This Scene From 2002’s Spider-Man Took 156 Takes, But It Looks Better Than CGI

This Scene From 2002’s Spider-Man Took 156 Takes, But It Looks Better Than CGI

As a movie connoisseur with over three decades of cinematic indulgence under my belt, I find myself consistently drawn to films that embrace practical effects and eschew digital trickery. Sam Raimi’s 2002 masterpiece, Spider-Man, stands tall among the best superhero movies ever made, owing in large part to its commitment to authenticity and practical filmmaking techniques.


Sam Raimi’s 2002 Spider-Man remains one of the best superhero movies in history, thanks to the director’s unique mix of campy fun and high emotional stakes. However, Spider-Man‘s aging like fine wine is also due to the crew’s commitment to practical effects. One scene, in particular, required an astounding 156 takes and a 16-hour shooting day to be perfect. It was worth it, as this dedication to authenticity over CGI shortcuts created a moment that still awes over two decades later.

Tobey Maguire and the Cafeteria Scene

The well-known event happens at the start of the movie, where Peter Parker (Tobey Maguire) learns his new powers for the first time in the school cafeteria. During this scene, Mary Jane (Kirsten Dunst) enters the cafeteria and flings all her food into the air. Thanks to his spider-like reflexes, Peter manages to stop MJ from falling, grab her tray, and catch every single item of food she threw. To make this cafeteria scene smoother and more convenient, they could have added CGI effects. However, they opted for authentic filmmaking, with Maguire performing the complex catching sequence without any digital assistance.

Maguire disclosed in the movie’s DVD commentary that they initially planned to execute the scene digitally. However, someone suggested standing above the camera and dropping various items, hoping they would land correctly. This straightforward idea turned out to be quite challenging during filming, as the crew found out during their extended shooting session. VFX supervisor John Dykstra acknowledged the challenge, stating that the stunt was indeed difficult, with Maguire actually performing it in take 156. Although the exact number of takes might be a bit exaggerated, Kirsten Dunst verified the scene’s authenticity by confirming it wasn’t computer-generated imagery (CGI), but rather all Tobey Maguire’s work. This is quite impressive, as they used sticky adhesive substances to attach his hand to the tray.

Quite an achievement, one might say. For that particular scene, the tray was fixed to Maguire’s hand. However, arranging all the items in the right spot without anything slipping or falling required multiple attempts. They could have opted for digital enhancement after a few tries, but Raimi prefers practical effects, which is evident in his unique approach to filmmaking.

Sam Raimi’s Practical Effects Vision

This Scene From 2002’s Spider-Man Took 156 Takes, But It Looks Better Than CGI

In the style of movie-making that Sam Raimi is known for, he prefers using practical effects rather than relying on digital technology. This preference originated from his time directing “The Evil Dead,” during which he developed a reputation for creative practical solutions, which ultimately won him a dedicated fan base.

In an effort to keep Spider-Man’s story relatable, Raimi aimed to root it in real-life situations as much as possible. His selection of Maguire for the role aligns with this philosophy. In a conversation with Variety, Raimi explained that he chose Maguire because he wasn’t like Christopher Reeve or exceptionally tall and handsome, but instead had a heart and spirit that audiences could identify with.

Raimi aimed to make his extraordinary, fantastical film feel authentic by relying heavily on practical costumes and effects. By 2002, Raimi was an expert in this field, having earned recognition through the The Evil Dead series. However, translating that same production philosophy to a large-scale superhero movie wasn’t straightforward. In the DVD commentary, Dykstra reveals that Sony initially wanted to scrap the cafeteria scene but kept it because Raimi had already invested 16 hours filming it.

If the bosses had their way, the scene would never have been released. We’re fortunate that Raimi insisted on it, as it now stands as a cherished piece of Hollywood legacy, demonstrating how a director’s individual style outshines generic CGI-heavy blockbusters. Here’s hoping Raimi uses more practical effects in his upcoming Marvel project.

Sam Raimi Should Use Practical Effects for Doctor Strange 3

This Scene From 2002’s Spider-Man Took 156 Takes, But It Looks Better Than CGI

Approximately twenty years following his groundbreaking work on Spider-Man, Raimi was enlisted by Marvel Studios to direct Doctor Strange in the Multiverse of Madness. This film encountered numerous production hurdles, such as the pandemic and urgent script revisions to align with Spider-Man: No Way Home. Predictably, it garnered a variety of opinions from both critics and audiences. Nevertheless, Doctor Strange in the Multiverse of Madness continues to receive acclaim for Raimi’s distinctive visual approach and horror aspects.

It’s great news that Raimi is likely to direct the MCU’s Doctor Strange 3, given Marvel Studios grants him sufficient creative autonomy. Reports indicate he’s close to signing on for the project, hinting at a possible reprise of his skillful integration of practical and digital effects in the supernatural realm. If realized, this could lead to an intense, magical cinematic experience that beautifully combines real-world effects with essential CGI. Recalling his work on 2002’s Spider-Man, we eagerly anticipate this rumor to prove true.

Spider-Man and Doctor Strange in the Multiverse of Madnessare available for streaming on Disney+.

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2024-11-24 23:09