The return of a popular artist is often filled with potential pitfalls, and while some are triumphant and financially rewarding – like Take That, Backstreet Boys, etc., there are many others that seem to be driven by unforeseen tax issues. Interestingly, the artists we’re eager to see make a comeback don’t appear to be responding to our calls, or so our Editor claims when he leaves messages at Graceland. The intriguing case in point is Alfred Moretti, the character portrayed by John Malkovich in Opus, a return that piqued our Editor’s interest until we informed him it wasn’t a real German beer (a response of ‘You’re fired!’ – Ed). Despite his appearance at an Elton John cosplay event, Moretti was a massive star with record-breaking tours and influential albums. However, he has been out of the public eye for decades, and the announcement of his unexpected return with a new album, ‘Caesar’s Request’, is significant news, especially when he invites various individuals to visit his secluded ranch where he has spent decades in hiding.
As a movie critic, I found myself invited to an intriguing gathering at Moretti’s secluded estate, surrounded by mysterious acolytes known as ‘levellists’. Among the guests were a paparazzi photographer, a podcaster, TV host (Juliette Lewis), an influencer, a magazine editor, and surprisingly, a talented cub reporter named Ariel Ecton (Ayo Edebiri). However, her boss insists on writing the feature, relegating her to the role of note-taker.
At first glance, it seems like an ordinary event for celebrities, but only Ariel senses that Moretti has transformed into a cult leader, making him and his new album release secondary to the real story unfolding. The guests are required to be shaved before listening to the first track of the album, foreshadowing the bizarre events to follow.
Former GQ Editor Mark Anthony Green (who also directs) appears in a brief yet impactful cameo with Bill Burr, offering his take on Moretti’s comeback. Unfortunately, this is one of the film’s few highlights as it misses an opportunity for an engaging exploration of celebrity events. Instead, it opts for quirky, episodic sequences that lead to a climactic scene, but never quite comes together cohesively.
In essence, the movie feels like a blend of ‘Blink Twice’, ‘Glass Onion’, and ‘The Menu’, but ultimately lacks originality and fails to leave a lasting impression. It’s disappointing because as someone who has attended such events, I was hoping for a fresh perspective on the world of celebrities, rather than a familiar rehashing.
John Malkovich shines in his signature off-kilter style, delivering a standout performance. However, the movie fails to utilize Juliette Lewis and Ayo Edebiri effectively, particularly as they struggle to assert themselves convincingly when things escalate dangerously and an underwhelming climax that doesn’t live up to expectations. “Opus” showcases an impressive trailer for a film that falls short of its promising potential.
Here’s the Opus trailer……
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2025-03-12 03:23