In a fresh ITV series titled “Out There,” Martin Clunes portrays Nathan, a hardworking Welsh farmer grappling with the challenges and contemporary strains that threaten the stability of his family’s livelihood.
Simultaneously, he strives to protect his son Johnny, who has unwittingly become entangled in county lines drug trafficking due to an old acquaintance named Rhys.
Clunes, having a farming background himself, naturally feels connected and intrigued by this project. However, one may wonder if it’s a true account or if some aspects draw inspiration from actual events.
Read on for everything you need to know about the real-life inspirations for Out There.
Is Out There based on a true story?
[image id=”2191917″ size=”full” title=”out_there_episode_4_12″ alt=”Eiry Thomas as PC Jane Crowther in Out There, wearing a police uniform and looking at something intently” classes=””] Eiry Thomas as PC Jane Crowther in Out There.
In reality, the narrative that forms the core of Out There, centering around the characters Nathan Williams and his son Johnny as they encounter a powerful drug network, is purely imaginative and fictitious.
Nevertheless, the show is based on some genuine life influences, such as portraying the surge of county lines drug trafficking in contemporary times. This involves individuals transporting illicit substances from urban areas to smaller, rural communities for distribution.
What have the team behind Out There said about its real-life inspirations?
In creating the narrative for “Out There,” the creative team delved deeply into authentic experiences, even consulting with law enforcement officers who combat this type of crime, in order to portray a realistic account of a farmer’s son being drawn into county lines drug dealing.
At a Q&A event, author Ed Whitmore mentioned that they had numerous discussions with law enforcement regarding their strategies due to the fact that this issue, which surfaced around 2016/17, is a relatively recent development.
After that, we reached out to certain charitable organizations and conversed with individuals who had previously been entangled in county lines but managed to escape from it.
“So we tried to get a really sort of 360 degree understanding of something that is relatively new.
In a conversation with an officer in Brighton, we learned that they became aware of the incident when someone was fatally shot in Brighton, but they initially couldn’t determine the victim’s identity. Later, it was discovered that the individual was actually from Tottenham, having been gunned down on the street.
He remarked that it felt as though he had awoken to find the entire world flipped on its head. Essentially, it was as if he was asking, ‘Why are individuals from Tottenham losing their lives in Brighton?’ That experience served as an enlightening moment for them, helping them grasp the complexity of the situation they were facing.
While acting as Caleb in the drama, Mark Lewis Jones remembered shooting scenes at a pub in Llandovery and conversing with the landlady.
He clarified that she expressed her concern over the town’s drug issue being so severe that she’s contemplating leaving, due to the sheer magnitude of it surprising and unsettling her. Previously, she had associated county lines with larger cities like Cambridge, but now realizes it extends even to smaller satellite towns.
I hadn’t realized how prevalent it is in small, rural communities, or that it wasn’t merely a matter of substance abuse, but rather something tearing apart places like the one depicted in the story.
In a discussion, director Marc Evans addressed the challenge of merging the dramatic, suspenseful aspects of the series with a respectful portrayal of the genuine people whose lives have been impacted by county lines drug trafficking and distribution.
He mentioned that one aspect of your mind seeks to give proper attention to the actual circumstances without being overly imaginative or stereotypical, while another part desires to weave an engaging narrative.
Our stellar cast, spearheaded by Martin, was complemented by a captivating story inspired by true events. Aiming to be as authentic as possible, I’m eager for our production to not only engage but also enlighten our audience. In other words, we hope to offer an enjoyable and informative experience at the same time.
Simultaneously at the Q&A session, Clunes was queried if they envisioned the drama might influence the issue of country-line drug dealing much like how the case of Mr. Bates vs the Post Office rekindled attention towards the Post Office scandal and ultimately brought about real legislative change.
In response to the question, Clunes stated: “There’s actually nothing comparable in this situation since we don’t have a pending public inquiry with its results about to be announced, unlike in some other instances.
To be truthful, I’m unsure about whether that aligns with our project guidelines. However, we are emphasizing the key and significant aspects within our play.
He mentioned that the drama might influence people’s perspectives on the subject, as he initially held the belief that it was just teenage boys trying to act tough and gangster-like, but watching the series made him understand that it encompasses various vulnerable individuals from all walks of life.
Clunes stated, “They didn’t intentionally choose this, they were deceived, manipulated, and unfortunately, this often happens. As a result, they find themselves in a workforce that is easily discarded, with minimal concern for their welfare.
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2025-01-14 20:35