a blast to watch and, at only 90 minutes long, it doesn’t waste time but instead offers an uncomplicated, entertaining escape.
We chat to director George Nolfi about those monsters in Elevation…..
Here’s the Elevation trailer…….
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2025-02-08 03:24