As a seasoned comic book enthusiast with a soft spot for time-travel tales and a keen eye for artistic flair, I find myself intrigued by Image Comics’ latest offering, Standstill. The premise of a man freezing time at his whim is not new, but the execution here is certainly refreshing.
Instead of considering if you could pause time and reset it whenever desired, like Zach Morris from “Saved By The Bell” or the protagonist in the new Image Comics miniseries “Standstill”, let’s discuss whether this comic series effectively explores its unique premise or falters under pressure. Unfortunately, readers don’t receive the ability to control time themselves through this comic; instead, the story revolves around a charismatic yet selfish character who doesn’t always use his powers for the greater good.
In essence, the storyline of “Standstill” revolves around Ryker Ruel, a character who’s employing a novel time-stopping gadget for beneficial purposes. Yet, it takes an entire community to function, and as the world starts suspecting that Denmark isn’t quite normal, governments are catching on. The oddities include oligarch assassinations, baffling bank heists, and general mischief, all of which seem connected. As one scientist, Brainiac Colin Shaw, uncovers this secret, he finds himself giving up significant aspects of his life to solve the mystery and possibly halt it. The first issue of “Standstill” delves into these themes and many more.
Initially, Ryker showcases the eye-catching aspect of the storyline by employing the device to generate amusing, albeit gruesome, spectacles. His motives vary between earning money or seeking petty retribution against those nearby. These episodes are adequate but could be more intense. The initial action is a comical act of revenge, where Ryker showcases his power over an unsuspecting biker’s hangout, exuding self-assurance throughout the heated interaction. Interestingly, Ryker and his manipulation of the time-freezing device seem to take a backseat to the more captivating element of the series – scientist Colin Shaw.
In a way reminiscent of Reed Richards and Sue Storm’s dynamic, Colin and his former spouse reach a standstill, choosing paths that Marvel Comics might not approve for their “First Family.” Overwhelmed by his work, Shaw struggles to find balance and loses sight of his relationship in the process. Lee Loughridge, not only constructing the narrative and dialogue within the script, but also serving as the colorist, skillfully transitions into the most striking aspect of this debut issue – a detail that truly shines in the first installment.
In a somewhat unconventional manner, artists Andrew Robinson and Lee Loughridge (for coloring) push boundaries in the comic book Standstill. Notably, the narrative boasts sixty “double-page spreads” that effectively convey an engaging story and a distinctive artistic flair seldom observed in contemporary comic books. Loughridge’s colors are both vivid and atmospheric, enhancing the narratives of Ryker and Shaw, as their settings starkly differ. The artwork by Loughridge and Robinson is grand and bold, evoking a “secret agent” aesthetic that would seamlessly blend into the world of James Bond.
In previous reviews, you might have noticed my affinity for experimenting with comic formats and panel layouts. Standstill distinguishes itself by presenting certain scenes in an engaging manner that truly pops out on the page. The artwork is the main attraction here, elevating a strong narrative to even greater heights through stunning character expressions and vivid backgrounds.
The narrative of Standstill captivates from the get-go, skillfully laying the groundwork for this intriguing espionage tale. There are a few notable weaknesses, particularly in the handling of the time freezes, but Loughridge and Robinson have a unique gem on their hands. I’m eagerly awaiting how the miniseries unfolds in its upcoming seven issues.
Published by Image Comics
On August 21, 2024
Written by Lee Loughridge
Art by Andrew Robinson
Colors by Lee Loughridge
Letters by Rob Tweedie
Cover by Andrew Robinson and Lee Loughridge
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2024-08-21 17:10