No more crying at the gym—the 2025 Grammys are here.
At the February 2nd event, hosted by Trevor Noah at the Crypto.com Arena, Taylor Swift’s “The Tortured Poets Department” is up for several awards, including a nomination for Album of the Year.
The unexpected double album TTPD was released in April, containing songs that express themes of love, loss, and as expected, a few hidden gems or Easter eggs. Notably, the track “So Long, London,” which seems to reference Taylor’s 2023 breakup with Joe Alwyn, contains some of the most poignantly beautiful lyrics on the album.>
In this refrain, Taylor laments, “You promised me love, yet I saw no signs. I waited in vain for evidence, my heart offering a sacrifice to the deities of your deepest moments,” referring to her past relationship and current union with NFL star Travis Kelce in the song’s lyrics.
The lyrics go on to say, “I’m regaining some color in my cheeks,” before mentioning Taylor’s time spent in the city during her six-year relationship with the British actor. She expresses frustration because she adored London for such a long time, “London / We had our moment / A touch of sunshine / Yet it’s not me who stays.
Multiple tracks from the album seem to touch on Taylor’s renewed relationship with Matty Healy from The 1975, a romance that reemerged in the spring of 2023 following her split with Joe, as suggested by their themes.
Oh, the one I adore so deeply, I’m rushing back home straight to you! That’s what Taylor sings in her song, “Fresh Out the Slammer”. You see, I’ve got a feeling about who’ll receive my first phone call once I’m back. Yes, it’s none other than Matty, the man of my dreams!
Moreover, Taylor looks back at her past in TTPD, but she stated in a social media post from April 19th that this particular phase is now concluded.
She stated that there was no need for retribution or balancing accounts once wounds had mended, and many of those issues were self-inflicted in hindsight. This author feels strongly that tears transform into sacred words when written on a page. Once we share our most painful narrative, we can be liberated from it. All that remains is the poignant poetry born from suffering.
Prior to the Grammys’ grand commencement, continue scrolling down for a thorough analysis of Taylor’s “The Tortured Poets Department”, with a focus on lyrics concerning Kim Kardashian.
In the opening song of TTPD, Taylor Swift and Post Malone collaborate on a track where they express their experiences in a fleeting relationship that spanned two weeks.
“And I love you, it’s ruining my life,” the lyrics tease. “I touched you, for only a fortnight.”
It seems clear that the tune contains hints about Taylor Swift reconnecting with Matty Healy from The 1975, a relationship that started in 2014 and was rekindled in the spring of 2023 after her split with Joe Alwyn.
As a lifestyle enthusiast, I can attest that, even though their rekindled romance was short-lived, it seemed incredibly intense based on these lyrics, brimming as it was with raw emotions.
She told iHeartRadio the opening number is “fatalistic” just like the rest of the “tragic” album.
“The Songwriting Tormented Souls Unit”: Previously, fans had noted a connection between the album title TTPD and Joe’s WhatsApp group chat titled “The Tortured Man Club.” However, it is the main song itself that subtly references Matty.
The song’s introductory lines, “You left your typewriter at my place,” subtly references Matty, who expressed his fondness for typewriters in a 2019 interview with GQ.
Later in the song, the lyrics provide a deeper look into the tight relationship between Taylor and Matty. Taylor reminisces, “During dinner, you remove the ring from my middle finger and place it where wedding rings usually are. And that’s the moment I came closest to my heart bursting open.
Taylor’s lyrics additionally make references to poet Dylan Thomas, stating “you’re no Dylan Thomas,” and singer-songwriter Patti Smith, asserting “I’m not Patti Smith.” Furthermore, there’s a nod towards Charlie Puth in the lines “You puffed on something then consumed seven chocolate bars / We agreed that Charlie Puth ought to be more renowned as an artist.
Taylor croons about her partner, the toy destroyer, in the third track of the album, reminiscing about a lover who ended their relationship.”
Here’s another option:
“In the third song on the album, Taylor sings about a past partner who loved breaking his favorite toys, symbolizing their destructive impact on their relationship.
The lyrics suggest, “Because I knew too much, there was peril in my closeness,” and they continue, “He destroyed what could have been eternal.”
“I was aware of too many secrets, and it was risky to get close to him,” and they proceed, “To prevent an endless future, he shattered it.
As an ardent fan, I’d share that the Grammy-winning artist revealed to iHeartRadio that this track is a metaphor seen through the eyes of a child’s plaything. In this tale, when the toy gets broken and no longer sparks joy, it mirrors how relationships can fizzle out – we feel so treasured at first, but eventually, we grapple with the reality that things cannot return to their initial bliss. It encapsulates the heartache of accepting that our romance can’t revert to its earlier days.
