Although some Jujutsu Kaisen fans are still unhappy about the series’ conclusion and are eagerly anticipating Season 3 updates, there is an exciting new project on the horizon to keep them entertained in the meantime. Gege Akutami’s upcoming work, known as Mojuro in Japanese, will get a sneak peek in Issue 40 of Weekly Shonen Jump, with the series set to officially debut in the following issue on September 8th, 2025. It is said that this new creation will be a temporary project, with Akutami penning the story while Yuji Iwasaki, known for his illustrations at Cipher Academy, handles the artwork.
The buzz around the highly anticipated new work by the famous author is already palpable, even though the story’s details are still secret. Despite the fact that Jujutsu Kaisen stands out as one of the greatest series in the shonen genre, it wasn’t without its shortcomings. Readers had varying opinions about the sudden conclusion, pointing out aspects that could have been better. Since Akutami’s upcoming manga is also a temporary series, he absolutely needs to steer clear of these three crucial errors if he aims to connect with fans and fill the gap left by Jujutsu Kaisen.
1) Making Female Characters’ Development Fall Flat
It’s unfortunate that despite creating some memorable female characters like Maki Zenin, Jujutsu Kaisen still seems to follow a pattern common in the shonen genre by not fully developing its female cast. This is particularly disheartening because the series set up many of its women with promising storylines, but they ended up being pushed aside later on. Following the Shibuya arc, Maki’s growth was significant and suggested she would play a crucial role in the final conflict. However, her participation against Sukuna during the climactic battle was minimal at best.
In addition to Kasumi Miwa, there are other characters who deserve mention. Although she didn’t have an inherent cursed skill, Miwa excelled in the New Shadow Style: Simple Domain exceptionally well, demonstrating her talent and promise. However, her storyline was cut short following Shibuya, a decision that missed the chance to highlight how focusing on one ability could propel someone to greatness. Fans are still puzzled about Nobara Kugisaki’s role as the main female character. To prevent repeating this misstep in ‘Mojuro’, especially considering its limited run, the female lead should be developed consistently from start to finish to ensure a lasting impact.
2) Pivoting From One Single Main Villain for the Story
Despite the ending of “Jujutsu Kaisen,” fans are still debating who the true main antagonist was. Throughout the show’s run, three primary villains emerged: Mahito, Ryomen Sukuna, and Kenjaku. Many spectators believe that Kenjaku may have been the ultimate antagonist due to his complex centuries-old scheme. His character had significant untapped potential that could have been further developed if he had been portrayed as the final villain. A lengthy flashback revealing his background could have added depth and context, while also filling in gaps about the Heian era, a period frequently hinted at as the most intriguing time for sorcery but one that was not fully explored in the series.
In my opinion, while Kenjaku’s role in the final arc of Jujutsu Kaisen was unexpectedly swift, it felt a bit abrupt without a clear, compelling narrative reason for Sukuna to become the ultimate villain. The series didn’t provide enough backstory for our main antagonist, leaving us with mere fragments and hints. To ensure a more satisfying conclusion in future projects, I believe it’s essential for Gege to concentrate on a solitary, well-defined mastermind villain whose motivations are delved into deeply, preferably through captivating flashbacks. Given the project’s brief timeline, having too many villains could lead to an anticlimactic storyline, even more so than what we experienced with Jujutsu Kaisen’s ending.
3) Creating Another “Gojo”
A common complaint among fans of Jujutsu Kaisen is that the main character, Yuji Itadori, doesn’t fully fit the mold of a traditional shonen protagonist, frequently being outshone by other characters. In contrast to typical shonen leads, Yuji seems less central due to figures like Gojo Satoru who magnify this imbalance, making Yuji appear less dynamic. At times, even Megumi Fushiguro appears more like the primary hero, despite the story focusing on Yuji.
In order for Gege Akutami to create a captivating shonen story with “Mojuro,” it’s essential that the primary character is driven by powerful motivations right from the get-go, as this will help sustain the narrative’s momentum. Given the series’s limited run, it’s crucial that the lead character stands out without being overshadowed by other characters. To accomplish this, Akutami should steer clear of creating a protagonist reminiscent of Gojo, whose dominance might eclipse the main character’s role.
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2025-08-31 19:44