The critically acclaimed BBC suspense series now streams on Netflix, boasting Morven Christie from “The Bay” as its main character, sharing screen time with Vicky McClure, who is known for her roles in “Line of Duty” and “Trigger Point”.
As I, Ellen Rooney (Christie), a thriving architect, eagerly anticipate the arrival of my firstborn, my esteemed colleagues at the firm contemplate hiring a temporary replacement for me during my maternity leave.
Introduce Paula McClure, a skilled architect, who is eager to rejoin the workforce following the care of her daughter, serves as a substitute for Ellen.
As a movie lover putting it in my own words, I’d say: I start to feel uneasy when Ellen senses that Paula is gradually encroaching upon every aspect of her life—professionally and personally—making me wonder if this friendship might be heading down a darker path.
In 2017, the show additionally featured Richard Rankin, Dougray Scott, Neve McIntosh, and Navin Chowdhry. It garnered exceptional viewership, as each episode drew over 8 million viewers, based on data from Barb.

I strongly appreciate stories that have clear beginnings, middles, and ends, along with a good dose of dramatic television content, whether it’s produced here or in the U.S. However, it seems that many prefer an extended middle without a definite end, making the story last indefinitely.
As a spectator, I rarely have the time or inclination to invest twenty hours into one thing. Few narratives truly justify such a significant investment. This is often a requirement set by television’s commercial nature, a demand that everyone seems to expect.
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2025-03-20 15:04