In her 2019 song “Cruel Summer,” she likened lovers to expensive toys, singing the lyrics, “You’re a troublesome man, a prized possession with a high cost / And you already know I purchased it.
In these song lyrics, Taylor expresses her feelings of being abandoned or ignored by someone she deeply admired and referred to as her ‘twin.’ This person was someone she had strong feelings for, but they disappeared without a trace, leaving her feeling hurt and confused.
She belts out, “How audacious of you to consider it romantic/Leaving me secure yet abandoned,” but in reality, she’s saying, “I don’t care that I was in love with you, so if I can’t have us together, then you can go straight to hell.
In a way that might ring a bell for Taylor Swift fans, as she employs it in her 1989 track “New Romantics,” the lyric “stranded” could be rephrased as: “Allow me to be left in this situation, it’s quite romantic.
Taylor explained to iHeartRadio that the song “Down Bad” likens the sensation of being love-bombed – where someone captivates you intensely and then leaves you – to an alien abduction experience. She further shared that when the character in the song returns to her hometown, she yearns for the strange, alluring world she was taken from.
Taylor exclaimed, “I’ve just discovered an entirely new galaxy and universe that I never knew existed! Now that I’ve experienced this, how can you possibly return me to my old state?
Taylor often assigns track five to her most poignant songs, and indeed, “Farewell, London” is a perfect match for this category.
In this song, Taylor reminisces about the conclusion of her romance with Joe (previously referenced in “London Boy”), as well as the recollections they built up in the city during their time together. Moreover, she hints at the factors that ultimately caused their relationship to fall apart.
She expresses, “I didn’t choose to be the outsider among you,” she croons. “I started the club that everyone raves about / I gave up everything familiar, yet you abandoned me near the Heath.
As I find myself drawn to Matty amidst the controversy that surrounds him, I can’t help but echo Taylor’s words: “But me, I love him.” This song serves as my personal anthem, expressing my desire for a connection, regardless of the criticism and disapproval from the world outside.
“No I’m not coming to my senses,” she declares. “I know it’s crazy but he’s the one I want.”
‘Just Released from Detention’: Taylor, having ended her lengthy bond with Joe, immediately recognized who she wished to contact: Matty.
“I did my time,” she sings. “Now pretty baby I’m running back home to you.”
She’s previously referred to her lover as her “jailer” during reputation‘s “Ready For It.”
When seeking a break, consider Florida as your destination, as suggested by Taylor and Florence Welch in this song.
Taylor’s lyrics suggest she’s addressing rumors about her private life with ‘You can outrun the summer heat if you outrun the accusations too,’ and ‘They called me a fraud, I guess it must be so,'” Taylor sings. “Moreover, she describes her friends as smelling either of marijuana or babies, and the city as a place that pushes her to the brink of insanity.
As a lifestyle connoisseur, when I feel the weight of past mistakes, I yearn for the sunshine and serenity that only Florida can provide. It’s there where I plan to lay my regrets to rest, letting the warm sands and gentle waves of this tropical paradise help me forget and heal.
Taylor explained that the song was actually inspired by true crime sagas about escaping town.
She mentioned that she’s often reminded of shows like “Dateline”, as people seem to commit crimes and then disappear. Interestingly, many of them choose Florida as their destination, trying to start over with a new identity. In the same way, after experiencing heartbreak, some people may feel the urge for a fresh start, desiring a new name, a new life, and wanting to remain completely unknown to those they’ve known before.
One last secret about “Florida!!!”? Taylor’s pal Emma Stone helped write the song.
In a seemingly intentional reference to Matty, Taylor’s song “Guilty as Sin?” opens with the lines, “Struggling in the Blue Nile / He directed me toward downtown lights.” Interestingly enough, Matty had previously acknowledged The Blue Nile‘s Hats as one of his favorite albums from the 1980s back in 2022.
In this powerful song, Taylor addresses her critics with the lyrics: “Isn’t it funny I’ve fallen apart? Let’s share another jest, then we can all have a good chuckle till I shed tears.
In tune with Taylor’s lyrics, I truly believe I can aid in his transformation, dismissing the skepticism of others.
The smoke cloud puffs out from his mouth, resembling a freight train passing through a quaint village, as she sings.
The jokes he shared at the bar were off-putting and excessively loud.
They express disapproval by shaking their heads and muttering, “‘Oh, God, help her,’ when I say he’s my partner,” the lyrics go on. “However, my dear Lord doesn’t need to intervene / I can mend him, yes indeed, I can / And only I am capable of doing so.
