Wonder Woman #18: Is This the Epic Showdown We’ve All Been Waiting For?

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Following a prolonged period where she handed over battles to her associates as she grappled with sorrow and new motherhood, Wonder Woman has decided to take matters into her own hands in “Wonder Woman” #18. This development wasn’t merely triggered by Steve Trevor’s demise and the arrival of The Trinity. Rather, it has been a gradual build-up throughout this comic series. We’ve long anticipated Wonder Woman confronting the Sovereign, the architect of her hardships, but while this issue lays the groundwork for that encounter, the narrative progression remains leisurely paced – and the overall purpose of these events still seems unclear.

The storyline commences, as many stories in Tom King’s work has, with an explanation. The Sovereign delves into the rebuilding of the Washington Monument and transforms it into a grand allegory about American self-perception. This is part of his narrative to Trinity, but in reality, the events unfold quite differently – less poetic and more chaotic.

The Oval Office is in disarray with a weak president struggling to halt Wonder Woman, while an irritated Sovereign assumes power from behind the Resolute Desk. Throughout this issue, Diana traverses the White House lawn, parrying all assaults against her. Men scramble and escape when given the chance, leaving the story on a note hinting that in the next installment, Wonder Woman will confront the man who has caused her pain and that of her people.

Essentially, this comic isn’t bad overall. Throughout the series, Daniel Sampere’s art has been exceptional, and there are some stunning visuals – like Wonder Woman approaching the White House – that are truly captivating. However, the narrative itself lacks depth, making it feel rather unengaging. The storyline reinforces the idea that no one can truly challenge Wonder Woman, yet her interactions with Sergeant Steel continue to be underwhelming. This issue also introduces a new character, General Glory, only to quickly discard him without any clear reasoning other than a possible attempt to rival DC’s Captain America. However, if you consider this issue as part of the broader arc, it seems promising, much like many of King’s works. In essence, it’s alright.

Although she’s competent in this run, stepping back reveals that it might not be one of Wonder Woman’s strongest stories. As a character, Wonder Woman has always been known for her concern for Man’s World and its people. However, in this story, she seems to have narrowed her focus solely on finding those responsible for taking Steve away from her. While grief can certainly drive someone, it seems more like an obsession here rather than genuine grief. Additionally, the narrative is heavily centered around the Sovereign’s perspective, leaving readers feeling that they’re not getting the full story this character deserves.

In the broader context of Wonder Woman’s comic book series as written by King, issue #18 is satisfactory. Our protagonist returns to action, there’s some excellent artwork, and there’s a sense that we might be moving forward. However, it continues to feel like we’re only scratching the surface of the story, with the narrative seeming to misunderstand its central character as it strives to find its message. Regrettably, it’s still having difficulty in effectively communicating what it intends to convey.

Rating: 3 out of 5

Published by DC Comics

On February 19, 2025

Written by Tom King

Art by Daniel Sampere

Colors by Tomeu Morey

Letters by Clayton Cowles

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2025-02-19 18:41