As a passionate Star Wars aficionado, I’d like to share a fascinating tidbit from movie history: Before selling Lucasfilm to Disney, old man George Lucas was rumored to have penned numerous scripts for the Star Wars saga, steering it towards a far more ominous trajectory.
As Disney prepared to acquire Lucasfilm in 2012, fans got the feeling that something out of the ordinary was happening. While The Clone Wars continued to air on Cartoon Network, there was an unusual silence from the publishing side following the conclusion of the Legacy of the Force series. After a brief pause, standalone novels featuring individual characters were released, which seemed quite unexpected given our familiarity with long-form story arcs. This shift in narrative structure felt very strange to us.
At Dark Horse Comics, they’re delving into narratives from both extremes of the cosmic timeline, including the “Dawn of the Jedi” and “Legacy II” series. Lately, they’ve revamped the designs and layouts of their monthly releases, giving them a cohesive visual aesthetic that feels like a significant improvement.
As a film critic, I’ve been closely following the tumultuous journey of Lucasarts. Over the past period, the revolving door of leadership has left its mark on the company’s release plans, causing chaos and uncertainty. Regrettably, some promising projects have fallen by the wayside due to these changes.
There was a sense of anticipation hanging in the air, as if everyone associated with the Lucas companies was subtly holding their breath. It seemed as though they were all waiting for some significant news or maybe indicating that the European Union’s narrative had arrived at a natural conclusion.
Amongst various concerning indications, there was much discussion about an upcoming series that would delve into the criminal aspects of the Star Wars galaxy, known as “Star Wars: Underworld”.
Back at Celebration III in 2005, the announcement was made for a gripping tale that would delve into the shady world of Star Wars’ criminal underworld. George Lucas himself had always been drawn to scripts with the potential to reshape television narrative, predicting that the future would see TV surpass movies in popularity. So here I am, reviewing this groundbreaking series that promises to redefine the Star Wars universe on the small screen.
He strived to innovate groundbreaking technologies (such as what eventually turned into “The Volume”), aiming to lower costs associated with storytelling. Over the course of seven years, he developed 50 scripts for what was envisioned as a long-running series. Primarily written by Ronald D. Moore, known for Star Trek and Battlestar Galactica, this series aimed to usher in a new chapter of Star Wars storytelling – one characterized by a more mature, adult-focused approach.
During this timeframe, another project named “Star Wars: 1313” was simultaneously being worked on. Similar to “Underworld,” the narrative centered around an aspiring bounty hunter (later identified as Boba Fett), who honed his skills post-Jango’s demise.
Currently, the YouTube channel known as “Young Indy Chroniclers” has shared excerpts from an interview with Rick McCallum, offering additional insights about the abandoned “Star Wars: Underworld” series. Regrettably, it appears that the production costs for each episode exceeded $40 million dollars, whereas a more practical budget of approximately $5 million would have been preferable.
Back in the day, I stumbled upon some old footage rumored to be from “Star Wars: Underworld”. Though it may not meet today’s visual standards, it’s clear that Lucasfilm was pushing boundaries, experimenting with technology and technique, aiming to deliver a captivating cinematic experience on a smaller screen.
As a devoted cinephile, it’s clear to me that if Disney hadn’t acquired Lucasfilm, the original intention was to delve into the morally ambiguous corners of the Star Wars Universe. These were the regions where characters straddling the line between Rebellion and Empire struggled to survive and thrive.
60 Star Wars scripts from George Lucas, including those for the episodes you’re familiar with, the development of Star Wars: 1313, and outlines for episodes VII, VIII, and IX, are securely stored within the Disney Vault.
What an alternate reality we would be in today had these productions moved forward.
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2025-03-13 21:55