In this heartfelt song, Taylor initially expresses that she’s been referred to as the ‘love of someone’s life’ countless times. But, the situation evolved later on.
She points out that if something is instantly recognizable, it’s iconic. What we believed would last forever turned out to be fleeting.
She ends the song by letting the person know, “You’re the loss of my life.”
The lyrics suggest that the relationship being referenced might have been with Joe, but the references to rekindled flames and their past youth imply it could be about her renewed connection with Matty after such a long time: “I’ve experienced a warmth like this for the very first and only other time.
“Performing My Eras Tour Despite Heartache”: The song seems to be about Taylor delivering her Eras Tour performance flawlessly despite the heartbreak, emphasizing that she is “hitting my marks” on stage amidst a cheering audience. To mask her feelings, she puts up a brave front: “Spotlights, cameras, fake smile.
Though this song is upbeat, it’s filled with lyrics of unrequited love.
In my own words,
“I’m utterly captivated by him, yet he seems to steer clear of me as if I were some distant trouble. Yet, amidst these sorrowful moments, I find myself incredibly prolific, it’s almost like a creative masterpiece unfolding.”
And the last line: “You truly excel when you can create something beautiful, even with a heart that’s been shattered.
Taylor is curious about the tiniest man known to have existed, as he abruptly appeared to have ended his romantic involvement without a trace.
She sang that even though you accidentally knocked over the stage lights, you’re still putting on a show,” she croons. “Yet clearly visible to all, you concealed yourself behind your actions, but you are defined by what you have done.
“The Alchemy”: Stepping away from those jesters, I, a die-hard fan, found my heart in the Chiefs’ ranks – none other than Travis Kelce. In this captivating piece, “The Alchemy,” it seems Taylor has skillfully woven in references to her NFL beau, subtly nodding to his football prowess.
It’s been a while since I last appeared, but my return will be powerful. When I make my comeback, let’s get rid of the inexperienced ones and strengthen our squad instead.” (Taylor sings this.)
Later, she mentions her previous acquaintances often referred to as “idle spectators,” highlighting that we’ve been on a winning run.
Or, in a more conversational tone:
Later, she talks about some old friends of hers who were like idle spectators, but we’ve definitely been on a winning streak recently.
The last song on the album speaks about the correlation between Taylor and the late actress Clara Bow, whose life, like Taylor’s, was often shrouded in conjecture and public examination.
“It’s hell on earth to be heavenly,” Taylor sings. “Them’s the brakes, they don’t come gently.”
As a lifestyle expert, I’d like to highlight that the song’s words shine a light on the often unfair comparisons between high-profile women, such as myself, Stevie Nicks, and Clara – three women who have graced the public eye with our unique talents and styles.
The lyrics imply a comparison, saying something like, “Just as if someone were telling the next star in line, ‘You resemble Taylor Swift under this light, and we’re really enjoying it,’ they describe, ‘You have an edge that she never had, and the future is radiantly bright and dazzling.’
“The Dark Canine”: The artist laments the distance she now feels from her former confidante, expressing in song, “I was once someone to whom you divulged your deepest secrets / And knew your every move / Yet, you failed to switch off that location / Leaving me to observe as you enter some establishment named The Dark Canine / And inflict fresh wounds upon my heart.
Fans suspect that her recent public appearance mirrors the mourning clothes she wore during a behind-the-scenes video of her creating the track, which she also donned on May 18, 2023 in New York – implying that she wrote the song prior to her split with Matty becoming public knowledge in June 2023.
After surprising fans at 2 a.m. by releasing a double album with an extra 15 tracks from her “Tortured Poet” series, Swifties couldn’t help but notice that “Kim Kardashian” was mentioned in the title of the song titled “thanK you aIMee.
In a different wording: “Taylor sings as if recalling an event, possibly referencing the leaked conversation between her and Kanye West in 2016. She sings, ‘It wasn’t a just fight or an honorable end / Every time Aimee strutted on my grave.’ Then she wrote headlines for the local newspaper, mocking every small move I made.
In those words, Taylor has found new strength: “While you were throwing blows, I was constructing something remarkable. I couldn’t wait to reveal its truth to you. I shouted ‘F–k you, Aimee,’ into the night, as the blood flowed freely, but I can’t erase how you aided me in my healing process.
Taylor appears to liken her relationship with Travis to the blissful experience of a typical high school romance.
She croons, “Will our future be marriage, a kiss, or something more dramatic? In this playful song, I’m placing my bet on each possibility between the two of us.
In an old viral video that resurfaced, Travis was inquired about the popular “kiss, marry, kill” game involving Taylor Swift, Katy Perry, and Ariana Grande. (His response was that he would kiss Taylor and marry Katy.)
