The soundtrack for “Babygirl” is filled with a variety of songs, from classic tunes to tracks by emerging artists, all perfectly complementing the themes in the A24 film. Directed and written by Halina Reijn, who also helmed “Bodies Bodies Bodies”, this erotic drama stars Nicole Kidman as Romy Mathis, a CEO of robotics, embarking on an intense affair with her young intern Samuel (Harris Dickinson, known for his role in “Triangle of Sadness”). The movie’s talented cast also includes Antonio Banderas, who has been nominated for an Oscar, Sophie Wilde from “Talk to Me”, Anoop Desai, a contestant on American Idol, and Dolly Wells, recognized for her work in “Inside Man”.
The film proved to be a financial triumph, raking in $64.5 million globally while only costing $20 million to produce. Although it didn’t secure any Academy Awards nominations, it did garner a 76% positive rating on Rotten Tomatoes and was recognized with both a Golden Globe nomination and a National Board of Review Award, despite the debate surrounding its content. The controversial age gap romance at the heart of the story is emphasized by numerous pre-recorded songs, known as “needle drops,” which heighten both the sensuality of the scenario and the broader film’s themes.
| Song | Artist |
|---|---|
| “It’s Christmas” | Carl Coccomo |
| “Dancing On My Own” | Robyn |
| “Carres” | Crowander |
| “12 Clock” | The Skyler Hagner Big Band |
| “De Toneelacademie” | De Jeugd Van Tegenwoordig |
| “Requiem in D Minor, K. 626 ‘Missa pro defunctis’: III. Sequentia” | Rundfunk-Sinfonieorchester Berlin |
| “Never Tear Us Apart” | INXS |
| “Father Figure” | George Michael |
| “Sleeper” | BADBADNOTGOOD & Charlotte Day Wilson |
| “Deceptacon” | Le Tigre |
| “Creep” | Yellow Claw & Police In Paris & Stoltenhoff |
| “CRUSH” | Yellow Claw & Natte Visstick & RHYME |
| “LSD” | Yellow Claw feat. Syaqish |
| “Leash” | Sky Ferreira |
When Every Song On The Babygirl Soundtrack Plays In The Movie
The Songs Frequently Comment Upon The Story
In the movie “Babygirl,” approximately 15 minutes in, you’ll hear the first track which is the holiday song “It’s Christmas” by Carl Coccomo. This tune gently plays during Romy’s company’s festive gathering, serving as a subtle reminder that the story unfolds during the yuletide season. This detail is significant because the initial script was set over the summer; however, due to delays caused by the 2023 strikes, the storyline was shifted to another time of year.
At a festive gathering, “Dancing On My Own” by Robyn echoes, a song filled with melancholy, from the talented Swede, Robyn. The scene unfolds as Romy shares an intense moment on the balcony with Samuel, leaving her yearning for him. Despite initially dancing with family members, Romy eventually steps aside, her heart heavy as she observes Samuel dancing with another intern, a sight that makes the song’s lyrics, “I’m in the corner watching you kiss her“, resonate even more deeply due to their striking parallel to her feelings.
This profound classical composition, “Requiem in D Minor, K. 626 ‘Missa pro defunctis’: III. Sequentia” by Wolfgang Amadeus Mozart, is played during a dramatic transition between significant scenes. It starts as Samuel bids farewell to Romy after giving her a glass of milk at the bar, and continues into a series of Romy’s imaginings about him, culminating in her returning backstage following her husband’s play.
The hit single “Never Tear Us Apart” by INXS resonates following Romy’s initial encounter with Samuel in a hotel room, and it serves as background music for a series of scenes depicting their secret relationship across different locations. The choice of this 1987 anthem highlights the age difference between the characters, since it was released before Samuel was born. Towards the end of these scenes, we see Romy dancing to the song in her personal space, implying that the tune symbolizes her feelings about the affair, not necessarily Samuel’s.
In a hotel room, Samuel dances sensually to George Michael’s 1987 solo hit, “Father Figure,” originally from Wham! member George Michael. This song choice not only maintains the 80s vibe of the soundtrack but also subtly highlights the age difference between the main characters by contrasting the lyrics with Samuel’s youth and his control over Romy.
At Romy’s little one’s birthday celebration, “Sleeper” by BADBADNOTGOOD and Charlotte Day Wilson provides a smooth tune in the background, hinting at an imminent arrival of Samuel without Romy knowing it.
As a film enthusiast, I can’t wait to include “Deceptacon” by Le Tigre in my movie! This energetic tune will be the perfect soundtrack for my protagonist Romy’s daughter’s birthday bash. It’ll set the mood after Samuel makes his grand entrance, capturing a poignant moment when Romy gazes at him from across the dance floor – a clear indication of their evolving relationship since the office holiday party.
At the nightclub, ‘CRUSH’ by Yellow Claw, Natte Visstick & RHYME plays as Romy and Samuel dance. The song’s driving rhythm mirrors the intense attraction Romy has for Samuel, despite knowing that pursuing their relationship defies her sound reasoning.
Creep” by Yellow Claw, Police In Paris & Stoltenhoff
Description: This upbeat electronic dance tune can be heard pulsing through the club during the dance scene. It maintains a similar vibe to another track by Yellow Claw that we’ve previously played. The lyrics contain the phrase “I’m a dirty little freak“, which reflects Romy’s self-perception as she delves into her feelings and desires beyond her marriage.
In this club scene, “LSD” by Yellow Claw with Syaqish is track number three. Playing Yellow Claw’s music consecutively helps convey the passage of time, as it depicts various tunes the pair grooves to over the course of the evening, while preserving a consistent vibe throughout.
Leash” by Sky Ferreira
This song, penned by Ferreira (a multi-talented artist who starred as both a singer and actor in 2017’s “Baby Driver”), along with Jorge Elbrecht, carries a mysterious and seductive vibe. The lyrics echo the canine motif that permeates the film, as Romy delves into themes of power and control in “Babygirl”. This song was specifically composed for the movie and is heard during the end credits. Although it made the longlist for an Oscar nomination in the Best Original Song category, it didn’t secure a spot in the final nominations.
In Babygirl’s end credits, there are other songs mentioned that aren’t heavily used throughout the film. These include “Carres” by Crowander, an electronic instrumental track, and “De Toneelacademie” by De Jeugd Van Tegenwoordig, a Dutch hip-hop song. Also credited is “12 Clock” by The Skyler Hagner Big Band, but this song hasn’t been released on any platform, so it’s unknown when it appears in the movie. However, it might be the jazzy tune that plays as Romy enters the bar where Samuel orders her a glass of milk.
Where To Listen To Babygirl’s Soundtrack
Its Instrumental Score Is Also Available To Stream
In essence, while A24’s movie Babygirl‘s soundtrack hasn’t yet been compiled into an official album release, you can still listen to most of the songs associated with it on various digital music platforms like Spotify, Amazon Music, Apple Music, YouTube, and more. The exception being “12 Clock.” However, the original song by Sky Ferreira titled “Leash (Babygirl Original Soundtrack)” is available for streaming or purchase separately on these same platforms.
Moreover, 12 tracks from the instrumental score by Cristobal Tapia de Veer have been compiled as “Babygirl (Original Soundtrack)” and can be found streaming or for purchase on various online platforms. However, it’s not available in a physical CD format.
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2025-05-02 20:39