The leading lady of “She Hulk” continues to confront alleged “toxic” Marvel enthusiasts regarding the cancellation of her previously aired, unsuccessful “superhero” “legal” comedy show.
In a recent chat with Newsweek, Tatiana Maslany continues to express her affection for “She-Hulk: Attorney at Law,” commending the writers for their foresight in anticipating negative fan reactions and integrating these criticisms into the show’s narrative. While some might hesitate to applaud the creators of a series that experienced such a notable flop, given its sole objective was to present Maslany as a superhero, she instead chooses to attribute any lingering disappointment to “toxic fans.
Rather than admitting fault for the disappointing response to the show, she reiterated her stance, attributing any negative criticism of “She-Hulk” to overly critical and toxic fans.
As a fervent admirer, I can’t help but express my delight in how skillfully the show anticipated potential critiques, cleverly positioning any perceived misogyny as the very criticism itself, even before the premiere of She-Hulk. In doing so, it masterfully casts ‘toxic fans’ as the series’ antagonists, making a powerful statement about representation and audience behavior.
I found her labeling the move as “meta” rather off-putting. To viewers like myself, it seemed more like a show of arrogance, brushing aside genuine concerns about the program’s scriptwriting, humor, and general quality.
Since the debut of She-Hulk, Maslany and the show’s makers have been quick to defend against any negative reviews, labeling them as coming from “toxic” fans or internet trolls. When viewers criticized the show’s odd humor, uncomfortable twerking scene, and weak storyline, the creative team chose not to address the criticism constructively. Instead, they maintained that their show was flawless, and the only explanation for why some people didn’t like it was because of ingrained sexism.
But here’s the reality: She-Hulk was a disaster.
1. The series was a legal drama penned by individuals devoid of legal expertise.
2. The program was a superhero production conceived by those unfamiliar with comics.
3. The show was a comedy crafted by individuals lacking humor.
The show, She-Hulk, has struggled in terms of audience numbers and critical reception, leaving minimal cultural influence beyond serving as a joke. Marvel Studios seems to be intent on downplaying its presence, as Deadpool now takes the place of She-Hulk in their branding. Remarkably, Marvel appears to have forgotten about Matt Murdock’s cringe-worthy appearance in She-Hulk when he made a cameo in Daredevil: Born Again. Instead, they are moving forward with Daredevil’s narrative without addressing the awkward turn of events in Jennifer Walters’ failed series.
The statement implies that Marvel, who initially showed great enthusiasm for the new series “She-Hulk” as an essential addition to the Marvel Cinematic Universe (MCU), has now seemingly lost interest in it. Despite efforts by actress Tatiana Maslany to keep discussions going about the show, Marvel appears to be downplaying its significance and acting as if the project never happened or was a misstep they’d rather forget.
It’s quite ironic that Tatiana Maslany continues to celebrate She-Hulk as a significant cultural achievement when Marvel appears to be rather awkward about it. If the series was truly a massive hit, why hasn’t there been any announcement of a second season? Why has She-Hulk been excluded from Marvel’s promotional materials while other, more popular characters have taken her spotlight instead? The truth is straightforward: She-Hulk didn’t strike a chord with viewers, and Marvel understands this.
The key point in Maslany’s recent statements is her apparent lack of understanding about the main problem: She-Hulk‘s cancellation wasn’t due to a malicious backlash. Instead, it was because the show didn’t meet the expectations of viewers. Audiences weren’t annoyed that Jennifer Walters was a female superhero; they were frustrated with the subpar writing, unamusing humor, and an apparent focus on ridiculing Marvel fans rather than providing enjoyable entertainment.
Instead of admitting fault, Maslany persists in blaming the audience for everything. However, it’s a fact she avoids admitting: If a project fails to meet the fans’ expectations, it’s not their fault; it’s the creator’s responsibility.
Marvel has moved on. Maybe it’s time she did too.
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2025-03-12 17:55