IGN has posted a severe critique of “Captain America: Brave New World,” with writer Carlos Morales offering sharp criticism not about the film’s plot development and rhythm, but its perceived representation of the U.S. military. Unlike That Park Place’s WDW Pro, who rated the movie 4.5 out of 10 due to its storytelling flaws, Morales’s review stands out for a distinct reason—its apparent disrespect towards those serving in uniform.
Morales argues that the film leans on simplistic pro-both-side comments and idealizes the American military as its backdrop. He finds fault with Marvel Studios for making numerous characters into instruments of the government. In essence, he says, almost every significant character in the movie is either a current or former member of the U.S. military, Secret Service, or connected to warfare in some way.
This critique appears to be more about expressing political views disguised as criticism towards a superhero movie rather than an objective analysis. Instead of focusing on storytelling aspects such as plot, character development, or cinematography, Morales seems more concerned that the film didn’t contain enough explicit progressive messaging. It’s noticeable that his review delves heavily into the topic that the movie did not critique the U.S. military-industrial complex enough, rather than addressing issues like pacing, character arcs, or visual appeal. Given the longstanding themes of heroism, sacrifice, and duty in the Marvel Cinematic Universe (MCU), Morales’s criticism of military characters feels off-target and insincere.
It’s clear that the speaker finds it concerning when Sam Wilson, a social worker in the comics, is portrayed as a former Air Force pararescueman in the Marvel Cinematic Universe (MCU). Morales expresses this concern as an “alarming choice,” implying that he feels the focus on military service diminishes the character’s potential for political depth.
However, one might question if it is truly alarming to have a hero with a background in saving lives and serving his country. Perhaps Morales is merely disappointed because the character didn’t become the activist figure he had envisioned? His criticism seems more reflective of his personal political aspirations for the character than any genuine flaws in the movie itself.
A cause for concern arises when Morales seems to suggest that depicting the military in artistic works is inherently a weakness or shortcoming.
The brave men and women serving in the U.S. military are true heroes, devoting their lives to safeguard our liberties. Their representation in media is a heartfelt tribute to their courage and selflessness. These real-life heroes put their lives on the line daily, leaving their families behind, and often making the ultimate sacrifice for their country. Labeling this as “fetishism,” as Morales does, isn’t just mistaken—it’s disrespectful to every soldier, veteran, and fallen hero who has ever served our nation. Portraying their service as mere stage dressing or a storyline device is to undermine the genuine sacrifices they have made. Implying otherwise is an affront to everyone who has fought and given their life for this country.
IGN, known for its progressive perspective on media, has never been timid about blending politics into its reporting. However, Morales’s critique takes this a step further, utilizing “Brave New World” as a basis to criticize the presence of military figures in popular entertainment. It’s well-known that Hollywood has leaned towards progressive ideologies in recent times, with many productions focusing more on political messaging than storytelling. Morales’s review seems to express disappointment that “Brave New World” deviated from this trend.>
As a movie critic, I must admit that one of the film’s saving graces is its resistance to dive deep into overtly biased political propaganda.
The Winter Soldier,” which were more outspoken about U.S. foreign policy and government intervention, highlights his discontent. Morales argues that the MCU has drifted towards glorifying military culture, but what he seems to miss is that these superhero movies traditionally served as platforms for progressive commentary. However, it’s ironic because while Morales criticizes the MCU for lacking political depth, his review itself can be seen as more about pushing an ideological viewpoint rather than objectively evaluating the film based on its merits. In other words, he is using his platform to express his own opinions and beliefs, which some might label as “virtue signaling.
It’s interesting to ponder why a platform such as IGN might write a review in such a manner. Given its status as a prominent media source, IGN wields considerable influence, and its support for progressive ideals is widely recognized. However, this review seems to be an intentional attempt to provoke debate by criticizing the film’s depiction of the military – an institution held in high esteem and revered by millions of Americans.
As a movie buff immersed in today’s world of heightened political tension, I can’t help but feel that such commentaries are merely fueling the chasm between us.
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In this era where political polarization is more pronounced than ever, these comments seem to be nothing but adding more layers to the divide we’re already struggling with as cinephiles.
Morales’s contempt for the military isn’t hidden. He wonders why Marvel would transform so many vigilantes into state agents, suggesting that military service is something to be ashamed of. However, it’s important to remember that numerous heroes we admire, both on screen and in real life, have military backgrounds. Their stories are not about blind loyalty to the state but about bravery, honesty, and selflessness. Portraying these characters as mere tools of the military-industrial complex is more than unfair—it’s a blatant dismissal of their heroism.
As a movie enthusiast, I find myself echoing a common pattern in contemporary film criticism where the artistic qualities of a movie can sometimes take a backseat to ideological scrutiny. In the case of ‘Brave New World’, my disappointment seems stem from its failure to function as a platform for progressive advocacy. Instead, it opted to weave a tale (admittedly a rather weak one…) about redemption, leadership, and heroism – themes that resonate beyond political boundaries. However, critics like Morales seem quick to castigate any departure from the anticipated narrative.
Essentially, Morales’ critique of “Brave New World” reveals more about the journalist and today’s entertainment journalism than the book itself. In an era where many in Hollywood and media seem detached from ordinary citizens, this review underscores that widening gap yet again. The valor and dignity of our military personnel should be acknowledged with gratitude and respect, not ridicule. If portraying them honorably on screen is now viewed as a weakness, maybe it’s high time we reconsider who gets to steer the cultural discourse.
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2025-02-17 17:56