JoJo’s Bizarre Adventure Creator Rips Into “Evil” AI Art

JoJo’s Bizarre Adventure Creator Rips Into “Evil” AI Art

As a gamer with a deep appreciation for the artistry and storytelling prowess of manga legends like Hirohiko Araki, I find myself deeply troubled by the rise of AI-generated artwork. Having spent countless hours immersed in the vibrant worlds of JoJo’s Bizarre Adventure, I can attest to the unique, intentional brushstrokes that breathe life into each panel.


As the employment of generative AI increases, artists have been expressing their concerns louder than ever about the potential consequences of replacing human creators with machines in artistic fields. Although there’s a strong opposition voice, discussions online about generative AI and art have sparked heated debates. Notably, renowned manga creator Hirohiko Araki (famous for his shonen epic JoJo’s Bizarre Adventure) has recently joined the conversation publicly. Known for incorporating his passion for music, film, and popular culture into his work, Araki is a respected figure in the manga world.

As a passionate admirer and creator within the gaming world, I’ve been deeply troubled lately by the growing acceptance of AI-generated art. I recently stumbled upon an AI creation that seemed almost too familiar, eerily replicating my unique art style – the one thing that sets me apart from others in the realm of JoJo’s Bizarre Adventure and beyond.

JoJo’s Bizarre Adventure Creator Rips Into “Evil” AI Art

Hirohiko Araki Fears a World Where AI Artists Are Given Their Own Series

In his comprehensive essay, Araki argues that art mirrors the era in which it’s created. He expresses apprehension about the possibility of the manga industry being controlled by frauds in the future. He contends that AI-generated artwork, whether its impact remains significant or not, will undeniably influence and transform the way manga is consumed. Additionally, he raises concerns about the widespread copyright infringement that AI-generated art may cause. Araki likens AI copyright infringement to a “villain” that artists must grapple with in contemporary times. Although he can’t imagine an effective way to halt advancements in AI artwork, he advocates for laws to safeguard artists and their established work from being used to train these algorithms. Overall, the essay expresses deep concern about the industry’s future and a sincere desire to protect fellow artists.

As of now, discussions about shielding Japanese manga artists from potential threats posed by generative AI, initiated in March 2024, have not led to any formal decisions by Japanese courts. The proposal for such protection was made by Ken Akamatsu, a well-known mangaka and politician who gained fame through his work on the popular harem series “Love Hina“. Akamatsu, like Hirohiko Araki who recently voiced similar concerns, aims to safeguard fellow artists. However, it remains uncertain how protections from AI can be implemented for artists at this point. Nevertheless, it appears that the issue has garnered enough attention to warrant focused consideration.

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2024-11-21 02:41