In “So High School”, Taylor subtly references instances where Travis would open doors for her, such as the time she traveled in a convertible with him following his football game. She humorously remarks, “Oh, how considerate! You even opened my car door. Then you escorted me to the backseat.
Not to mention this mic-drop: “You know how to ball, I know Aristotle.”
This song is influenced by the legendary Greek seer Cassandra. As explained by the Brooklyn Museum, “Apollo, smitten by her, bestowed upon her the gift of foresight; however, after she spurned his affections, he cursed her so that no one would ever believe her prophecies.
I’m expressing that Taylor appears to be singing about issuing a warning to the public regarding one of her adversaries, and she seems pleased that their true nature has been exposed for all to see.
She’s singing, “Therefore, they silenced Cassandra initially because she anticipated the direst outcome.” And she tries to warn the town, “But instead, they imprisoned me with serpents, a fact I lament – do you trust my words now?
The song portrays a poignant scene of longing for an old flame. In the chorus, she expresses this by saying, “I peer into strangers’ homes, hoping to catch a glimpse / Could it be you dining with someone new? If our eyes were to lock once more, would we find each other again?
The song “Death by a Thousand Cuts,” which she released in 2019, is reminiscent of. In this ballad, she expresses her sorrow with the lyrics, “I gaze through the windows of our love / Even though we nailed them shut / A chandelier still glimmers here / Because I can’t fake it’s alright when it isn’t.
Taylor earnestly requests the relevant authorities to provide her with a new romantic partner, presumably as a result of her recent breakup with Joe.
The song goes, “I’ve been begging for mercy / Alter the prediction,” mirrors its lyrics. “I don’t ask for riches / What I truly long for is companionship / May there come a time when I’m the one sought.
Fans argue that the song isn’t about Matty Healy from The 1975, as Taylor Swift included a hidden reference to “The Prophecy” in her “Karma” music video, which debuted on May 26, 2023, before their breakup. In the video, Taylor is depicted as a golden statue, mirroring the lyrics from “The Prophecy”: “Even statues crumble if they’re made to wait.” Taylor herself acknowledged this connection by liking a tweet about the link.
“I”: The way she croons about this fellow who promised he’d mature and reconnect with her to embark on their journey together… It sets my heart racing! Yet, a subtle hint regarding the age of this mysterious character has left fans speculating that ‘Peter’ might just be an alias for Matty.
In simpler terms, Taylor sings, “You promised you’d pick me up, but it’s been 25 years,” implying a broken promise. “The dreams I had about you have passed their expiration date.
In fact, Matty was approximately 25 years old in the year 2014. It was around this time that they became quite close, and notably, Matty showed his support for Taylor by donning an “1989” T-shirt.
In the current tune, the character named Peter is probably identical to the one mentioned in the 2020 hit song “Cardigan” (where Peter loses Wendy). This parallel suggests a connection to the famous tale of Peter Pan.
In a newer song from this year, 2024, she sings, “I have drifted away to a part of my past, known as the ‘Lost Boys’ era,” and adds, “Peter, forgive me, understand that I made every effort.
Are you still uncertain that Matty is indeed Peter? Back in May 2023, it’s said that Taylor dated him. While she was performing “Cardigan” during the Eras Tour, she seemed to be mouthing the words, “This song is about you. You recognize yourself. I love you,” on stage. This could potentially hint at their relationship.
As a lifestyle connoisseur, I find myself delving into the intriguing narrative woven within her songs. It appears that her lyrics might hint at past relationships, possibly with Jake Gyllenhaal or John Mayer, given their age difference from her. Both gentlemen are older by 9 and 12 years respectively, a factor that seems to be reflected in her compositions.
In his time, she yearned to be thirty / Each day brewing coffee using a French press, Taylor croons, then continues, “She pondered over his words that she was so knowledgeable for her age / Everything seemed transparent / Yet, she remained uncertain.
One significant hypothesis posits that she penned “The Manuscript” while revisiting “All Too Well,” a song rumored to be about Jake, in order to create the 10-minute version for 2021’s Red (Taylor’s Version). In essence, she transformed this ballad into a short film, and it appears that she references this in “The Manuscript” with these lines: “As the actors found their places on stage / The slow dance ignited sparks / And tears fell in harmony with the music.
In a different phrasing, Taylor Swift suggests that the lyrics of “All Too Well” have evolved beyond her personal experience with the romance, implying they now belong more to the fans. This is conveyed through the line: “Occasionally I revisit the original text, but the narrative no longer belongs solely to me.
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2025-02-02 22:23