
It’s really rewarding when a fantasy series improves with each new book, but that doesn’t always happen – often, even excellent stories are best remembered for their first part. This isn’t to say the sequels are poorly written, but it’s hard to recreate the special feeling of a fantastic first book, especially once the initial excitement fades.
A fantastic first book in a fantasy series can really grab readers, but it also creates a lot of pressure for the sequels. This is definitely the case with popular series like those from Brandon Sanderson’s Cosmere, and even with darker, more intense takes on the magic school trope.
5) Mistborn Era 1 by Brandon Sanderson
First Book: Mistborn: The Final Empire

All three books in the first Mistborn era are fantastic, earning a perfect score, but The Final Empire is just slightly better than The Well of Ascension and The Hero of Ages. This is mainly because Kelsier’s viewpoint is incredibly engaging and his presence is missed later on. The Final Empire also benefits from a clever, fast-paced plot centered around a heist. Plus, Sanderson’s magic system and surprising twists feel particularly innovative in this first book. While those elements continue in the next two books, nothing quite matches the impact of the Lord Ruler reveal in The Final Empire—though the twist involving the Kandra in the second book is a close second.
4) The Gentleman Bastard Series by Scott Lynch
First Book: The Lies of Locke Lamora

Scott Lynch’s Gentleman Bastard series isn’t finished yet, but it’s been a long wait for the next book, so we can evaluate the three books we have so far. While Lynch has built out the world in later installments, The Lies of Locke Lamora remains the strongest. Like The Final Empire, it has a tighter, more focused story – and, interestingly, it also features a heist. The limited setting actually works in its favor; the city of Camorr feels incredibly vivid, with a dark, Venetian-inspired atmosphere that’s hard to beat. The ending of the first book is particularly impactful, though the series consistently delivers strong emotional moments.
3) The Locked Tomb by Tamsyn Muir
First Book: Gideon the Ninth

I was completely captivated by The Locked Tomb series when Gideon the Ninth came out, and while the buzz has died down a little, I really think the later books deserve attention too. Gideon the Ninth still stands out as something truly special, though I’m hoping the fourth book will change that! It might take a little getting used to, but it’s much easier to dive into than Harrow the Ninth. I enjoyed Nona the Ninth, but honestly, neither the character nor the story quite reached the heights of the first book. Each installment feels so unique, which isn’t necessarily a bad thing, but it does mean they don’t quite capture the same magic. Gideon the Ninth just left such a strong impression with its witty, sarcastic main character and the intriguing mystery it presented. The others aren’t trying to recreate that, and that’s okay, but as a fan of the first book, I couldn’t help but feel a little underwhelmed.
2) Raven’s Shadow by Anthony Ryan
First Book: Blood Song

Anthony Ryan’s Raven Shadow books often get mixed reactions. While Blood Song is almost universally praised as a fantastic start to the series, the following two books are more inconsistent. Ryan builds upon the world he created, but the change in focus makes those sequels less impactful. Blood Song excels at developing its main character, Vaelin, with a compelling and well-paced story. As the series expands in scope, it loses some of the intimate focus and appeal that made the first book so strong. Exploring more of the world and characters isn’t necessarily a flaw, but it creates a different experience that some readers might find less satisfying.
1) The Magicians by Lev Grossman
First Book: The Magicians

Lev Grossman’s The Magicians trilogy offers a fresh, darker take on the magical school story, and the first book is where this idea shines brightest. It’s likely the newness of the concept, or simply that the characters are more appealing at the start, but the first book feels full of promise. The characters are realistically flawed and have room to develop, the world of Fillory is intriguing, and the story effectively shows that magic isn’t a simple solution to problems. Sadly, the following books don’t quite live up to the potential of the first, becoming overly cynical and sometimes slow-paced. While the third book is a step in the right direction, it still doesn’t feel as polished. Overall, The Magicians series benefits greatly from its television adaptation.
Which fantasy series had its strongest start with the very first book? Share your thoughts in the comments and join the discussion on the ComicBook Forum!
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2026-03-12 04:10