X-Manhunt Omega #1 is a Predictable Crossover Conclusion (Review)

Since the Krakoa Era, ‘From the Ashes’ has been a somewhat underwhelming sequel, returning various X-teams to familiar but static storylines without offering much fresh content. However, it’s only been a short time, and the X-line has already seen its first major crossover titled “X-Manhunt”. This narrative centers around Professor Xavier breaking out of Graymalkin prison, clashing with both the X-Men and X-Factor, and recovering the last Krakoan resurrection egg to revive Lilandra Neramani, the former Empress of the Shi’Ar Empire. She is the only one who can save his daughter Xandra. This has all been leading up to X-Manhunt: Omega #1, a climactic story that wraps up the various threads woven throughout “X-Manhunt”. Unfortunately, if you’re not on board with the creative choices made by X-Men group editor Tom Brevoort, this book will feel like just another X-Men comic.

The narrative begins with a recollection of the aftermath of “Raid on Graymalkin”, where two X-Men teams debated whether to free Professor Xavier and the prisoners at Graymalkin. Cyclops advocates for leaving him imprisoned, while Rogue argues against abandoning any member of the X-Men. The tale then shifts to the current scenario, with Storm and Sage deliberating over the predicament, while depicting the offenses for which Xavier was detained. After a mutual agreement, Storm offers one of the Storm Sanctuary’s engines to Sage for an enigmatic objective involving a colossal mech. The story then skips around, as the X-Men and X-Factor search for Xavier’s whereabouts. Cyclops and Magik end up in Reynisfjara, Iceland, with Lilandra performing brain surgery on Xavier. Although it initially appears that Xavier isn’t present, a vessel is launched from the location. Cyclops and Magik team up to destroy the ship, but Xavier isn’t found aboard. Magik plummets, but is rescued by a giant demon she conjured. Sage emerges with a megaphone, explaining how she tricked Magik, and John Wraith appears in the gigantic mech to engage Magik’s demon in combat.

In the heat of battle, Magik’s demon endures the brunt of the damage, while Cyclops manages to demolish the mechanical foe. As Cyclops rushes to aid an injured Magik, another vessel is launched, prompting her to use her remaining energy for a teleportation spell to take Cyclops there. Upon reaching the ship, Cyclops attempts to force entry, but Xavier’s astral form intervenes, explaining that the humans Cyclops was accused of killing were merely simulacra, designed to provoke hatred towards him, not the entire mutant race. Storm then fires at Cyclops, enabling Xavier to flee. Overwhelmed by a fit of panic, Cyclops’ powers run amok until Wolverine intervenes with a stab wound to his abdomen. However, in a touching moment, Xavier requests a farewell, leading them back for a heartfelt goodbye before departing with Lilandra, extending an invitation to the Shi’Ar Empire whenever they choose.

To kick things off, let’s talk about the positive aspects first. This battle-centric issue showcases a well-orchestrated, well-organized fight sequence, skillfully penned by writers Gail Simone and Murewa Ayodele. The narrative flows smoothly with engaging action scenes that keep you on the edge of your seat.

An intriguing detail in the battle sequences is the creative team’s labeling of specific moves, such as “The Red Surfer” or “The Jaw Annihilator” or “The Scarlet Scattershot”, which adds a layer of excitement to the fight scenes.

Characters remain true to their nature, with a powerful final dialogue that resonates. The plot also addresses Xavier’s brain tumor, adding depth to the storyline. The dynamic between Cyclops and Magik is particularly noteworthy.

Artistically, the team of Gleb Melnikov, Federica Mancin, and Enid Balam delivers impressive work, with Melnikov’s pages standing out in particular.

Although “X-Manhunt” started off unpredictable with the X-Men clashing, as it progressed, the storyline became quite foreseeable. The same holds true for this issue; it was not difficult to anticipate that Professor Xavier would leave by the end. Unfortunately, this predictability is a recurring issue in Brevoot’s X-Men series. Furthermore, the narrative often seems repetitive, as events and character motivations are frequently rehashed, such as Rogue’s desire for Xavier’s release and Cyclops’ opposition to it. This lack of novelty has been a significant flaw in “From the Ashes”.

On a fundamental level, the comic book X-Manhunt Omega #1 is flawlessly executed, featuring some exciting sequences and memorable moments. However, it shares the issues that From the Ashes often faces – it’s predictable and seems to be laying the groundwork for a future event at the Mansion. This is typical of Brevoort’s X-Men series, as it lacks fresh concepts and the destination is already well-known. If you appreciate that objective, then this issue will undoubtedly please you. On the other hand, if, like me, you don’t share that enthusiasm, then this issue is more of the same content you might not find appealing.

Rating: 3 out of 5

Published by Marvel

On March 26, 2025

Written by Gail Simone and Murweda Ayodele

Art by Glen Melnikov, Federica Mancin, and Enid Balam

Colors by Brian Reber

Letters by Travis Lanham

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2025-03-26 17:41