A star rating of 5 out of 5.
It appears that several directors on the West End have discovered through experience that casting any well-known Hollywood actor alongside a Shakespeare play doesn’t guarantee success every time.
In other words, Jamie Lloyd has finally discovered the solution using this specific equation – combining two Marvel superheroes, Shakespeare’s most cherished romantic comedy, and a musical based on a jukebox – as his latest version of Much Ado About Nothing is overflowing with warmth, grandiosity, and an exhilarating, unconventional delight from beginning to end.
In the stark ambiance of Theatre Royal Drury Lane, this production masterfully straddles the gap between timeless literature and modern-day house parties, aided by an energetic playlist of ’90s dance anthems. The showers of hot pink confetti from above, at times making me fret for the clean-up team, add to the festive atmosphere. A massive inflatable heart even descends during the first act, eschewing any semblance of subtlety. When you’re tackling one of the most legendary enemies-to-lovers stories ever penned, why not embrace it wholeheartedly?
Indeed, Tom Hiddleston gracefully danced about the stage, embodying the charming rogue Benedick. Initially a confirmed bachelor, he transformed into an adorably bashful character once he discovered Beatrice’s affection for him, making me half-expect to exclaim, “Tom, it seems your inner Hugh Grant is shining through!
Atwell, much like Beatrice, stands as an equally remarkable figure, embodying her complete self – a woman who is both tough-minded and compassionate, adorned with a softness that invites love when it’s due. In her portrayal, she skillfully upholds the legacy of Shakespeare’s most brilliant heroines, while imbuing her lines with a personal, weary touch that feels uniquely hers.
Whenever they are side by side, there’s an electric atmosphere. It could be due to their paths crossing in impressive ways throughout the past ten years, or it might just be their exceptional talent. Either way, they appear effortlessly at ease around one another, exchanging playful jibes with obvious delight, followed by heartfelt expressions of affection that were so moving, I found myself tearing up.
Together on stage with these two renowned actors, there’s an outstanding ensemble featuring Mason Alexander Park, who captivated audiences in Jamie Lloyd’s last production The Tempest. This talented individual infuses the entire production with their soulful presence, not just through their convincing portrayal of Margaret, the loyal maid, but also by serenading us with several ballads and popular tunes.
James Phoon is additionally notable, as Claudio, for embodying the troubling blend of kindhearted boyfriend and arrogant misogynist who betrays Hero, his potential bride, in an instant. Once more, he skillfully brings Shakespeare’s dialogue into contemporary relevance.
As a cinema enthusiast, I must admit that the entire cast flawlessly navigated the shift in tone during the second act. The lightheartedness and joviality from the first half were swiftly snuffed out as Hero was falsely accused of being ‘un-chaste’. What followed was a harrowing mix of harsh words and gut-wrenching sorrow that left me breathless.
Indeed, as it’s a Shakespearean comedy, it’s only fitting that the chaos and sorrow are resolved by the finale, allowing the characters to wed and celebrate – making for a delightful conclusion to a captivating evening.
To put it simply, I challenge even the strictest adherent of Shakespeare or the most devoted fan of Loki, not to be captivated by this delightful fusion of Shakespeare and Mamma Mia.
It’s surprising how a play that’s more than four centuries old can still make people laugh, cry, and even cheer – especially with Tom Hiddleston starring in it. After all, that’s just the kind of effect he has, isn’t it?
How long is Much Ado About Nothing in London for?
For a brief window, ‘Much Ado About Nothing’ is being performed live! The production will run through the 5th of April, 2025, at Theatre Royal Drury Lane, with shows scheduled from Monday to Saturday.
How much do Much Ado About Nothing London tickets cost?
Due to limited quantities, you can expect to pay a minimum of £59 (excluding any booking fees) for the opportunity to watch Hiddleston and Atwell perform in Much Ado About Nothing.
How to get Much Ado About Nothing tickets
Tickets can be purchased at both London Theatre Direct and LOVE Theatre, with many seats still up for grabs!
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2025-02-21 14:34