As I delve deeper into the captivating world of Denis Bottomley, it’s impossible not to be moved by his extraordinary journey and the wisdom he’s gathered along the way. Born from humble beginnings at Rada, a venerable institution that nurtured his talent, Bottomley has since transcended the boundaries of ordinary life, gracing our screens as complex, authoritative figures in critically acclaimed series like Homeland and now Sherwood.
Add Sherwood to your watchlist.
Monica Dolan
Some people are capable of actions unthinkable to the rest of us
Monica Dolan takes on the role of Ann Branson, a powerful matriarch from a criminal family, determined to seek justice for her son’s untimely death.
In a variety of captivating television shows, you’ve appeared – from satirizing BBC in “W1A” to portraying serial killer Rosemary West in “Appropriate Adult”, and more recently in “Mr Bates vs the Post Office” and now “Sherwood”. How do you select your acting roles?
The experience felt innate and reflexive, as if I just knew when presented with an opportunity, “Should I take this?” Interestingly enough, Ann Branson, without the ‘e’, seems a bit more formidable. And regarding Ann Branson, there was no audition required. However, for the role of Rosemary West, auditions were necessary.
Do your nuanced performances make you stand out in every role, or do people often recognize you?
As a cinephile, I’ve noticed an intriguing phenomenon: people seem to recognize me from somewhere… yet the way they fill in the gaps of our acquaintance is downright astounding! The other day, while strolling my pet, a stranger approached and exclaimed, “I know you! You gave me advice on leashing my dog properly.” Yet we’ve never crossed paths before. Just last week, I encountered another woman who declared, “Hey, how’s Philip?” before launching into a detailed account of our acquaintanceship. Explaining that she might have seen me on television feels rather pretentious! It’s simpler to just say, “Yes, that was indeed me with your pet.”
I don’t judge anyone’s behaviour – it gets in the way
As a film enthusiast, I find it fascinating how skillfully you’ve mastered the art of subtle wickedness. In the movie “Sherwood”, your initial dialogue revolves around vegetables, yet there’s an underlying tension that suggests sinister intentions lurking beneath.
Occasionally, there are individuals who find common emotional value in unusual things, which can make their perspective on certain topics quite disturbing. For instance, when she discusses vegetables, it seems to me that she might equate them with humans in her mind. Frankly, when I read those lines about the vegetables, I couldn’t quite grasp the connection, so I just continued reading… Additionally, I recall being surprised by Fred West’s manner of speech. He often referred to inanimate objects as if they were people, and conversely, he would refer to people as if they were objects.
How did you feel about Rosemary West before you played her?
In a simpler manner, I tend to analyze situations quite objectively. Instead of wondering ‘why’, I focus on ‘what’. I try not to pass judgment on behavior because it can interfere, and I don’t want my personal opinions to get in the way of a character’s actions. It’s difficult, but it doesn’t benefit the story or the audience if I, for instance, criticize Rosemary West as ‘unpleasant’. After all, that’s not my job in the play, and I believe people are smart enough to figure out such things on their own.
David Harewood
There are no bright lights – this is real and quiet
1. David Harewood portrays a thoughtful and compassionate character named Denis Bottomley, whose ordinary life experiences a dramatic shift.
I didn’t watch it until I was given the job opportunity, as I had been residing in North America for a decade before returning to Homeland. James Graham, the writer of Sherwood, has an exceptional talent for crafting intricate characters and placing them within socially relevant dramas that resonate deeply with audiences. Who would have thought we could view the miners’ strike from a fresh perspective?
Do you remember the strikes?
As a child, I didn’t fully grasp the events, but James’ eloquent narration seems to breathe life into those stories.
You have played strong, authoritative figures, but in this you’re more vulnerable…
In simpler terms, Denis lives his life amidst unusual conditions. This experience was something entirely new for him. It was more like stripping away the glitz and glamour, and focusing on authenticity, normality, and tranquility.
You’ve spoken about people of colour getting big roles in the US. Have things changed in the UK?
It’s wonderful to observe how things are evolving, and it’s inspiring to witness young people achieving success and seizing chances that were not available to us in the past.
Speaking of which, you recently became president of Rada, your alma mater…
To demonstrate that I’m not just about diversity for show, I’ve pointed to my experiences. During my time at Rada, Richard Attenborough was the president, yet he was rarely seen; previous presidents also served more as symbolic figures. My own past, marked by the struggles I faced transitioning from a student to a professional actor – and yes, it’s well-known that I suffered a breakdown – has shaped my commitment. I aim to be actively involved, present, and supportive for students. This industry can be grueling.
My first review was personal, racist and tough to read
As you know from experience…
Initially, the bustle of the real world caught me off guard. At Rada, however, I reveled in the liberty to perform a variety of roles – Dostoyevsky, Strindberg, Chekhov among them. The classics were my passion, and I cherished the opportunity to immerse myself within these characters on stage. Yet, as soon as I exited drama school, I was met with harsh words, “You can’t do that because you’re black.” Critics were merciless. In my debut role as Romeo, one critic even remarked, “He bears a stronger resemblance to Mike Tyson than Romeo.” The comments were not only hurtful but also tinged with racism, making it difficult to endure such criticism.
What have you learnt that you could pass onto the students?
One moment you’re immersed in acting classes, the next you find yourself navigating the actual stage. Constructive criticism, however, can be tough to accept.
But criticism is tough for everyone…
Acting critiques aren’t generally personal attacks on your abilities as an actor, but they can still shake your self-confidence, doubt your skills, and leave you feeling exposed. Strengthening the emotional fortitude of young performers is crucial.
How do you hope to do that?
Upon leaving drama school, the focus isn’t on becoming famous or successful; instead, it’s about finding work and doing it to the best of your capacity. The outcomes, whether favorable or not, will naturally follow. We all encounter challenging periods, and often, it’s these tough times that prove to be the most enriching, as they foster resilience within us.
What makes you sad?
Thinking of myself before I had my breakdown. Thinking of the little boy, the innocent child I was.
What makes you happy?
Riding my motorbike.
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2024-08-30 15:35