“From the Center of Everything”: Tower of God Creator Talks About Success in the Growing Manhwa Industry

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Lee Jong-hui, better known as S.I.U., creator of the widely acclaimed Korean manhwa “Tower of God,” recently had a roundtable discussion with ComicBook and journalists from Anime Corner, Anime News Network, Screen Rant, and The Beat. During this conversation, he shared insights about his influential series, personal traits as an author, and the animated versions of his work. Launched on the Korean Naver Webtoon platform in 2010, “Tower of God” swiftly climbed the ranks to become one of the platform’s top webcomics. The success of the series paved the way for a two-season animated adaptation, with the first season produced by Telecom Animation Film and the second season produced by The Answer Studio.

The action-fantasy series, “Tower of God,” follows a young man named Bam, who goes by Twenty-Fifth. He spent his life imprisoned beneath a mystical tower, but when his friend Rachel ventured within, Bam broke free to pursue her. Being an outsider, Bam is labeled an “Irregular.” Upon entering the Tower, he encounters a unique power structure and various civilizations. Those with higher status dwell on the upper floors, gaining access by successfully passing demanding tests that assess their physical prowess, agility, and intellect.

Tower of God‘s Creator Discusses His Career Trajectory

Over a period spanning more than 15 years following the publication of “Tower of God,” S.I.U was questioned about their future professional pathway. In the discussion, they draw parallels between the expanding Korean manhwa market and the established Japanese industry. They also express their feelings about being at the heart of these dynamic developments.

Given the success of Urek Mazino throughout various seasons of the anime, not to mention its impressive print run, I’m curious about your thoughts on the evolution of your series over the past 15 years within the rapidly expanding manhwa industry. How do you feel it has fared during this period?

From my perspective, it appears there’s a noticeable difference between the established and emerging landscapes of comic creation – specifically comparing Japanese manga to Korean webtoons. In Japan, many creators seem to have already found their footing within the established market, whereas Korean webtoon creators are still carving out their niche and making strides towards becoming mainstream. Personally, I aspire to contribute significantly from the heart of this vibrant scene rather than remaining on its outskirts.

Jong-hui shares an intriguing perspective that suggests only someone in his position could appreciate. At its early stages in 2010, webcomics such as Webtoons were just starting to gain traction. Unlike traditional Japanese manga, where creators, known as mangakas, would build a reputation before publishing their significant works, Webtoon provides a platform for creators to be part of the action from the get-go. The creator of “Tower of God,” S.I.U., appreciates this approach because it places him right at the heart of things instead of on the sidelines as he terms it. It appears that Jong-hui might be alluding to the Japanese editors and staff who collaborate with mangakas on their manga. Conversely, Webtoon gives authors more direct oversight over their work, which aligns with S.I.U.’s preference.

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2025-09-12 19:53