“I feel a bit silly growling on my own”

As a seasoned movie critic with a penchant for uncovering the heart and soul of every film I encounter, I must say that Paddington in Peru has left an indelible mark on my cinematic journey. The voice behind the beloved Peruvian bear, a man who has navigated the labyrinthine world of animation with grace and charm, is none other than the versatile and enigmatic actor Jim Broadbent.

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When were you first approached to create Paddington’s voice?

More than a decade has passed since then. I strongly opposed it initially due to my failed attempts at voice acting for animation. They were struggling and had already begun editing the first movie, unable to find a suitable voice. Colin Firth was in the role but decided he was too old. I wasn’t aware of this at the time. I auditioned, thinking it didn’t go well, and went back a few more times. I believe they eventually gave me the part out of necessity, as time was running short. Everything was done in a great hurry. We were clueless about what we were doing, but somehow things managed to fall into place. We had more time on the second movie since I was involved from the start of the production process. Now, I feel quite comfortable with the character as I’ve also voiced it for three seasons of the animated series.

What do you think is the key to Paddington’s voice?

I find myself rather uncomfortable dwelling on that topic. Frankly, I’m clueless about my actions when they occur. Although it may seem as if I’m simply speaking in my usual tone, there’s something distinct about it. It’s not as though I’m feigning a voice; instead, it subtly differs. He seems to be saying things reminiscent of Paddington Bear, and then it’s largely a matter of trial and error. The secret lies in the smallest breaths and inflections, and discovering what works best with the animation.

When you’re making a voice recording, you need to put on a motion-capture helmet equipped with a camera. This allows the animators to see your facial expressions during the process. Could you describe what it feels like going through this procedure?

Essentially, it’s much like any other form of acting. I need to immerse myself in it. At first, there’s a stage where I feel quite self-conscious due to not fully understanding it yet and making these unusual growls which can feel awkward. There’s no animation at this stage, just a blank screen where the bear will eventually appear. I have to let go of my self-consciousness and dive in like a child would play. I experiment, make a mess, and try out various things, but I also approach it with seriousness. I soon forget that the camera is capturing my reactions.

On Paddington 2, I never saw Hugh Grant, not once

In addition to your belongings like a hat, overcoat, suitcase, and umbrella that are similar to Paddington’s, do these items assist in helping you embody the character better?

I don don the hat, carry the umbrella, and am handed a script. I perform portions of it, which is always enjoyable since, obviously, Paddington is smaller than me, so I need to view everything from his point of view. This, in turn, provides valuable input for our talented animation director, Pablo [Grillo], and the rest of the skilled team, as they create the animation using real-life references.

A lot of the cast filmed in Peru and Colombia. Were you able to go?

Regrettably, I couldn’t manage to visit Peru and Colombia; instead, I spent my entire stay in a basement located in Soho.

Do you spend any time at all with the rest of the cast?

In a different setting, I haven’t had the pleasure of encountering Antonio Banderas or Olivia Colman for this specific project, but I eagerly anticipate our meeting someday as their performances left me utterly captivated. Regarding Paddington 2, unfortunately, I didn’t share a scene with Hugh Grant during the production.

I’ve heard that you don’t like marmalade, so what would be your emergency snack?

As a devoted cinephile, let me confess that marmalade isn’t my cup of tea; it simply doesn’t sit well with me in the slightest. However, when it comes to Marmite, I am utterly smitten! Nothing quite compares to the symphony of flavors when I spread Marmite onto a slice of toast slathered with Lurpak butter. Truly, that combination transports me to culinary nirvana.

In relation to Paddington’s experiences in Peru, the concept of ‘home’ seems to stir a mix of feelings. Can you share what the notion of ‘home’ means and evokes within your own heart?

To put it simply, this place reminds me of the movie – it could be any location. You create it, and you discover it. It might not be where you initially thought, and it may not be where your journey starts. Now, I must admit that London feels like my home. Despite its ability to drive me mad at times or when it’s gloomy and rainy, I adore it deeply. I believe many of us who reside here experience a complex connection with it every now and then. When I’m away, no matter how much I’ve enjoyed being elsewhere, I always feel eager and enthusiastic to return to London.

Paddington often feels like he doesn’t fit in. Have you ever felt like that?

It seems like Paddington’s charm resonates with both children and adults alike, and I believe the reason might be due to his relatable struggles in adapting to human society. Navigating social etiquettes as a civilized adult is often tricky, and Paddington, being a bear, frequently makes mistakes because he finds human behavior rather mysterious. However, despite these blunders, he has learned certain things along the way. What truly captivates us is his earnest disposition and kindness – traits that many can identify with.

2024-10-22 18:33

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