As a movie buff, I can’t forget the heart-stopping, tension-filled opening of Malpractice. The memories of Niamh Algar’s character, Lucinda, enduring a grueling night shift in the emergency room are still etched in my mind.
Now the show is back, focusing on a new doctor, Dr James Ford, played by Tom Hughes.
But, there’s another significant shift: The series no longer takes place in the same hospital; it has been relocated to a new setting, delving into a distinct medical field – psychiatry, rather than the emergency department.
Grace Ofori-Attah, as a doctor, specialized in psychiatry – this means she had extensive knowledge and practical experience that served as a solid foundation for creating her series.
In my humble opinion, this production delves into realms that might not be as familiar to a majority of spectators. Interestingly, it seems that the director, Ofori-Attah, has hinted at the fact that this obscurity has influenced the show’s tempo.
In the field of psychiatry, progress can be gradual. However, when an event triggers change, it becomes quite swift, and the pace picks up significantly.

She added: “I trust those watching won’t think, ‘This isn’t the same show as series 1!’, as everything leading up to the event is integral to the unfolding narrative.
Initially, the pace is relatively sluggish, but it gradually gains momentum, showcasing the intricate layers of psychiatry and its position within the broader professional landscape.
Since establishing a specialized culture within the NHS can be challenging due to its complexity, our initial attempt was to depict this reality through Dr. Ford’s experience as he approaches the end of his shift, deciding on what tasks to focus on.
In the second installment of “Malpractice,” Dr. Ford faces a challenging predicament: juggling a tense postnatal examination with the involuntary commitment of a mentally ill patient. This delicate balance unfortunately results in a tragic turn of events.
The probe into his behavior initiates, spearheaded by recurring characters Dr Norma Callahan and Dr George Adjei from the Medical Investigative Team.
Initially, you won’t receive all the information at once, as Behan explained; instead, you’ll be given small pieces of information over time, a method that feels agonizing, but when viewed from an audience perspective, it can be engaging.
Initially, you’ll receive an arc, but once you reach the point to take your shot, everything transforms dramatically, with details being sketched out and revised. It consistently surpasses expectations, unfolding into a spectacular display of intense drama.
“So I was kind of finding it out as it was developing, which was thrilling to play.”
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2025-05-03 21:34