Historically, horror movies have often been overlooked in the Oscars. In fact, since 1929, only six horror films have ever been nominated for Best Picture: “The Exorcist” (1973), “Jaws” (1975), “The Silence of the Lambs” (1991), “The Sixth Sense” (1999), “Black Swan” (2010), and most recently, “Get Out” (2017).
Among them, only “The Silence of the Lambs” (1991) managed to secure the win, and for the record, it’s primarily classified as a psychological thriller. It’d be quite unexpected if “The Substance” were to win the Best Picture Oscar this year.
Over the years, my fascination with chilling horror flicks has only grown stronger. In fact, a staggering 1,500 such movies were unleashed onto the big screen in 2023 alone – a significant jump from the 1,140 that graced our screens back in 2013, as reported by the Horror Movie Report.
Despite the fact that Jason Blum, from Blumhouse Productions, who was behind the production of Get Out, stated to Screen Daily, “I believe there’s still a significant portion of the Academy that disregards horror films, regardless of their quality. There are some members within this group who refuse to vote for, or even watch, a frightening movie.
As a devoted movie buff, let me tell you about Terrifier 3, a blockbuster hit that raked in an unprecedented amount at the box office, even surpassing all other unrated films to become the highest-grossing of its kind ever. Yet, despite its commercial success, it’s unlikely to garner any awards recognition. Some may perceive it as too raw or overly violent, while others might argue that it doesn’t meet the Academy’s definition of “elevated” horror – a term that can sometimes feel elitist, particularly among die-hard genre enthusiasts.
The Subject showcases a gruesome yet captivating use of practical effects such as prosthetics and makeup, rather than computer-generated imagery (CGI), and its underlying messages are profound.
In the story, when Elisabeth Sparkle (Demi Moore) gets let go from her aerobics program due to her age by her producer, she discovers a miraculous solution: The Substance, an injection that transforms her into Sue, a younger character played by Margaret Qualley. However, there’s a twist – they must exchange bodies every week. If they don’t, both Elisabeth and Sue face severe bodily repercussions.
Critics have argued that “The Substance” is superficial and fails to embody its title’s implications, but this viewpoint is incorrect. Instead, it offers a raw and biting commentary on modern society’s fixation on youth and physical attractiveness.
In conversation with ABC News, filmmaker Coralie Fargeat expressed that films belonging to genres such as horror often carry deeply political messages at their heart. She believes these movies have been an incredibly potent tool for discussing society and humanity by exploring our fears, desires, and aspirations. According to her, they serve as a powerful reflection of society, revealing what we’re afraid of, what we yearn for so intensely that we risk danger in pursuit, and offer valuable insights into our world.
The anxiety about growing older, combined with unrealistic beauty expectations for women, resonates with many people, and choosing Demi Moore as the cast member was a brilliant decision.
(Alternatively,)
A shared apprehension towards ageing, along with unattainable beauty standards for women, is relatable to audiences, making casting Demi Moore a genius move.
The 62-year-old actress, known for her debut roles depicting a fading star struggling to maintain relevance, ties her personal life and career together as she navigates an entertainment industry that often favors youth and attractiveness over experience.
The sad irony lies in the fact that Sparkle, portrayed by Moore, exudes such extraordinary beauty, but her character fails to recognize it. Consequently, she embarks on a self-destructive journey, seeking “perfection” and ultimately disfiguring herself.
Moore has been nominated for an Oscar in the Best Actress category, and she received the Golden Globe for Best Actress in a Comedy or Musical film – marking the first acting accolade of her 45-year acting career.
In her speech upon receiving the award, she shared how 30 years ago, a producer told her she was like popcorn in the film industry, implying that she wasn’t worthy of recognition. She took this to mean that while she could make successful movies with big earnings, acknowledgement was not for her. And sadly, she accepted this belief.
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She continued by expressing, “Let me share one key takeaway from this film that resonates with me. During times when we doubt our intelligence, attractiveness, body shape, success, or simply feel inadequate overall – a woman once told me, remember this: you will never be ‘enough,’ but understanding your self-worth is possible if you simply stop comparing yourself.
Apart from Moore, Horror has more than earned the title for Best Picture. Its depth, originality, and entertainment value are on par with any other nominee in this category. It’s high time we recognize its merit and present it with the award it deserves.
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2025-02-27 22:34